Well its official now, Jodie Whittakers era has been a disaster. DVD sales are down, merchandise is virtually non existent, and the shows viewers have dropped almost every week since her first episode to under 4 million.
That’s with all the publicity, support and promotion the show could have, and it being placed in the best time slot. (Not only is Sunday night less competitive, but the show is also being shown in January, the best month for any tv show.)
Naturally fans have begun to hurl accusations at certain individuals and groups for ruining this once most wonderful of series.
Chris Chibnall, Jodie Whittaker and the SJW boogey men tend to get the most of the blame. I used to hold the SJWs solely responsible, but in truth now I think they were merely a symptom of the greater problems with the entire 21st century version of Doctor Who.
Ulltimately the 21st century version of Doctor Who never showed any respect to the original. It never attempted to carry on its story arcs, characterisation of the Doctor or other characters like the Master, the Daleks etc.
It was always in essence a remake, which would have been fine, except that it insisted on being a sequel in order to cash in on the originals huge success.
Sadly however unlike other fandoms that generally tend to reject unfaithful adaptations, Doctor Who fans have been quite unique in rolling over and taking the vandalisation of their favourite series.
Over the course of this miniseries, we will see how a particular fandom incrowd were able to dominate all areas of the Doctor Who franchise, not just the television series. We will see how this incrowd didn’t have the shows best interests at heart, how they nurtured a kind of self loathing fanboy mentality and spread lies, such as “Doctor Who is all about change, so all change is good”: and how these lies ultimately destroyed the very core concept of Doctor Who.
The Fitzroy Crowd and their takeover of the franchise
Throughout the 90s when Doctor Who was off the air, a fandom incrowd began to take over all forms of Doctor Who related media. The book range, the magazine, the audios. This incrowd have often been referred to as the Fitzroy Crowd, as they all used to congregate at the Fitzroy pub. They included Russell T Davies, Steven Moffat, Paul Cornell, Nicholas Briggs, Mark Gatiss and Chris Chibnall.
The Fitzroy Crowd, contrary to popular belief were not the only people interested in reviving Doctor Who throughout the wilderness years. Terry Nation the co-creator of the Daleks pitched a version, as did Leonard Nimoy, the actor and director best known for playing Spock in Star Trek. Steven Spielberg even expressed an interest in the brand at one point.
“Leonard Nimoy is a very pleasant, courteous, soft-spoken and generous man, who had already invested a great deal of time in researching Doctor Who. He had accumulated a fairly extensive collection of videotapes, covering all seven incarnations of the Doctor. We spent a fruitful couple of hours discussing the very basis of the show – what makes Doctor Who Doctor Who – as well as the psychology of its hero, companions, and various off-the-wall casting ideas.”
-From the Nth Doctor book.
The Fitzroy Crowd however I feel had a slight advantage over the others as they had connections within the BBC. (Steven Moffat’s mother in law is Beryl Vertue, whilst Russell T Davies was close friends with Julie Gardner before making the revival.)
Of course that’s not to say it was entirely nepotism as to why they were handed the brand. Davies and Moffat had both produced award winning, successful shows prior to working on the new series. As Terrance Dicks himself said, getting ahead is both who you know, and what you know.
Still ultimately I think its fair to say that Davies and Moffats connections might have given them more of an edge than say Leonard Nimoy, who though more famous, would have undoubtedly been looked down on by the heads of the BBC, as the star of a silly sci fi series. (The heads of the BBC were known for their disdain for the genre in the 90s and 00s, which also undoubtedly contributed to Doctor Who’s long hiatus.)
Still the Fitzroy crowd in hindsight I don’t think were really the right people to bring the show back, despite the massive success of the revival at first. To me the Fitzroy crowd have always been too cliquey and refused to ever allow contrary voices to get a look in.
This article from Lawrence Miles about Paul Cornell sums up the Fitzroy Crowd’s attitude towards their critics.
“But if all this monkey-posturing sounds absurd, then let’s put in the context of the late ’90s / early 2000s. You may remember a time, in the days before “Doctor Who fans” meant thirteen-year-olds, when the Virgin / BBC novels actually seemed important. The authors certainly thought they were important, and pride was their most valued possession. After all, the reason I gained a reputation as an unhealthy influence was that I broke what Keith Topping called “the unspoken code”, the Omerta-like law which held that New Adventures writers should all stick together in the face of fandom and not publicly criticise each others’ work. I say “Omerta”, but in practice, they behaved more like Medieval overlords than mafiosa: the elite have to form a united front, because otherwise, they’ll be revealed as weak, flabby individuals and the peasants will get ideas above their station. Oh, and you’re the peasants, by the way. When the new series began, those authors who were promoted to scriptwriter-level went from “overlords” to “royalty”, which is why my heartless attack on Mark Gatiss was received with the same shock as if a small-time landowner in the Middle Ages had just referred to the Prince of the Realm as a big spaz.
You think I’m exaggerating…? Then consider this. When Paul Cornell took me to task for the social faux-pas of having opinions, he seemed appalled that I was incapable of respecting the natural hierarchy, and asked whether there was anybody I ‘bent the knee’ to. Bent the knee…? What is this, geek feudalism? When I told him that I had no interest in serving or reigning, he asked me: ‘Do your followers know that?’ I found it horrifying that anyone could even think that way, and I still do.”
Now Lawrence Miles is in all fairness a biased source against the Fitzroy Crowd. He had a very big public falling out with most of them in the 00s, but still when you look at their interactions with people on twitter, or what the likes Davies himself has to say about his critics it becomes obvious that there is at least a grain of truth to Miles statements.
“I do worry about being surrounded by yes-men. You’re right, it happens. […] I don’t think it’s happened to me yet. In the end, just as good writers are hard to find, so are good script editors, good producers and good execs. When you find good people like Julie and Phil, their sheer talent cancels out the risk of them yes-ing. I suppose the danger is not RTD And The Yes-Men, but a triumverate of people who are so similar that contrary opinions don’t get a look-in.”
Russell T Davies- The Writers Tale
With this in mind it becomes obvious that Doctor Who has become the vision of one fandom elite in all areas. The show, Big Finish, the books. Anyone who dislikes anything these people have to do with the show is cast out as a pariah from the fandom. Worse these people will never give up the brand it seems. When one of them stops working on the show, they will hand it over to one of their friends (who all think the same, as can be seen with Moffat and Chibnall.) As a result of this for all their talk of the show is all about change, it has become stagnated over the past 30 years to a greater extent than ever before.
Still a bigger problem lies in the fact that this fandom elite who everybody must “Bend the Knee too,” don’t actually care much for the original series at all. They have prevented it from returning as itself, peddled lies about the original that no one dare question, and have changed what the Doctor is in popular culture.
Anyone who disagrees with their opinions, like Doctor Who is all about change, a female Doctor is the best idea since Hartnell changed into Troughton etc. Then you are cast out of the fandom and franchise as a heretic.
The Fitzroy’s Crowd’s disdain for the original
Steven Moffat and Chris Chibnall claim to be lifelong fans of the original, yet they turned Jon Pertwee and Roger Delgado’s characters into what you see above. Note: I’m not having a go at the person who did the drawing which is fine, just the men who made it possible for lesbian porn to be inspired by the man behind Worzel Gummidge and the Noodle Doodle Man.
Now I don’t think that the Fitzroy Crowd hated the original series and wanted to actively destroy it. I think they all probably did watch the classic era as children and have a nostalgic love for it, but ultimately I don’t think any of them have ever watched it since it was first aired.
Chris Chibnall outright admits in this interview here that he has never watched the classic era since it was on tv.
I think the same is probably true for the rest of the Fitzroy Crowd. You can tell by their opinions of the Doctor, and their analysis of the show that they clearly don’t know what they’re talking about. They’re trying to piece Doctor Who together from memory when they were children, and because nobody dares to question their opinions on anything then it becomes received wisdom.
For instance take a look at Moffat’s analysis of the character of the Doctor.
“We know him to be a sort of academic aristocrat who one day, on a simple moral imperative, erupts from the cloisters and roars through time and space on a mission to end all evil in the universe, unarmed and,if possible, politely.
Consider for a moment — as you would have to if you were casting this part — what kind of man makes a decision like that? He’s profoundly emotional (it’s a profoundly emotional decision), he’s idealistic (unarmed?? Not even a truncheon??), he feels the suffering of others with almost unbearable acuteness (or he’d have stayed at home like we all do when there s a famine or a massacre on the news), he’s almost insanely impulsive (I don’t think I need explain that one) and he is, above all, an innocent — because only an innocent would try to take on the entire cosmos and hope to persuade it to behave a little better.”
No one who has even a basic understanding of the Doctor would come to that conclusion. The Doctor it is said multiple times left Gallifrey because he wanted to explore the universe. He wanted to discover new life forms, new planets, learn the secrets of the universe as a scientist. He did NOT set out on a mission to save the universe. Furthermore far from being someone who feels the suffering of others, there are many times where the Doctor has to be forced into helping others. The Third Doctors entire era is practically him being forced to help others.
The Time Lords exile the Doctor to earth because they see it as being vulnerable to attack. He is put there to protect it as much as it is a punishment. The Doctor however still tries to leave during his exile, even though he knows the earth needs him. He even tries to leave during two crisis’! The Fourth Doctor similarly has to be forced and threatened with death into solving problems such as during the Key to Time story arc.
GUARDIAN: There are times, Doctor, when the forces within the universe upset the balance to such an extent that it becomes necessary to stop everything.
DOCTOR: Stop everything?
GUARDIAN: For a brief moment only.
GUARDIAN: Until the balance is restored. Such a moment is rapidly approaching. These segments must be traced and returned to me before it is too late, before the Universe is plunged into eternal chaos.
DOCTOR: Eternal chaos?
GUARDIAN: Eternal as you understand the term.
DOCTOR: Look, I’m sure there must be plenty of other Time Lords who’d be delighted to
GUARDIAN: I have chosen you.
DOCTOR: Yes, I was afraid you’d say something like that. Ah! You want me to volunteer, isn’t that it?
DOCTOR: And if I don’t?
DOCTOR: Nothing? You mean nothing will happen to me?
GUARDIAN: Nothing at all. Ever.
(The Tardis materialises amongst the ruins and the Doctor rushes out. Thunder rolls.)
DOCTOR: Come out, meddlesome, interfering idiots. I know you’re up there so come on out and show yourselves!
(Sarah sneaks out cautiously with a torch.)
DOCTOR: Messing about with my Tardis. Dragging us a thousand parsecs off course.
SARAH: Oi, have you gone potty? Who are you shouting at?
DOCTOR: The Time Lords, who else? Now, you see? You see? They haven’t even got the common decency to come out and show their ears.
SARAH: They’re probably afraid of getting them boxed, the way you’re carrying on.
DOCTOR: It’s intolerable. I won’t stand for any more of it.
SARAH: Oh look, why can’t it have just gone wrong again?
SARAH: The Tardis.
DOCTOR: What? Do you think I don’t know the difference between an internal fault and an external influence? Oh, no, no, no. There’s something going on here, some dirty work they won’t touch with their lily white hands. Well, I won’t do it, do you hear
The next segment is from Spearhead From Space where the Doctor already knows aliens have landed on earth.
(Liz give the key to the Doctor.)
DOCTOR: I’m afraid he’s going to be awfully cross with you.
LIZ: Well, if you’re quick, he mightn’t even miss it.
(The Doctor opens the Tardis door.)
LIZ: It didn’t turn when the Brigadier tried to open it.
DOCTOR: Well, that’s because the lock has a metabolism detector.
(The Doctor enters the Tardis. The Brigadier enters the lab.)
BRIGADIER: Miss Shaw, where’s that key. You’ve given it to him.
LIZ: He needed some equipment.
BRIGADIER: Equipment I had no idea you could be so gullible. That’s an excuse. We shan’t see him again.
LIZ: Oh, what do you mean©
(The Tardis dematerialisation sequence starts, but it is stuttering.)
BRIGADIER: He’s going.
(There is the sound of a small explosion inside the Tardis, some smoke comes out and the noise grinds to a halt. The Doctor emerges, coughing.)
DOCTOR: Just testing. I wanted to see if the controls
LIZ: Doctor, you tricked me.
DOCTOR: Yes. The temptation was too strong, my dear. It’s just that I couldn’t bear the thought of being tied to one planet and one time. I’m sorry. It won’t happen again.
BRIGADIER: It won’t. Give me the key, Doctor.
Ultimately the Doctor is a hedonistic character. Someone who just wants to live life by his own rules and hates being forced to do anything he doesn’t want to. He does still have a strong moral sense, so if he sees a problem, most of the time he will interfere. (Though many times the Doctor is also just trying to help himself after his curiosity has gotten him into trouble.) Still he is not someone on a mission to save the universe.
As for being unarmed, this is yet another gross misunderstanding of the Doctors character. The Doctor is a scientist first and foremost who wants to simply explore, so he naturally doesn’t like weapons. Still far from being idealistic, the Doctor is practical and understands that sometimes he has to use weapons to protect himself and the people around him.
Case in point.
DOCTOR: Professor, you don’t happen to have an elephant gun, do you?
LITEFOOT: Elephants? Why on Earth do you want an elephant gun?
DOCTOR: We’re about to embark on a very dangerous mission.
LITEFOOT: Well, I’ve a Chinese fowling piece if that’s any good. Used for duck, mainly.
(The Doctor looks at the long-barreled weapon.)
DOCTOR: Made in Birmingham. Yes, that’s the main requirement. Could you get me a small boat?
Steven Moffat also said that he wanted to recapture the dynamic of Pertwee’s Doctor and Delgado’s Master with Gomez/Capaldi (I’ll give you a minute to laugh at that) by depicting the Doctor and the Master as friends.
Moffat said that not once did Pertwee and Delgado play the Doctor and the Master as anything but friends.
Here’s the quote.
“I was looking back at the old Jon Pertwee/Roger Delgado ones and what’s fascinating about that is that they only ever play it as friends. They never, ever play it as enemies at all. They’re just two gentlemen having fun with each other. The Doctor’s best friend is a murdering psychopath, that’s actually quite fun.”
Here are some actual interactions between Pertwee and Delgado.
MASTER: I hope I’m not interrupting anything important.
DOCTOR: No, no, indeed not. You’ve come here to kill me, of course.
MASTER: But not without considerable regret.
DOCTOR: How very comforting.
MASTER: You see, Doctor, you’re my intellectual equal. Almost. I have so few worthy opponents. When they’ve gone, I always miss them.
DOCTOR: How did you get in here.
MASTER: Oh, don’t be trivial, Doctor. I see you’ve been working on the Nestene autojet. My own small contribution to their invasion plan.
DOCTOR: Vicious, complicated and inefficient. Typical of your way of thinking.
MASTER: Now, come, come, Doctor. Death is always more frightening when it strikes invisibly.
DOCTOR: Tell me, how do you intend to activate these flowers.
MASTER: Oh, by a radio impulse which the Nestenes will send. I shall open the channel for them. We’ve distributed four hundred and fifty thousand of these daffodils, so when four hundred and fifty thousand people fall dead, the country will be disrupted.
DOCTOR: And in the confusion the Nestenes will land their invasion force.
MASTER: Exactly. It’s a shame that you can’t be here to enjoy the chaos and destruction with me. Goodbye, Doctor.
(Jo walks in just as the Master was about to shoot the Doctor. As the Master is distracted, the Doctor grabs something from the bench.)
JO: You were quite right
DOCTOR: Wait! Don’t shoot.
MASTER: Doctor, you do disappoint me. We Time Lords are expected to face death with dignity.
JO: Oh, no!
DOCTOR: Don’t worry. He’s not going to kill me.
MASTER: That is your last mistake.
DOCTOR: If you fire that thing, you will never be able to leave this planet.
MASTER: You’re bluffing on an empty hand, Doctor.
DOCTOR: I’m not bluffing and my hand, as you can see, is not empty. If you kill me, you will destroy the dematerialisation circuit from your own Tardis. You recognise it, I feel sure.
MASTER: Where did you get that.
See how the Master is willing to kill him and the Doctor has to genuinely bluff his way out? Hey maybe this is just one out of character moment for Delgado?
MASTER: You realise, of course, that you’re a doomed man, Doctor?
DOCTOR: Oh, I’m a dead man. I knew that as soon as I came through that door, so you’d better watch out. You see, I’ve nothing to lose, have I?
MASTER: Enough! Azal, destroy him!
AZAL: Who is this?!
MASTER: My enemy and yours, Azal. Destroy him!
AZAL: This is the one we spoke of. He too is not of this planet.
MASTER: He is a meddler and a fool.
AZAL: He is not a fool, yet he has done a foolish thing coming here. Why did you come?
DOCTOR: I came to talk to you. DOCTOR: To try and make you listen to me.
AZAL: Why should I? I see no consequence of value.
MASTER: Then kill him. Kill him now!
AZAL: Very well.
(Azal aims his hand at the Doctor.)
The Time Monster
DOCTOR: Greetings to you, Krasis. Any friend of the Master’s is an enemy of mine.
MASTER: Oh come, Doctor, must we play games? I take it you have something to say to me before I destroy you?
DOCTOR: Yes, I most certainly have.
MASTER: Miss Grant?
JO [on scanner]: What’s happened to the Doctor? You must help him!
MASTER: Ah, he’s beyond my help, my dear. He’s beyond anybody’s help.
JO [on scanner]: You mean that thing, that, that creature really swallowed him up?
MASTER: Ah, that’s a nice point. Yes and no. Yes, it engulfed him. No, it didn’t actually eat him up. He’s out there in the time vortex and there he’s going to stay.
JO [on scanner]: Then he is alive?
MASTER: Well, if you can call it that. Alive for ever in an eternity of nothingness. To coin a phrase, a living death.
JO [on scanner]: That that’s the most cruel, the most wicked thing I ever heard.
MASTER: Thank you, my dear. Now, what are we going to do about you, though? You’re an embarrassment to me. As indeed is that antiquated piece of junk of the Doctor’s. Now let me see
JO [on scanner]: I don’t really care anymore. Do what you like, but just get it over with.
MASTER: Your word is my command. Goodbye, Miss Grant!
(The two Tardises move in and out of each other in the vortex. On the scanner, Jo’s image sways then blurs as the two time machines finally separate.)
The Sea Devils
DOCTOR: How do you know about them?
MASTER: Oh, from the Time Lord’s files.
DOCTOR: More stolen information?
DOCTOR: Well, why do you want to contact them?
MASTER: Those reptiles, Doctor, were once the rulers of this Earth. And with my help, they can be so again. DOCTOR: I still don’t see why you want to help them. What can you possibly gain?
MASTER: The pleasure of seeing the human race exterminated, Doctor. The human race of which you are so fond. Believe me, that’ll be a reward in itself.
The Mind of Evil
JO: But I don’t see why you’re so upset. If you give him back the circuit and he hands over the missile
DOCTOR: You just don’t understand, do you, Jo? Once he gets that circuit back he’s free to roam through time and space. We’d never catch him.
JO: Then you’ll just have to give in. The Master’s got the missile and all we’ve got is this wretched machine.
DOCTOR: Jo, will you stop stating the obvious. What did you say?
JO: I said all we’ve got is this machine.
DOCTOR: Well, that’s it. That’s the answer. We’ve got the machine and we’ve got our friend, Barnham.
JO: I don’t understand.
DOCTOR: With a little help from you, old chap, we can destroy this machine and the Master at the same time.
[The Master’s Tardis]
MASTER: Ah, Doctor. I was afraid you’d be worried about me, so I thought I’d let you know that I’m alive and well.
[Prison Governor’s office]
DOCTOR: I’m extremely sorry to hear that.
Colony in Space
DOCTOR: Now you stay here! I’ve got to try and stop this senseless killing.
MASTER: It won’t do any good, Doctor. They won’t listen to you. It’s always the innocent bystander who suffers eventually.
DOCTOR: And what’s that supposed to mean?
MASTER: (leveling a gun) I’m afraid you’re both about to become the victims of stray bullets
Frontier in Space
(The Master is in the cage with Jo.)
MASTER: Why? What’s his plan?
JO: He wanted to get to the flight deck. He was outside the ship when you made your course correction!
MASTER: Was he now. How very unfortunate (laughs). By now he’s probably thousands of miles away, swimming around in space by himself. But just in case he isn’t, you come with me, Miss Grant. Come on.
Claws of Axos
MASTER: Stop him! Don’t you understand. He’s committing suicide and he’s taking us all with him! He’s doing this for Earth, not for you. He’s putting you all in a time loop and you’ll never get out of it! Never!
DOCTOR: Well, it’s perfectly simple, Brigadier. A time loop is, er. Well, it’s a time loop. One passes continually through the same points in time. Passes through the same. Yes. Well, the Axons said they wanted time travel and now they’ve got it.
FILER: What about the Master.
DOCTOR: Well, I sincerely hope he’s with them.
DOCTOR: Well, I can’t be absolutely sure. I was pretty busy at the time. But I’m ninety percent certain though.
FILER: How much.
DOCTOR: Well, pretty certain. Well, I suppose he could have got away. Just.
Yep the Master and the Doctor were never portrayed as enemies in Delgado’s time. Except in literally every single Delgado story!
It is true that the two were meant to have been friends years ago, and the Doctor does express some regret at how the Masters turned out. Also in Colony in Space the Master offers to let the Doctor help him build his better world.
However the Doctor and Masters past friendship is actually only mentioned in a grand total of one story of the entire classic era, the Sea Devils. It is never presented as interfering in eithers feud with one another in the present. Both may have regrets, but both are perfectly willing to kill the other if need be from the start and the more their feud goes on, the more they develop a genuine hatred for each other that eclipses their former friendship.
Furthermore in Colony in Space the Master’s offer to the Doctor is less about the Doctor and more about his beliefs in building a better galaxy.
The Master throughout the Delgado era wants to rule over planets like the earth because he believes that under his rule he can make them a better place.
AZAL: I answered your call because the time was come for my awakening. The time has come for the completion of the experiment or its destruction.
MASTER: Then fulfill your mission by granting the ultimate power to me. Who else is there strong enough to give these humans the leadership they need?
DOCTOR: I seem to remember somebody else speaking like that. What was the bounder’s name? Hitler. Yes, that’s right, Adolf Hitler. Or was it Genghis Khan?
MASTER: Azal, I have the will. You yourself said so.
At first he thinks that the Doctor can help him build this better world, as he is on a similar wavelength (another renegade Time Lord.) When he finds out that the Doctor will not only never help him, but is actually a bigger threat. The Master becomes determined to destroy the Doctor, which leads to their feud intensifying.
Moffat however has clearly never watched these stories since the early 70s but remembers vaguely that Delgado and Pertwee were friends in real life and assumes it must have been that way on the show. This explains his ridiculous reading of their relationship. Two guys who regularly tried to shoot each other, blow each other up, stab each other etc, were just two old gentlemen having a laugh!
Similarly the Doctors phobia about guns as we have seen is something that no one who actually watched the show could possibly think. Chris Chibnall openly said in a recent interview that the Doctor never throws punches or fires bullets.
It’s not like these are isolated incidents. Part of Jon Pertwee’s entire Doctor was that he was an excellent fighter.
Then there was the moment the Fitzroy crowd actually came third in a Doctor Who trivia quiz.
Clearly the Fitzroy crowd have no knowledge of or interest in the Classic Show. They liked it as children, and they like some of the ideas and characters such as the Daleks, but ultimately they see Classic Who as a boring, embarassing, dated old show that they fixed.
See here for Moffat’s opinions of the show in the 90s.
“Back when I was in my early twenties, I thought Doctor Who was the scariest programme on television. I had one particular Who-inspired nightmare which haunts me to this day — except it wasn’t a nightmare at all, it was something that happened to me on a regular basis. I’d be sitting watching Doctor Who on a Saturday, absolutely as normal… but I’d be in the company of my friends!!
Being a fan is an odd thing, isn’t it? I was in little doubt — though I never admitted it, even to myself — that Doctor Who was nowhere near as good as it should have been, but for whatever reason I’d made that mysterious and deadly emotional connection with the show that transforms you into a fan and like a psychotically devoted supporter of a floundering football club, I turned out every Saturday in my scarf, grimly hoping the production team would finally score.
Of course my friends all knew my devotion to the Doctor had unaccountably survived puberty and had long since ceased to deride me for it. I think (I hope) they generally considered me someone of reasonable taste and intelligence and decided to indulge me in this one, stunningly eccentric lapse. And sometimes, on those distant Saturday afternoons before domestic video my nightmare would begin. I’d be stuck out somewhere with those friends and I’d realise in a moment of sweaty panic that I wasn’t going to make it home in time for the programme—or worse, they’ d be round at my house not taking the hint to leave — so on my infantile insistence we’d all troop to the nearest television and settle down to watch, me clammy with embarrassment at what was to come, my friends tolerant, amused and even open-minded.
And the music would start. And I’d grip the arms of my chair. And I’d pray! Just this once, I begged, make it good. Not great, not fantastic —just good. Don’t, I was really saying, show me up.
And sometimes it would start really quite well. There might even be a passable effects shot (there were more of those than you might imagine) and possibly a decent establishing scene where this week’s expendable guest actors popped outside to investigate that mysterious clanking/groaning/beeping/slurping sound before being found horribly killed/gibbering mad an episode later.
At this point I might actually relax a little. I might even start breathing and let my hair unclench. And then it would be happen. The star of the show would come rocketing through the door, hit a shuddering halt slap in the middle of the set and stare at the camera like (and let’s be honest here) a complete moron.
I’d hear my friends shifting in their chairs. I could hear sniggers tactfully suppressed. Once one of them remarked (with touching gentleness, mindful of my feelings) that this really wasn’t terribly good acting.
Of course, as even they would concede, Tom Baker (for it was he) had been good once — even terrific — but he had long since disappeared up his own art in a seven-year-long act of self-destruction that took him from being a dangerous young actor with a future to a sad, mad old ham safely locked away in a voice-over booth.
Which brings us, of course, to Peter Davison (for it was about to be him). I was appalled when he was cast. I announced to my bored and blank-faced friends that Davison was far too young, far too pretty, and far, far too wet to play television’s most popular character (as, I deeply regret to say, I described the Doctor). Little did I realise, back in 1982, that after years of anxious waiting on the terraces in my front room, my home team were about to score — or that Davison was about to do something almost never before seen in the role of the Doctor. He was going to act.
Let’s get something straight, because if you don’t know now it’s time you did. Davison was the best of the lot. Number One! It’s not a big coincidence or some kind of evil plot, that he’s played more above-the-title lead roles on the telly than the rest of the Doctors put together. It’s because-get this!-he’s the best actor.
You don’t believe me? Okay, let’s check out the opposition, Doctor-wise (relax, I’ll be gentle).
1. William Hartnell. Look, he didn’t know his lines! (okay, fairly gentle. It wasn’t his fault) and it’s sort of a minimum requirement of the lead actor dial he knows marginally more about what’s going to happen next than the audience. In truth, being replaceable was his greatest gift to the series. Had the first Doctor delivered a wonderful performance they almost certainly would not have considered a recast and the show would have died back in the sixties.
2. Patrick Troughton. Marvellous! Troughton, far more than the dispensable, misremembered Hartnell, was the template for the Doctors to come and indeed his performance is the most often cited as precedent for his successors. Trouble is, the show in those days was strictly for indulgent ten-year-olds (and therefore hard to judge as an adult). Damn good, though, and Davison’s sole competitor.
3. Jon Pertwee. The idea of a sort of Jason King with a sillier frock isn’t that seductive, really, is it? In fairness he carried a certain pompous gravitas and was charismatic enough to dominate the proceedings as the Doctor should. Had his notion of the character been less straightforwardly heroic he might have pulled off something a little more interesting. His Worzel Gummidge, after all,is inspired and wonderful.
4. Tom Baker. Thunderingly effective at the start, even if his interpretation did seem to alter entirely to fit this week’s script. (Compare, say, THE SEEDS OF DOOM and THE CITY OF DEATH. Is this supposed to be the same person?) I think I’ve said quite enough already about his sad decline so let’s just say that it’s nice to see him back on top form in Medics. Well, is was while it lasted.
5. Colin Baker and Sylvester McCoy. Miscast and floundering. Neither made much impression on the role and none at all on the audience. Or at least on me.
Is it because Davison doesn’t fit the established, middle-aged image of the Time Lord — even though, with twelve regenerations the Doctor must be a rather young Gallifreyan with, we know, a definitively youthful, rebellious outlook? Is it that some fans had actually latched on to tackier, more juvenile style of the earlier seasons and actually missed that approach? Whatever the explanation, if it’s possible for anyone to watch something like KINDA and not realise the show was suddenly in a whole different class then I find that slightly worrying. Perhaps — no definitely — there’s something about being a fan that skews your critical judgements.”
Now in all fairness to Moffat he did refute some of these criticisms. People’s opinions change over time (my opinion of New Who has become more negative for instance in the last few years.) Still I can’t help but think that Steven Moffat deep down still feels this way towards the Classic era.
Look at his depiction of the First Doctor in Capaldi’s last story. Here he rewrote the First Doctor to be a sexist, sexual braggard!
This is a shameful misrepresentation of the character to 21st century audiences. The first Doctor was never depicted as a sexist. His era actually featured many strong, brave female characters such as Barbara and Sara Kingdom, both of whom the Doctor never treated as inferior or less than the men around him.
The Doctor could be condescending to Susan, but that was because Susan was his grand daughter and 15 years old! The Dalek Invasion of Earth depicts the Doctor as still viewing Susan as a child only to realise at the end that she is now a woman, and has outgrown him. The line about how she needs a jolly good smacked bottom, is meant to be embarassing as it shows the Doctor still viewing Susan as a troublesome little girl.
Moffat however completely takes it out of context and has the Doctor say the same thing to Bill, a 20 something woman he has never met before! This almost makes the Doctor look like a dirty old man. It’s one thing to still view your teenage grand daughter that you raised as a little girl, its another to walk up to an obviously adult woman you don’t know and threaten to spank her! (The fact that he earlier boasted about the members of the fairer sex he’s known, like Al Bundy would, just makes it worse.)
Steven Moffat is far from the only member of the Fitzroy crowd to trash the original.
Russell T Davies outright said that the original was an utter joke until he and David Tennant came along.
It’s hard to express the joy of that. For 20 years, this thing was a joke. It was slightly embarrassing admitting liking it. In fact, very embarrassing. You’d see comedians taking the piss out of it. It would crop up on I Love the 60s shows, where they would make it look like rubbish. And to see it being what it always was in our hearts is just amazing. You mentioned it in the same sentence as James Bond. My God, that’s impossible!
Can you feel the love Russell T Davies has for the original series?
Mark Gatiss similarly said in a recent interview that if the revival had not come along, then the original would have been forgotten about as it didn’t hold up to modern audiences.
With “fans” like this, who the fuck needs haters? Seriously what can a hater do to the original that the Fitzroy Crowd haven’t? Say it doesn’t hold up? Insult its characters and the actors who played them? Create a narrative that the original was a total joke that has been accepted by the press?
I think most of the Fitzroy Crowd simply saw the show as being a potential cash cow that could further their careers. Russell T Davies for instance originally pitched Torchwood as a series before Doctor Who called Excalibur, but when it was rejected he decided to spin it off from Doctor Who.
The narrative is often that the Fitzroy Crowd were all big shot writers who were taking a risk in producing an embarassing old show like DW.
Sadly the rest of fandom buys into their lies, but the truth of the matter is that whilst Doctor Who in the 90s was no longer a mainstream series, it was still a huge brand.
I myself grew up in the 90s. I was born in 1991 after the original series finished. I was introduced to it through video releases and I was far from the only person my age who enjoyed it. Plenty of my friends enjoyed the original series and I was never teased for liking it. Obviously everyone’s experience is different and I don’t doubt some people were ridiculed for liking it.
Doctor Who is a sci fi and fantasy series, and sci fi and fantasy sadly have a negative stigma attached to them. Even today with the record breaking success of the Marvel Cinematic Universe, sci fi is still seen as a niche genre in some respects.
Yes shallow morons on panel shows (tv made by idiots for idiots) laughed at Doctor Who in the 90s, but that doesn’t mean that millions of other people didn’t like it.
Incidentally even today people on panel shows and other comedy series still ridicule Doctor Who. Look at this clip from the Australian version of Gogglebox where they absolutely ridicule the 21st century Doctor Who.
If this above clip was from a 90s show then it would be used as proof that nobody ever liked Doctor Who during that decade by the Fitzroy Crowd. Face facts, the type of people on these shows are never going to love Doctor Who. If its a fad for a short while, like during the Dalekmania craze, or when it was first brought back during the Tennant era, they might say they like it for a short period, but ultimately they will always view sci fi as a silly, childish genre.
During the 90s Doctor Who still had a larger following than the overwhelming majority of genre series (save possibly Star Trek.) In 2002 when the British public were asked which old series they would most like to see come back, Doctor Who topped the poll with the majority of the vote( beating out Blackadder, Fawlty Towers and Dad’s Army.) Most of the people who voted were under the age of 20, and therefore born during the time of Doctor Who’s supposed decline.
Jump to 5:20 to see the Radio Times poll.
In 2002 the Doctor was also voted the greatest tv character in a poll for SFX magazine, beating out various characters in then current, popular series such as Buffy the Vampire Slayer and Farscape among others.
Furthermore every single Doctor Who story that existed was released on video during the 90s and the 00s. If there had been absolutely no demand for them, why would the BBC (who had no love for the series) release obscure and poorly recieved stories like Underworld?
Even compilation videos like the Pertwee Years were best sellers. See here. Jump to 4 minutes in to see Pertwee talk about its success.
Its worth noting that even today Classic Who still maintains a devoted audience. Every single year Classic Who outsells New Who on DVD.
See here, the best selling tv series on DVD and Blue Ray in the United Kingdom for both 2015 and 2017. Classic Who ranks considerably higher than New Who for both years.
Once again its clearly mostly young people who are buying Classic Who DVD’s as the rest of the top ten tv series are all modern programmes.
Furthermore anything Doctor Who related on television was a massive success during the 90s too. Dimensions in Time, the notoriously reviled Eastenders crossover shown in 1993, pulled in over 13 million viewers. The 96 movie contrary to popular belief was not a flop either. It received a positive critical reception at the time and pulled in over 9 million viewers (almost as many as Rose, the first episode of the revival.)
Its also worth noting that until Voyage of the Damned, the first episode of the 4th series of the Russell T Davies era; Rose the first episode of the new series was also the highest rated.
So clearly Classic Who still had a massive following and does still hold up to modern audiences. Obviously I’m not saying that Classic Who could still be a mainstream series (What show from even the 90s could still be shown on primetime mainstream television?) Still to people who love sci fi and fantasy of which there are millions, Classic Who holds up as much as any other genre classic.
Furthermore given how fondly in was remembered by the general public, who’s to say that a more updated version of Classic Who with better practical effects couldn’t have pulled in millions of viewers too?
Far from being a dead show that Russell T Davies was taking a risk bringing back, it was a sleeping giant that he and the rest of the Fitzroy Crowd monopolised for themselves, used to boost their own careers and launch their own projects such as Torchwood/Excalibur.
Among the other ways the Fitzroy Crowd have attempted to down Classic Who’s success is claiming that it never had an overseas following, and that women never enjoyed Doctor Who until they came along.
The narrative is that Doctor Who was NEVER popular abroad until the Steven Moffat era. Critics and fans will often make out that Doctor Who was totally obscure in places like America until Matt Smith, which is demonstrably not true.
Doctor Who first caught on in America in the late 70s, early 80s. At one point in the 80s its popularity in America was greater than it was in Britain! In America DW’s viewers from 1984 on were over 9 million, whilst they generally tended to hover at 7 million in the UK (until the 86 cancellation where they dropped.)
The Doctor Who fanclub of America was also the largest in the world throughout the 80s.
The shows popularity faded in the late 80s due to the BBC raising the prices of the stories to the point where no one could afford to buy them. This was part of the BBC’s calculated attempt to finish the show in the late 80s. (Which also included slashing its budget, giving it no publicity, putting it opposite Coronation Street etc.)
Still it nevertheless remained a cult favourite in America on a par with Buffy the Vampire Slayer, or Lost In Space. The character of the Doctor (or rather the 4th Doctor) became recognisable to the general population, as did other icons from the series such as the TARDIS and the Daleks.
There were many loving references to the series on American tv in shows such as the Simpsons and Futurama throughout the 90s and 00s. (The character of Leela was partially inspired by and named after Leela from Doctor Who.)
Even to this day whenever an image of the Doctor is used on America tv it’s almost always Tom Baker rather than any of the New Doctors.
Even when Sheldon is talking with his girlfriend called AMY, then its still Tom Baker they use as he is more recognisable.
Its hilarious that even with these references we routinely get told that Doctor Who only caught on in America from the New Series onwards.
Aside from America, Doctor Who also had large cult followings in Japan, Australia and New Zealand. It was in fact shown in over 80 countries around the world.
The revival has not actually enjoyed more popularity in America than the classic era. Both are cult series in America that have enjoyed success by the standards of cult series, but neither are what you would call mainstream hits. (New Who’s viewing figures at the height of its popularity in America were barely over 2 million.) However New Who’s success is beefed up by the media, whilst Classic Who’s is done down to the point where fans who don’t know any better, assume the classic series was completely obscure Stateside until Moffat came along.
It was harder to sell series to other countries and develop followings abroad during the time of the Classic series too. No streaming service, no internet, and no channels like BBC America. A series had to actually be sold back then, and for Classic Who to be seen in 80 countries and make the millions it did for the BBC was incredible.
As for female fans, well its true that the classic era of Doctor Who was overall more of a guys show. On average men prefer sci fi to women. The reason for this is most likely because sci fi is generally perceived in popular culture to be an action genre, and men on average prefer action movies.
Actual genre fans know that sci fi can come in various different forms, but still the stigma persists and so women on average are not drawn to the genre as often as men.
Still women do need escapism and fantasy too. I think that whilst there is a grain of truth to it, the idea of women not liking sci fi is greatly exaggerated and is perhaps more of a self fulfilling prophecy.
Doctor Who meanwhile I think was able to overcome the stigma of being just an action series for women, due to the fact that its leading man was certainly not a conventional action lead. Even in Pertwee’s time. At a first glance, Pertwee who is much older is not going to seem like a conventional leading man. Doctor Who’s massive mainstream popularity from the 60s to the 80s also ensured that it became a part of British popular culture like few other genre series, and thus was more accessible to women.
Throughout the 60s, 70s and 80s, Doctor Who was a family show, watched by fathers, mothers and little boys and little girls. On the 1970s Documentary, Whose Doctor Who, which is collected on the DVD release of The Talons of Weng Chiang; just as many young girls are interviewed as young boys, and just as many mothers are spoken to as fathers as representatives of DW’s core audience.
The competition winner from Doctor Who magazine was on set today, a 15-year-old girl. When I was a kid, 15-year-old girls didn’t watch Doctor Who.
A surprising number of American Whovians are women. Joan Paquette a legal secretary from Boston is attracted to Doctor Who’s bumbling charm and mastery of the impossible. Says Graphic Designer Jan Scuza of Cambridge Mass, the Doctor is a humanist hero who fulfills a need in our technological society. Notes Barbara Shewchuk 28, a stenogropher from Bridgeport, Pa “The fact that Doctor Who cares about all life forms shows that you can trust him”
-Extract from Time Magazine in the early 80s.
Throughout the 90s when DW became more niche, then most of its fanbase did tend to be men in the UK. In America however throughout the 80s and the 90s, over 80 percent of its fanbase were young women. (Remember that in America it was more popular in the 80s than it was in the UK.)
Once again however these female Classic era fans are erased from history just as often as 90s era fans like me are because we don’t fit the Fitzroy did it all narrative.
Now just to be clear I am not trying to do down the Fitzroy Crowd’s success. Classic Doctor Who had a huge audience in the 00s, and Doctor Who was still a big brand. Still had the revival not captured the publics imagination on its own steam, then the nostalgia for the original would have faded within a year or so. Added to that the revival has managed to develop its own cult following in places like America, made up of many people who never saw the original series. It also has to be said that Matt Smith is unquestionably the second most recognised Doctor in America too after Tom Baker. Chances are if its not an image of Tom Baker they will use for the Doctor, it will be one of Matt Smith.
I’m more than happy to give the revival the success its due. The problem is however that the Fitzroy Crowd have not been happy to give the original credit for its success. The narrative that they have created is that the original was only ever a niche thing, liked by nerdy men (not that there is anything wrong with that!) Until they came along.
It would be like if Chris Nolan came along and said that nobody had ever heard of Batman until he directed The Dark Knight. The reason for this however is because it helps the Fitzroy’s lies to become more accepted by the fandom, as it becomes a case of “Well if it wasn’t for us then the show would just be an embarassing little niche thing, only liked by nerds, so you have to go along with everything we say.” Which leads onto my next point.
Self Loathing Fanboys
The curse of any fandom is the self loathing fanboy.
The self loathing fanboy will usually be from a more upper middle class background, and will have been teased by people when he was younger for liking sci fi. As a result he will be desperate above all else for it to be accepted and the most popular tv show on earth.
Now fair enough we are all like this to some extent. We all seek acceptance, and we all want the things we love to get their due.
Still the self loathing fanboy is so desperate for acceptance that he will be happy to make any concessions to what he thinks are the it crowd, just to see his favourite show, character, be popular.
Whilst there are self loathing fanboys in every fandom, Doctor Who is sadly rife with them for many reasons.
Ironically a large part of that is because Doctor Who was more successful than most other genre series, and because it later received a far worse treatment from the media.
Most genre series are lucky to last a few years. Firefly, Dollhouse, Randall and Hopkirk deceased, were all axed after one year, whilst even the likes of Star Trek, Lost in Space and Blake’s 7 all only lasted three or four years.
The likes of Buffy, and Xena meanwhile were able to have decent runs, but they were shown on very small channels and only ever became big cult series. Joss Whedon even said that if Buffy were shown on a mainstream channel, its viewers would have seen it cancelled (as was the case with Firefly that was shown on a larger network.)
Classic Who however was shown on the mainstream British tv channel in the best time slot. It was one of the most popular British televisions series in general throughout the 60s and the 70s and even the early 80s. Unlike other sci fi series, which sadly are depicted as being just a thing for young men in the media. Doctor Who broke down all barriers. Mothers, fathers, little boys and little girls, and old grannies and grandfathers all gathered round to watch it.
When the show became more niche in the 90s, its fans weren’t equipped to handle it. All big franchises popularity waxes and wanes over the years. (No one can remain at the top forever. This is why the most important audience to get are the cult audience who are going to stick with you no matter what.)
Take a look at Batman. Batman was a huge sensation in the 60s, only to drop back to obscurity until the 1989 film after which it was a sensation until the late 90s, only to fade again until the Nolan movies. It then went through another bad patch after the Nolan movies until the Joker in 2019.
Throughout it all however the character has remained a recognizable part of popular culture and maintained a devoted fanbase who have kept him alive.
Doctor Who was exactly the same throughout the 90s and the 00s, but sadly unlike Batman fans, DW fans weren’t equipped to deal with it. Batman had after all begun as a more niche character, so when he went back to being one, Batman fans attitude was “well we were fine before, we’ll be fine now.”
The same applies for Star Trek fans. Star Trek until the 80s was a niche thing, and after its mainstream popularity died in the 00s, their attitude again was “we got by in the 70s we can do it again.”
With Doctor Who however because it never had a period of being niche before its cancellation, they just couldn’t cope. They couldn’t bare it just being another cult series (even if it was the most popular cult series alongside Star Trek!) They couldn’t bare the thought that more casual viewers might not be as interested in it anymore, now that it wasn’t current.
In all fairness to Doctor Who fans however, the show also did have a harder time from the media in the 90s and 00s than say Star Trek ever did.
From the 90s on, most comedians, particularly in Britain were cowards. They only ever went after targets that the media said were safe to go after, from celebrities that the papparazzi were harrassing, to religious groups that were safe to poke fun at, to unpopular political leaders.
In order to appear edgy however these comedians would be ridicously nasty to these easy targets.
I have already written an article exposing these comedians cowardice and bullying nature.
If you have the time please check this articlr out. I talk about their shameful treatment of Doctor Who towards the end, but I’d recommend reading the other sections to get an idea of how these bullies work.
Sadly due to how much the BBC and the media hated the classic series, then it became an easy target for these hack comedians. Their treatment of it, much like their treatment of other vulnerable targets such as Amy Winehouse went beyond the pale. It’s one thing to make a light hearted joke about a show being nerdy, or cheesy as is often the case with Star Trek. It’s another to get the person who actually killed the show on to laugh and sneer at it, and make out that it was just a laughing stock.
I totally understand why a lot of Classic Who fans felt bad at this awful treatment, but you have to always look at things in a measured way. Yes these bastards may have been able to sneer at True Who in the 90s, but 30 years after it finished, Doctor Who is still one of the best selling series on DVD, whilst almost all of these panel shows that mocked it are long forgotten.
Sadly however it seems that Doctor Who fans let the bullies win. They were so desperate for the show to not ever be niche again, that they were willing to go along with any trend that they thought might make it popular.
Obviously all fans want their franchise to be successful, but there is a fine line between updating something in a practical way, and selling it out, which sadly the makers of New Who crossed from the beginning. Sadly however they were able to bully a lot Classic era fans into going along with it under the justification of “if you don’t support this we’ll go back to the 00s/90s”
As a result Classic Who fans didn’t defend the show’s traditions and lore until it was too late. Jodie Whittakers Doctor represents the final straw. There is absolutely nothing of the original left in her anymore, so fans have finally started to complain (then there is also the fact that Jodie isn’t popular either.) Still its come too little, too late..
From the start Who fans should have held the Fitzroy Crowd accountable for fucking with the lore and traditions of the character, but we didn’t.
When you look at how fans of other franchises reacted when their characters and traditions were being messed with compared with Doctor Who fans, its embarassing.
Star Trek fans complained when a Beastie Boys song was used in the trailer, because they felt it wasn’t staying true to the tone of the series.
Doctor Who fans meanwhile actually supported turning the Master, the Doctors archenemy from this.
Again not having a go at the person who made this video. I never like to punch down, which picking on a random fan whose never done anyone any harm, and just makes videos as a hobby would be, but I think this vid is the best example of what Moffat did to the character, to contrast with the True Who portrayal of the Master. I suppose the maker of the video should be happy, that this is the best representation of Missy/12’s relationship I could think of online.
That would be like if Khan had been played by Sarah Silverman, and had been rewritten into being in love with Captain Kirk and sang “I’M FUCKING CAPTAIN KIRK” in the style of her I’m fucking Matt Damon song.
Do you think for one second that Star Trek fans would be happy with that? Do you think they’d say such ludicrous things as “Sarah Silverman channelled Ricardo Montablan when she sange about fucking Kirk” or “There was always a sexual subtext between Kirk and Khan, only homophobes don’t acknowledge it.”
As it was Trekkies were unhappy with Benedict Cumberbatch being cast. Cumberbatch gave a good, serious performance, and didn’t turn the character into a joke like Missy, but Trekkies were still unhappy with him in the role simply because he wasn’t a natural fit for the role of Khan.
Similarly look at the shit Jared Leto got from Batman fans for his performance as the Joker. Leto’s Joker whilst certainly not one of my favourites, was at the worst bland and fairly unremarkable.
That’s still better than Missy, who as I have been over before literally threw out absolutely everything about the character of the Master.
The Masters main motivation is to conquer the galaxy and make it fit his vision, hence why he calls himself THE MASTER, the clues in the fucking name Moffat. Having a version of the Master not want power is like having a version of the Joker who isn’t a clown, or a version of Magneto who doesn’t bend metal
Yet Moffat knew so little about the character he did just that.
DOCTOR: (About the Masters plan to take over the galaxy.) You’re risking the total destruction of the entire cosmos.
MASTER: Of course I am. All or nothing, literally! What a glorious alternative!
DOCTOR: You’re mad! Paranoid!
MASTER: There, Miss Grant. I think we’ve seen the last of the Doctor. Buried for all time under the ruins of Atlantis. You know, I’m going to miss him.
JO: He’s not finished. I just know it.
MASTER: Of course he is.
JO: No, you’re the one who’s finished! Do you think that, that creature out there will ever let you control it?
MASTER: I do so already. He came when I called. You saw that yourself.
JO: Like a tiger comes when he hears a lamb bleating.
MASTER: Nicely put, my dear. You know, that was worthy of the late lamented Doctor himself. You know, I could kick myself for not having polished him off long ago. Just think of the future. Dominion over all time and all space. Absolute power forever. And no Doctor to ruin things for me.
MASTER :Think of it, Doctor, absolute power! Power for good. Why, you could reign benevolently, you could end wars, suffering, disease. We could save the universe.
MASTER: Rassilon’s discovery, all mine. I shall have supreme power over the universe. Master of all matter!
DOCTOR: You’re quite right. One mistake now could ruin everything.
MASTER: I know that, Doctor, and it could happen so easily.
DOCTOR: What do you mean?
MASTER: The universe is hanging on a thread. A single recursive pulse down that cable and the CVE would close forever. Even a humble assistant could do it.
DOCTOR: You’re mad!
(The Master produces his weapon, then switches on the tape recorder to broadcast his message to the universe.)
MASTER [OC]: Peoples of the universe, please attend carefully. The message that follows is vital to the future of you all. The choice for you all is simple. A continued existence under my guidance, or total annihilation. At the time of speaking, the
MASTER: No, Doctor, I’m merely reporting the state of affairs. I have it in my power now to save them or destroy them.
DOCTOR: You’re utterly mad.
MASTER: Back, Doctor. The proceedings must not be interrupted. It’s mine. The CVE. It’s all mine.
DOCTOR: Only while that cable holds.
MASTER: A turbulent time, Doctor, in Earth’s history.
DOCTOR: Not one of its most tranquil, I agree.
MASTER: A critical period.
DOCTOR: You could say that.
MASTER: Oh, I do. The beginning of a new era.
PERI: Doctor, do you get his drift?
DOCTOR: I’m afraid I do, Peri.
PERI: He wants to pervert history.
DOCTOR: Not that the Prince of Darkness here would see it as perversion.
MASTER: Maudlin claptrap. The talents of these geniuses should be harnessed to a superior vision. With their help, I could turn this insignificant planet into a power base unique in the universe.
DOCTOR: And you intend to use the Rani’s bag of tricks to achieve this egocentric scheme.
MASTER: You are indeed a worthy opponent. It’s what gives your destruction its piquancy.
Now take a look at Missy, the female version of the Masters attitude to gaining ultimate power. In her first story Dark Water/Death in Heaven, she gives up an indestructable army of Cybermen to the Doctor (without a failsafe) and says.
DOCTOR: All of this. All of it, just to give me an army?
MISSY: Well, I don’t need one, do I? Armies are for people who think they’re right. And nobody thinks they’re righter than you. Give a good man firepower, and he’ll never run out of people to kill.
DOCTOR: I don’t want an army!
MISSY: Well, that’s the trouble! Yes, you do! You’ve always wanted one! All those people suffering in the Dalek camps? Now you can save them. All those bad guys winning all the wars? Go and get the good guys back. DOCTOR: Why are you doing this?
MISSY: I need you to know we’re not so different. I need my friend back.
In what universe is that the same character? One is willing to destroy the universe to gain ultimate power, the other says she doesn’t need an army? Missy never makes any other attempt to gain power over the galaxy in her entire time on the series.
That alone is enough to make her stand out from the others (leaving aside the whole sex change.) Moffat also fucked up the Doctors relationship with the Master.
True Who story, The Deadly Assassin
MASTER: Escape? Escape is not in his mind. Now he is hunting you.
GOTH: It was a mistake to bring him here. We could have used anyone.
MASTER: No, we could not have used anyone. You do not understand hatred as I understand it. Only hate keeps me alive. Why else should I endure this pain? I must see the Doctor die in shame and dishonour. Yes, and I must destroy the Time Lords. Nothing else matters. Nothing
New Who story, Dark Water.
MISSY: You know who I am. I told you. You felt it. Surely you did.
DOCTOR: Two hearts.
MISSY: And both of them yours.
DOCTOR: Clara. Clara. Clara. I’ve got to get Clara!
(The Doctor runs to the lift door.)
MISSY: Oh, Clara, Clara, Clara! You know I should shoot you in a jealous rage. Now, wouldn’t that be sexy?
On top of that, Missy embodies NONE of the Masters other character traits like his hypnotic nature, his manipulative streak, his signature weapon the TCE that shrinks people.
I’d say she is the Master in name only, but even then she’s not.
Yet poor old Jared Leto and Benedict Cumberbatch get raked over hot coals for simply not being as charismatic as Ricardo Montablan, Mark Hamill, Heath Ledger, Jack Nicholson, and Cesar Romero? Meanwhile some Doctor Who fans actually praise Steven Moffat for properly capturing the Masters character, and the writer himself was even able to single out Missy as one of his greatest triumphs?
The reason for that is again because all a lot of Doctor Who fans care about is that the show is popular. Back in 2014, before the backlash against identity politics really began, a lot of fans felt that was what the kids were into, so they went along with it. (The makers of New Who are still under that delusion, hence why the show is crashing and burning.)
The Fitzroy Crowd are the ultimate self loathing fanboys. They were all embarassed to admit they liked Doctor Who to their snobby friends in the industry. (Moffat more or less admits in the quote I posted above.)
None of them had any respect or confidence in the format, and all were more interested in telling their own stories.
Sadly however they were able to dupe fans by playing on their collective self loathing and overwhelming desire for Who to be successful, and the result is ironically that the show is now in a worse position than ever before.
Not only did it sell out to the wrong fad, but now its hard to say what Doctor Who is anymore because its identity has been broken and twisted.
In the next article we will dissect the final lie the Fitzroy Crowd perpetrated “Doctor Who is all about change” and debunk that myth once and for all.