Death to the Daleks Review

The Third Doctors final Dalek story. Death to the Daleks cast the monsters in a somewhat more unusual position of making them more vulnerable.

Plot

The Doctor decides to take Sarah Jane Smith to the planet Florana. Along the way however the TARDIS becomes stranded on a desert planet where the TARDIS is drained of power. 

As they explore, the Doctor and Sarah become separated. Sarah soon finds a large and beautiful city in the distance. The Doctor and Sarah however are both attacked by cloaked monsters. Sarah is taken by to their base, an underground cave system where they tell her that she is to be sacrificed for gazing upon their god (the city.)

The Doctor meanwhile is saved by a group of humans who take him back to their ship. They tell him that there is a space plague sweeping the galaxy that is killing millions.

The only known cure for it is parranium, which though rare around the rest of the universe, is as common as sand on this planet, Exxilon. Sadly however when the humans ship arrived it was drained of all power too just like the TARDIS.

The natives, the Exxilons are savage degenerates who worship the city. Having already killed some of the crew, the humans mission looks set to be a dismal failure.

Just then a second craft arrives on the planet. Thinking its a rescue ship the humans and the Doctor go to investigate. Unfortunately they soon discover that it is the Daleks!

The Daleks order that the Doctor and the humans be exterminated, but when they try to fire it is revealed that they are also affected by the same power drain, with their weapons being totally useless.

The Daleks and the humans regrettably form an alliance with one another. The Daleks lie to the Doctor and the humans that the same space plague is affecting them and that they are dying in millions.

In truth however the Daleks simply want to steal the parranium, destroy the surface of Exxilon to prevent anyone else from getting it, and then use it to hold humanity and the other species that are suffering to ransom. 

Along the way to the mining dome, the Daleks and the humans are attacked by a horde Exxilons who kill one of the human party and one Dalek, by beating it to death.

All including the Doctor are captured. When the Doctor comes across the Exxilons torturing Sarah using their poison, the Doctor attacks their high priest, and he is sentenced to death as well. The leader of the Daleks meanwhile tries to bargain with the leader of the Exxilons for the Dalek and human party’s (but obviously not the Doctor and Sarah’s) freedom.

Back on their ship however the Daleks are able to replace their dead ray guns with machine guns which prove effective against the Exxilons. These Daleks slaughter their way through the Exxilons and round them (alongside their former human allies) up in labour camps to mine the parranium. 

The Daleks also attempt to exterminate the Doctor and Sarah, who escape through the cave system in the commotion. 

The Doctor and Sarah encounter a renegade group of Exxilons led by a man named Bellal.

Bellal after helping them escape the Daleks reveals the history of his planet. Originally Exxilon was one of the most advanced societies in the universe. They even visited other planets (such as the earth at an early point in its history.) 

Sadly their time came when they constructed a gigantic, sentient city. The city eventually turned on the Exxilons and nearly wiped their race out. 

The survivors split into two factions. One who worship the city as a god, and the other, Bellals group who want to destroy the city. 

The Doctor agrees to help Bellal make his way through the city to destroy its brain. The Daleks meanwhile have also realised that the city is the source of the power drain and so they not only send two humans to destroy the beacon, but two Daleks into the city as well.

The Doctor and Bellal make their way through the city’s traps and puzzles with the two Daleks behind them.

Along the way they find the corpses of previous Exxilons who failed the tests.

Sarah meanwhile along with a member of the human crew, Jill Tarrant is able to get the parranium off of the Daleks ship and onto the humans one, replacing the Daleks parranium with bags of sand.

The Doctor and Bellal make their way to the city’s brain. As the Doctor attempts to scramble it however, the city creates two zombies to attack them. The zombies however are distracted when the two Daleks show up.

The Daleks machine guns have no effect on the zombies who beat the Daleks whilst the Doctor and Bellal escape. 

The Daleks bomb destroys the beacon and power is restored. Now at full strength, the Daleks reveal their true plans and state that they will launch a plague missile on Exxilon, rendering further landings on the planet impossible.

As they take off however, one of the humans named Galloway uses the Daleks own bomb to destroy their ship. 

The Doctor tells the two surviving humans that they need to get the parranium back to the colonies. As they prepare to leave however they notice the city of the Exxilons, as a result of the Doctors actions, dying. 

As it crumbles to pieces the city actually screams. Though the Exxilons are now free to rebuild their planet, the Doctor remarks that as the City of the Exxilons was one of the 700 wonders of the universe, its a great pity that now the universe only has 699 wonders.

Review

Death to the Daleks has always been one of my favourite stories. It demonstrates all of the strengths of Terry Nation as a writer.

We have a planet with a rich and detailed history, non stop action, morally grey characters, and wonderful, scary monsters.

Though its true that there are some of his old tropes here, such as a long dead city, and space plagues, its not done in a way that negatively impacts the story.

First and foremost I think Death to the Daleks is often overlooked (by everyone except for Nicholas Briggs) for the interesting way it portrays the Daleks.

In the previous Pertwee Dalek stories the monsters were not only portrayed as incredibly powerful, but also in a position of control too.

Here we see them unable to even defend themselves, and be forced to rely solely on their wits. Even when they do manage to replace their guns, then they are still vulnerable. as many of the monsters on Exillon are immune to bullets, such as the giant mechanical root that tears several Daleks to bits, and the zombies in the city that beat them to within an inch of their lives.

Whilst some critics have argued that this makes the Daleks seem weak, I don’t think so. The Daleks are shown to be extremely cunning as a result of the extra problems they have to overcome throughout this story.

For instance they are able to fix the power loss, not the humans. They not only construct weapons that are effective, but they are also able to pinpoint the source of the power drain and destroy it too.

Furthermore having the Daleks overcome all of the tests in the city reinforced to me at least how they are the Doctors equals in intelligence too, as the Doctor had been the only person that had managed to overcome them before.

The Daleks also manage to successfully dupe everyone about their real intentions until the end of the story too. Furthermore I like the way that the Daleks overall plan is not just a direct invasion. Its a very sneaky, underhand plan to steal the only cure for a lethal plague that is affecting the humans.

We haven’t seen the Daleks be portrayed as this manipulative and cunning since Power of the Daleks when the monsters were similarly put in a vulnerable position. In Power however they arguably had a bigger advantage as no one save the Doctor knew who they were.

Here however they are dealing with a group of humans who know exactly what they are capable of (including one who at first refuses to work with them after his father was killed by in the last Dalek war.) Furthermore the Exxilons are savages who want to kill them regardless, and so the Daleks are pushed to even greater extremes, but they still manage to overcome them.

The Doctors interactions with the Daleks are also quite fun in this story. Once again Pertwee works his real life dislike of the monsters into the script quite well with the Doctor not only taking a great delight in their helplessness, but also cheering a mechanical monster as it literally rips the Daleks to bits! “Yes sir palpable hit!”

Galloway, a member of the human crew takes up the position of the devious humanoid character that the Daleks work with in this adventure. Galloway’s a very interesting character overall. At first he just seems like a ruthless glory seeker. He has no regard for the safety of other members of the party, including the Doctor and Sarah, and worst of all is show to be willing to help murder innocent lives if it means he can get the parranium back to earth.

His crew mates don’t trust him at the best of times, including even their former commander who insists on his death bed that Galloway is not fit for command.

This coupled with the fact that he seems to work better with the Daleks make him seem like a villain, but ironically he ends up as the hero of the piece when he blows the Daleks (and himself) up just as they are about to launch their plague missile.

Galloway was just practical and devoted to his duty to get the parranium back to earth that he seemed ruthless to those around him. He viewed everyone’s lives as expendable, including his own for the greater good, and whilst that did lead him to do shady deals with the Daleks, ultimately he put his money where his mouth was and sacrificed himself to destroy the Daleks and saved countless lives in the process.

In a way Galloway is kind of like a precursor to Avon from Terry Nation’s later series Blake’s 7. Avon similarly could come across as a villain at times. He was not above hitting women, shooting people in the back, or even attempting to murder his friends like Vila. However his actor Paul Darrow never saw him as evil per se, more just practical to such a degree that he could appear as ruthless, and a lot of the time Avon often saved the day just like Galloway in spite of, or perhaps because of his ruthless actions.

Sadly aside from Galloway the rest of the human characters are a bit wet or bland. Still the Exxilons fortunately are fantastic creations.

Once again Terry Nation gives them a great detailed backstory, and fills their world full of strange creatures from the city to the mysterious giant hostile roots that live in the waters and caves of the planet.

The design for the Exxilons and their voices are creepy too, particularly when they first capture Sarah.

The city itself meanwhile is a very interesting concept and the sets are magnificent. I was always scared as a boy at the way the previous Exxilons who had tried to make their way through the city’s corpses were just left to rot in there.

Imagine being one of the Exxilons who failed the first intelligence test and seeing the corpses of all the others around you, knowing that you’d just be left to rot in here forever. When the Doctor says “we will just add to these decorations” was always quite creepy.

There’s a really effective moment when the Doctor and Bellal make their way to the centre of the city, and the Exxilon who was previously seemingly in control and monitoring their tests melts into nothing.

Its never really explained what he was, but I always thought he was a previous Exxilon who had made his way into the city, possibly hundreds of years ago, only to be ensnared by the zombies who then rigged him up to its brain, making him a part of it, and making use of his intelligence (which would explain why it has tests in the first place.)

As soon as the Doctor and Bellal arrive, then it has no further use for him and he just is disposed of. Had it not been ironically for the Daleks timely intervention, then the Doctor and Bellal would have been suffered the same fate.

The final sequence where the city screams as it dies is also very memorable too.

The only problem with the city is that the traps are a bit too simplistic and easy. Its hard to believe that so many great minds could have been stumped by them.

Aside from Galloway, the other standout supporting character in this adventure is Bellal. Bellal is an extremely lovable character. He has a somewhat child like quality to him, such as when he hugs Sarah in fear of the Dalek, yet at the same time he is also smart enough to be of use to the Doctor in the city, and a brave character when it matters, who is fighting to save his people.

His design is also brilliant. The shinning effect on his skin is very striking, whilst the mask allows the actor more flexibility in his performance at the same time too.

Many fans have said that Bellal should have become a companion and I do think he would have been a fantastic addition to the TARDIS, though the actor who played him, Arnold Yarrow might have had a hard time always dressing in that uncomfortable make up!

The only real faults I have with Death to the Daleks are very minor. Some of the production values are a bit weak, such as the root, which you can see is held up with string. Also some of the incidental music is quite grating. Some of its very good, such as the music when the Sarah first stumbles upon the city, and when the city is dying. However I would agree that the notorious jazz tune that follows the Daleks everywhere they go is terrible and inappropriate for the monsters.

Still other than these minor quibbles, Death to the Daleks is an imaginative, action packed, exciting story that uses the Daleks in a unique and interesting way.

Trivia

  • This story was originally called The Exxilons. Its name was changed to Death to the Daleks at the behest of Robert Holmes who hated the Daleks.
  • This was the first story that acclaimed Doctor Who writer Robert Holmes served as script editor on (though he was uncredited.)
  • It was during the filming of this story that Jon Pertwee decided that he would leave the role of the Doctor after 5 years.
  • The Daleks colour scheme was changed back to white for this story as the director felt they looked more menacing that way. It would ultimately be changed back to grey after this story, though white Daleks would be featured alongside Grey Daleks in Revelation and Remembrance of the Daleks.
  • Nicholas Briggs, the voice of the Daleks in the revival has regularly cited this story as one of his favourites, and has mentioned it as being a big influence on much of his work with Big Finish.

Planet of the Daleks Review

Jon Pertwee’s third outing against Skaro’s finest. Planet of the Daleks was also Dalek creator Terry Nation’s first story in almost ten years.

It also featured the first appearance of the Thals, the Daleks old enemies since the first Dalek story.

Plot

Jo Grant helps a wounded Doctor into the TARDIS. The Doctor sends a telepathic message to the Time Lords, asking them to help the TARDIS follow the Dalek spaceship to their base. In the last story Frontier in Space, the Doctor prevented the Master from provoking a war between the earth and Draconian empires. Though he was successful, he discovered that the Master was working for the Daleks, who were assembling an army to invade both empires regardless. The Masters plan was to simply make things easier for the Daleks conquest.

The Doctor blacks out after sending the message. As soon as the TARDIS lands on a new jungle planet, Jo ventures out to try and find help for the wounded Doctor.

Jo is soon attacked by a plant monster that poisons her before a group of blonde haired, blue eyed humanoid aliens are able to take her to the safety of their ship.

They tell Jo that they are Thals, and that they are here on an important mission. They promise to try and help her friend, but insist that she stay here for her own safety.

Whilst they are away however, an invisible creature breaks into the ship and kidnaps Jo who has passed out from the poison.

The Thals are able to pull the Doctor who has now recovered from the TARDIS. The Doctor knows of the Thal people from his first visit to Skaro and realises that they are here to deal with the Daleks plans too.

Along the way the Doctor and the Thals discover a Dalek that has mastered the power of invisibility, though doing so ultimately drained it of all power.

The Doctor also learns the name of and history of the planet he has landed on. The planet is called Spirodon, and its inhabitants, the Spirodons are a race of primitive creatures who are invisible.

The Daleks easily conquered them, slaughtered most of their population and have turned them into a slave force. According to one of the Thals named Vabor, there are only a few Daleks on Spirodon, but they are working on not only becoming invisible, but a new secret weapon that will allow them to conquer the galaxy.

Vabor clashes with the leader of the mission, Tarrant who he considers to be weak and scared. He believes that they should strike now whilst the Daleks are weak. At one point things become so tense between Tarrant and Vabor, Vabor actually pulls a gun on his commander!

The Spirodon who captured Jo meanwhile cures the poison in her arm. When she comes too he tells her that his name is Wesker, and that he is part of a tiny resistance movement against the Daleks. Jo tells him that she wants to find the Doctor, but Wesker tells her she needs to rest for now.

The Doctor meanwhile is captured by the Daleks along with one of the Thals named Codal. Two Daleks find the Thals spaceship first and decide to destroy it. The Doctor however thinking that Jo is still in there, pleads with the Daleks for her life, but the monsters stun him (as they want to interrogate him) and destroy the Thal ship.

The Doctor along with Codal is able to escape from the Daleks cell however ironically by turning the tape recorder Jo left him into a makeshift weapon.

On the other side of Spirodon another Thal ship arrives. One of its team Rebecc tells Tarrant that somewhere on this planet there are over 10 thousand Daleks!

The Thals are able to make their way into the Daleks base where they are reunited with the Doctor and Codal. Though the Daleks corner them, and exterminate one of their number along the way named Marat. The Doctor and the Thals are able to escape up a ventilation system.

Jo Grant meanwhile manages to sneak into the Dalek base with Wesker’s help. There she discovers that the Daleks are planning to unleash a virus capable of destroying all life in the galaxy. After she escapes Jo is later able to stop a group of Daleks from stealing the Thals bombs by setting one off and destroying them.

She then reunites with the Doctor who is overjoyed to see that she survived, and the rest of the Thals. Despite this however tensions continue to rise between the group which results in yet another fight between Vabor and Tarrant where Tarrant assures him that next time he will kill Vabor.

Enraged and tired of Tarrant’s lack of action. Vabor takes the two bombs and attempts to launch a kamikaze attack on the Daleks. Along the way however he is jumped by Spirodons who take him too a Dalek partol. The Daleks exterminate Vabor when attempts to flee, despite Tarrant and Codal’s attempts to rescue him.

Unfortunately the two Daleks follow them back to the camp. The Doctor however is able to defeat the Daleks by pushing them into a lake of molten ice which kills the mutants inside. One of the Thals then gets inside the Dalek, whilst the Doctor and a handful of Thals disguise themselves using Spirodon cloaks (the Daleks make the Spirodons wear purple cloaks to see them.)

Wesker meanwhile having found out what the Daleks are planning foils their plot to unleash their poisonous plague on planets across the galaxy by releasing it into the Daleks base. The Daleks section leader is forced to seal himself and his subordinates in a small room to prevent the plague from escaping, as they were the only ones who were immunised, if it escapes it will kill everything on Spirodon, including the Daleks themselves.

The Doctor and the others are soon discovered by the Daleks who chase them to the lower levels of the base. 

Meanwhile the Dalek Supreme, a member of the high council arrives on Spirodon to check on the progress of the plans. He is angry at the loss of the plague and exterminates one of his subordinates in response. He demands that their army be awoken from the ice to begin the invasion of the galaxy.

The Doctor however in the lower levels is able to use the last of the bombs to cause an explosion which sets off the ice volcano near the base. The entire Dalek base as well as their army is buried under several tons of molten ice.

The thals then use the Dalek Supreme’s ship to escape from Spirodon back to Skaro. The Dalek Supreme and a few of his subordinates who escaped meanwhile chase the Doctor and Jo through the jungle, but the two are able to escape in the TARDIS. 

Despite these setbacks the Dalek Supreme insists that the Daleks have been delayed, but not defeated as the Daleks are never defeated!

In the TARDIS, the Doctor wonders if Jo, who got close to one of the Thals named Latep has regrets about not going with him back to Skaro when he asked her, but she tells the Doctor that she just wants to go back to her own planet and the Doctor obliges.

Review

Planet of the Daleks is definitely one of the weaker Classic era Dalek stories. In fact I’d say its probably the weakest of the 70s after Destiny of the Daleks.

Still that does not mean its a bad story, as all of the 70s Dalek stories are excellent (in fact they include two of the all time greatest stories from that decade, Day of the Daleks and Genesis of the Daleks.)

I’d say that Planet is an above average story. Above all else its extremely enjoyable. Nation always knew how to pace his stories brilliantly. There’s just non stop action and what’s great is that all of the cliff hangers to this story help move the plot along too. Sometimes, particularly with longer Doctor Who stories the cliff hangers can feel like they are just tossed in there at the last minute to have our characters be in some kind of peril. That’s not the case here however.

A lot of people have knocked the cliff hanger for the first episode when the Doctor acts surprised to find a Dalek on the planet despite having followed them there. However the Doctor is not surprised to find a Dalek, simply an invisible Dalek.

Nation also does a brilliant job in making Spirodon feel like a fully fleshed out world, by filling it full of diverse and bizarre creatures. Nation’s planets always felt a bit more fleshed out for this reason than other authors.

Compare say Telos in the Tomb of the Cybermen. All we see is the Cybermen and their city and that’s it. We don’t know what animals live on the planet, its history, or even see much of the planet except for the city and a few landscapes.

With Aridius from The Chase however, which only plays a minor role in the story, we get the full history of the planet’s ecosystem, of how it used to be a an ocean world before it dried up, we also get to see its animal life such as the Mire beasts, as well as the main humanoid life forms, the Aridans.

Similarly with Skaro in the first Dalek story we were also given a glimpse of the various animal life forms, such as the mutants in the lake, the petrified lizard like animal in the forest, as well the history of the planet, and various different set pieces from the jungles of the planet, to the treacherous cave system our heroes have to journey through, to the Dalek city.

Planet of the Daleks continues this tradition brilliantly. We see the Spirodons, the main humanoid life forms, as well as various forms of intelligent and hostile plant life, and hostile animals who attack the Doctor and the Thals during the night. We also get to see more of the planet, discover how it functions, and how its various species survive and live with each other too.

The Daleks themselves meanwhile in some ways are more effective in this adventure than previous Pertwee Dalek stories, whilst in others they are less.

In terms of being a direct threat they are far less dangerous. In Day of the Daleks and Frontier in Space we saw how just a few Daleks were able to slaughter their way through dozens of heavily armed humans without being slowed down for a second. Here however we see Dalek grunts get overpowered and killed by unarmed Thals and humans!

I wouldn’t say the Daleks are feeble in this story however. They are suitably ruthless such as when they ignore the Doctors pleas for Jo’s life and when they later shoot Vabor in the back as he attempts to flee. (I always loved the way that one of the Spirodons who chased Vabor is caught in the Daleks blast, but the Daleks just don’t give a shit at all.)

I think not having that many targets for the Daleks to shoot is a big problem in this story. In Day they had dozens of UNIT soldiers to mow down at the end, but here the supporting cast is just a tiny group of Thals.

Apparently Terry Nation did intend to have the Daleks exterminate all of the Thals in the final episode, but this was veteod by Terrance Dicks and Barry Letts who were still concerned about the previous complaints of violence directed towards the series.

I think its a shame that they took this approach as had all of the Thals been killed then it would have made the story much darker, would have certainly made the Daleks seem more formidable, and would have also perhaps lessened the comparisons to the first Dalek story too.

Also another drawback is that the Daleks are not given a slimy, devious humanoid villain to play off either. In fact this is the only Classic era Dalek story after The Daleks Masterplan that doesn’t give them this type of character to interact with. Even their brief appearance in Frontier in Space gave them the Master to play off of.

Without this character the Daleks do feel a bit more like generic invaders. Its an important ingredient in the Dalek stories that I think should always be included.

Still the Daleks being an intergalactic power is explored in greater detail here than in other stories.

I like the way that the Spirodons are not freed from the Daleks rule at the end. They suffered an invasion every bit as bad as the earth in the 22nd century. The Daleks bombarded their planet, exterminated most of their population, have turned the unlucky survivors into a slave force, and have performed the most horrific experiments on them.

There is a disturbing scene where Wesker tells Jo Grant after the Daleks have captured the Doctor that if they perform their experiments on him, he would be better off dead. One can only wonder what Wesker has seen them to do other members of his kind, including most likely his friends or family.

Weskers fate is also a very dark moment as he is forced to kill himself in order to stop the monsters.

As seen with Wesker the Spirodons are clearly a race capable of both evil and good like humanity, but they are left to suffer at the end of the story. Its not because the Doctor doesn’t care about them, its because there is genuinely nothing that he can do to free them.

What’s worse is that no one else will probably even be aware of the Spirodons either. They aren’t a big galactic power like Earth or Draconia. They are just a primitive race,  who exist in a barely inhabited solar system, far away from earth or anyone else. They’ll continue to be dominated by the Daleks until the monsters have no further use for them after which they will most likely exterminate the Spirodons.

Its disturbing to think that there will be thousands, even millions of other races the Daleks will have done this too. Whole cultures they will have wiped from existence, and the Doctor, nor anyone else will ever have any idea who they were.

The same thing would have happened to humanity too in the 22nd Century. We just lucked out in that the Doctor, because of his grand daughter Susan, took a particular fondness to our planet.

But that’s the point however is that sadly the Doctor can’t help every planet that the monsters take over. Some like Spirodon he won’t even be aware of, and this story reinforces that.

That’s actually the scariest thing about the Daleks. They are a swarm across the universe, capable to erasing whole species in the blink of an eye, and the Doctor no matter how hard he tries can never hope to fully wipe them out. All the Doctor can hope to do is keep their numbers down, and save the planets that he is aware of like the earth.

When the Dalek Supreme says that they have been delayed, not defeated he’s right. Its not just the usual “you win this time hero”. The Doctor has stopped them from launching their plague and their army, but he hasn’t dented their empire, and hasn’t actually freed any world from their influence either.

Furthermore all they will have to do is free their army and recover the data that was lost about the plague, which will take them time. Maybe enough time for Earth, Draconia and other powers to regroup, but ultimately the Daleks will recover, and the Doctor will have to be ready for them.

To me this is far more frightening than in other stories where the Daleks are completely wiped out at the end. That to me makes them seem more like cartoon villains, who have to be completely defeated by the hero at the end of every story. This story instead makes them a grand force that the Doctor can have small, but notable victories against, but that’s it.

I also like the way that all of the Daleks enemies in this story are aliens too. Again constantly having the Daleks be obsessed with humanity can often make them seem small. They are supposed to have the greatest empire in the universe, yet they are always obsessed with destroying, and constantly lose to our small, seemingly insignificant planet?

Here however you get the feeling that that they are a danger to the whole universe, with humanity just being one of many races they intend to exterminate, and again the fact that its not earth they have conquered means that there is no reset button where all of the Daleks have to be wiped out on Spirodon and the planet goes back to normal in a short time like in stories such as Doomsday and Journey’s End.

The Daleks are also far more active here than in Day of the Daleks. Director David Maloney really handles the Daleks well, shooting them in a way where they seem large and imposing, yet also quite fast too, which was obviously difficult given the limitations with the props.

The Doctors interactions with the Daleks are also quite interesting in this story too. Here the Doctor is actually shown to take a sadistic delight in murdering a Dalek, exclaiming “for a man who abhors violence I must admit I took a great satisfaction in that”.  The idea of the Doctor taking a pleasure in destroying the Daleks is something that we’d see in later stories.

Its a key ingredient in their relationship that helped the Daleks to stand out as the Doctors worst foes, as whilst the Doctor is always prepared to kill, the Daleks are the only monsters he’s ever shown to be positively giddy when slaughtering.

Planet of the Daleks is the first story that really begins this aspect of their relationship.

The Doctors grief at Jo’s apparent death is also well acted on Pertwee’s part. His rage and hatred against the Daleks and desire to avenge Jo are there, but they’re subtle, and you can see it reflected when he murders the Dalek in the cell.

As for the guest characters, well they are by and large just bland good guys. The only one with any kind of personality is hot head Vabor, but he’s a complete moron.

Still Tarrant the Thals leader is played by one of the shows best guest actors, Bernard Horsefall. Its a slightly unusual part for Horsefall, as normally he tended to play more edgy or even villainous characters like Goth and Gulliver.

Still he’s really good at the dashing, square jawed hero, and he and Pertwee have a brilliant chemistry with each other too. I think Horsefall would have made an amazing Dan Dare based on his performance in this serial.

Of course the story does have some negative qualities. As almost every review of Planet of the Daleks has pointed out, this story reuses elements of not only the original Dalek adventure, but other Terry Nation Dalek stories too. There are the invisible aliens from The Daleks Masterplan, the hostile jungle planet which is similar to Kembel, the city of the Daleks that our heroes must cross a treacherous cave system to enter, and finally there is even someone who hides inside a Dalek casing in both stories too.

Also I think the anti war message of this story is very heavy handed and clumsily done too. The final speech about not glorifying war goes on too long and sadly just comes across as patronising. It seems like either Terry Nation or Terrance Dicks were trying to emulate Star Trek here, as Kirk was often fond of giving big speeches to aliens such as the famous “We’re not going to kill today”. Sadly whilst it worked most of the time for Kirk, I just don’t think its quite as good a fit for the Doctor.

The production values for Planet of the Daleks are also quite shoddy in places. The scene of the monsters attacking the campfire are laughable. Its a shame because its really well written, and the actors give it their all, but all the great writing, directing and acting in the world can’t hide the fact that the monsters are just a pair of cheap eyes on the wall.

Still the jungle set is impressive, as is the set for the city of the Daleks too and most of the time Mahoney is able to get round any limitations.

The biggest fault with Planet of the Daleks is that it doesn’t really follow on from Frontier in Space that well. Other than a brief mention in episode 4 about the events of Frontier in Space are barely acknowledged. Also I think it would have been more interesting seeing the Draconians and the humans have to overcome their differences against a common threat, and the Master and the Daleks working together.

Sadly however its all tossed in the bin, and Frontier in Space and Planet of the Daleks despite being billed as essentially a 12 part epic, are really two completely unrelated stories, linked by a cliff hanger ending.

Still despite these faults, overall Planet of the Daleks is a very enjoyable, and exciting action packed adventure and a welcome return for Terry Nation to the series.

Trivia

  • The Dalek Supreme prop that was used for this adventure was an old recycled prop from the second Cushing Dalek movie. It had been given to Terry Nation after the film, and he loaned it to the BBC for use. As a further homage to the Cushing films, a few notes of music from the movie Doctor Who and The Daleks play when the Dalek Supreme first emerges from his ship and later when he first enters the city.
  • During the filming of this adventure David Bowie and his band at the time The Spiders From Mars visited the set and mingled with the cast. Bowie was a huge fan of science fiction series like Doctor Who and Dan Dare.
  • Two different stories across two different mediums have returned to the setting of this story. In the comic strip Nemesis of the Daleks, Davros escapes to Spirodon (after being captured in Revelation of the Daleks.) And revives the frozen Dalek army. In Return of the Daleks however the Daleks attempt to free the frozen army instead.
  • Whilst the Doctor foiled the monsters plans to invade, spin off material shows that there was still a war between the Daleks and the alliance of humanity and Draconia. The novel Prisoner of the Daleks featuring the Tenth Doctor is set in this time. The last great Dalek war is also mentioned in their next television appearance, Death to the Daleks.
  • This story marks the first and only time in the Classic era where the Doctor is shot by a Dalek.

Frontier in Space Review

The first of a two part story. Frontier in Space also marked the first time any of the Doctors enemies met, in this case the Daleks and the Master.

Though it would sadly be Roger Delgado’s last story as the Master, Frontier in Space is one of the best Pertwee era stories and a fitting send off for one of the greatest villains in the shows history.

Plot

The Doctor and Jo arrive in the far future. The earth empire is expanding into space, but it has come into conflict with another great power, the Draconian empire. The Draconians are a race of sentient reptile people. Though a generally peaceful race, tensions have been building up between the Draconians and the earth men for many years.

Recently both have begun to attack each others ships in hit and run attacks. Though the governments of both races deny having involvement in the attacks, war between the two empires seems an inevitability.

The Doctor and Jo arrive on a cargo ship where the crew instantly assume that they are Draconians. Jo meanwhile sees the crew as Drashiggs, ferocious giant carnivores she had encountered on a previous adventure.

Later the ship is attacked by Ogrons who the earth men still see as Draconians. The Doctor deduces that a third party is using some kind of hypnotic device to make people see what they fear the most. Jo Grant saw a Drashigg, whilst the humans of the ship saw Draconians, who humanity fears the most. Meanwhile when the Ogrons have attacked Draconian ships they have seen them as humans, as the Draconians fear humanity.

Whoever this third party is that’s employing the Ogrons (who as mere mercenaries would not have been able to think of this plan on their own.) They are responsible for all of the attacks on both the earth and Draconian ships, and obviously hope to set both empires against each other so that they can emerge in the aftermath and take over.

When the crew come to after the Ogron attack they believe that the Doctor and Jo are traitors who were helping the “Draconians” and Jo and the Doctor are imprisoned.

On earth the Doctor speaks to the President, and at one point is kidnapped by the Draconians who believe that he is a double agent set to discredit them.

Sadly he is unsuccessful in convincing either that there is a third party plotting to provoke a war between them.

Eventually the Doctor is sent to a prison colony on the moon. There he discovers that the third party employing the Ogrons is his old enemy, The Master!

The Master has using a forged identity become the chief of police and has framed the Doctor for several crimes. He decides to take the Doctor and Jo to meet his employers. It turns out that the Master is in the service of a greater power interested in provoking a war. The Master doesn’t say who they are, but tells the Doctor that they are very interested in meeting him.

Along the way there however the Doctor escapes and after a fight with the Master, the ship drifts into Draconian space where all three are captured by Draconians.

They are taken to meet the Draconian emperor himself. There the Master is rescued by Ogrons, and once again thanks to his hypnotic device, the Draconians see the Ogrons as humans. 

In the ensuing fight however, the Doctor is able to knock out one of the Ogrons, and so after the Master escapes and the effects of the machine wear off, the Draconians see the Ogron for what it really is and realise that the Doctor was right. 

The Draconians decide to use the Master’s ship to get back to earth, with the Ogron as proof. 

The Master however is able to intercept their vessel and capture both Jo and the Ogron.

Back on earth the Doctor and the Draconian Prince again attempt to convince the President of what is really going on. The Doctor asks to be allowed to use a vessel to travel to the planet of the Ogrons.

Though the President agrees, her attempts are shot down by General Williams, who had earlier torpedoed the Doctors attempts to convince the President.

The Draconian prince calls out Williams bigotry, telling him that years ago he destroyed an unarmed Draconian vessel which helped to kick off the current hostilities. Williams insists that the vessel was not unarmed, and that it was a battle cruiser. The Prince however points out to Williams that the cruiser was unarmed, as its weapons were empty, and that they had only chosen a battle cruiser as that was the only way a nobleman of Draconia could travel. 

Feeling guilty for his past sins, Williams agrees to help the Doctor find the Ogron planet. 

When the Doctor, Williams, the Draconian Prince and the team arrive on the planet however, they not only find the Master waiting for them, but that he has summoned those who employed him to provoke a war, the Daleks!

The Daleks slaughter Williams entire crew except for the Doctor, Williams himself and the Draconian Prince who are all taken prisoner.

The Gold Dalek declares that the Doctor will be exterminated, but ironically his life is saved by the Master. The Master tells the Daleks that he wants to torture the Doctor more by showing him the earth, and the galaxy that he loves so much in ruins before killing him.

The Gold Dalek agrees and leaves to prepare the army of the Daleks to conquer the Earth and Draconian empires after they have destroyed each in other in the Masters war.

The Doctor, Williams and the Draconian Prince are locked in a cell with Jo Grant. There Jo tells the Doctor that the Master has the TARDIS on this planet (which he had hoped to use to lure the Doctor into a trap.)

Jo also during a previous failed escape attempt had managed to steal the Masters fear device. The Doctor is then able to use it to hypnotise an Ogron into thinking he is a Dalek. The Ogron releases them, and Williams and the Draconian prince flee back to their home planets to warn their people of the Master and the Daleks plans. 

As the Doctor and Jo attempt to leave in the TARDIS they are ambushed by the Master and a group of Ogrons. Using the Master’s own fear device the Doctor scatters the Ogrons, but the Doctor is wounded by the Master in a shoot out before the villain flees.

Jo helps a wounded Doctor get back into the TARDIS. There the Doctor sends a telepathic message to the Time Lords, telling them to help him make his way to the Daleks base so he can stop their plans.

To Be Continued. 

Review

Frontier in Space is an overlooked gem in my opinion. A part of what makes it work is the world building it does.

We are taken into the future of humanity in so much more detail than other Doctor Who stories. Like many later sci fi series such as Firefly, Frontier in Space doesn’t present the future as either being rosey like Star Trek, or completely terrible like in Terminator.

Instead much like today technology and quality of life has improved for vast swathes of the population, but there is still sadly terrible corruption at the top, and vast inequalities and prejudice in other areas of society too.

We see many problems in the future that aren’t necessarily integral to the plot, such as the prison colony on the moon, and the radical left wing resistance movement who though fighting against an unfair system are still terrorists.

All of these help the viewer to feel as though they are watching a proper, fully fleshed out world.

Its also interesting the way the Doctor isn’t able to fix all of the problems in the future too. For instance the rebels on the moon who tried to help him escape are just left to rot after the Master captures the Doctor. Again it gives the setting a tinge of realism, as after all the Doctor can’t fix everything. When he arrives in modern day for instance he is only able to fix problems like the Axons invading the earth, rather than the energy crisis.

So here its the same. He can stop the Daleks from destroying all of humanity, but ultimately even if there are huge inequalities and problems facing human society, and good people suffering. He has to just step aside and let humanity sort its own problems out.

The main characters are also well fleshed out and acted too. The President played by Vera Fusek is quite an interesting character in that she is shown to be a fair and just woman, yet at the same time she is completely powerless against those around her, such as General Williams.

You’re not sure whether she is someone doing her best to fight against an unfair system, or just a spineless puppet who is easily manipulated by those around her.

Williams meanwhile starts out as the typical petty bureaucrat that Jon Pertwee’s Doctor has to deal with, but over time you can see that his hatred of the Draconians is really more his way of justifying his past actions

He knows that he acted rashly in destroying the Draconian ship, so the only way he can not feel guilty is if the Draconians are total monsters.

When he is faced with irrefutable proof that he did commit murder, then he realises that he must try and make amends and ends up becoming a heroic character, helping the Doctor and the Prince foil the Master.

The Draconians themselves are brilliant aliens. Their costumes are very well realised. As Jon Pertwee himself was often fond of pointing out, the Draconians benefited from having a design that could allow the actor a chance to actually use their facial expressions in their performance. You can tell that Jon Pertwee really enjoyed working alongside them which works even more in universe, as the Doctor has a great admiration for the Draconians and their culture.

Much like with his other more famous monsters the Silurians, Hulke goes to great lengths to make the Draconians seem different to humanity, but no more evil or good.

The Draconians ultimately just wish to survive. They have no desire for conquest, or any real hatred of humanity. Their culture isn’t exactly rosey, as they view women as inferior and refuse to even allow them to speak without the permission of males.

At the same time however the Draconians are shown to be far less xenophobic than humanity. Not only did the humans provoke the initial hostilities, but they also are more desperate to go to war than the Draconians are too. Its not just General Williams, the whole earth population is in support of a conflict as seen in the famous moment when a rabble rouser on the streets is shown to drum up support for exterminating the Draconians.

In contrast the Prince though arrogant and condescending is desperate when he first meets the Third Doctor to prevent any bloodshed, whilst the Emperor is practically the only figure of authority on either side who gives the Doctor a fair hearing too and has no hatred or prejudice towards the humans.

The Emperor of the Draconians is shown to be respectful of the humans in his presence too. He even allows Jo Grant to speak in his presence, as even though women are forbidden to do so in Draconian culture, he respects that it is allowed in Earth society. The humans meanwhile regularly refer to the Draconians as Dragons in a degrading way and appear repulsed by their very presence.

The relationship between the Draconians and humanity is obviously a metaphor for Cold War tensions. In this respect many have compared Frontier in Space to various episodes of the original Star Trek series involving the Klingons.

The frontier in space between both races is a very similar concept to the neutral zone. In some respects however I think the Draconians are a superior take on the whole cold war in space idea than any episode involving the Klingons in Star Trek TOS.

Obviously overall the Klingons are far better aliens as their society has naturally been fleshed out over the years, unlike the Draconians.

However though the Klingons were a good metaphor for the horrors of the Soviet Union. A problem I feel there was with some of the TOS Klingon episodes, was that the Federation, who were meant to represent the USA, where portrayed as whiter than white.

In the real cold war of course we know it was far from the truth. America was responsible for invasions of other countries such as Vietnam where they used some of the most obscene chemical weapons ever devised as they bombed their enemies “back to the stone age”.

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They also backed and supported some of the most brutal regimes and dictatorships such as the Khmer Rouge, and Augusto Pinochet too.

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With this in mind as much as I like Star Trek, it can feel a little bit rich when we see the Federation portrayed as the absolute good guys with no faults at all.

Frontier in Space however offers up a more nuanced and fair approach, by showing corruption, inequalities and labour camps in both societies, and not painting either as strictly the good guy.

In this respect the Daleks can be seen to return to their original role as the Nazis as they are the force that unites both the soviets and the west. The Daleks and the Nazis aren’t just fascists who want to consolidate their power. They actively want to exterminate anyone who doesn’t fit in with their idea of the master race, so naturally everyone ends up becoming their enemies too.

This idea is explored later in Genesis of the Daleks. One of the reasons the Doctor spares the Daleks is because he feels that many future worlds will become the allies with each other because of their fear of the Daleks. I’d like to think that Draconia and Earth were an example of this.

The Daleks and the Master are used effectively in this story. The Master’s plan is one of his best, to make his enemies destroy one another rather than just another invasion. Throughout the story he generally is two steps ahead of the Doctor and Jo, with both regularly playing into his hands, alongside the humans and Draconians.

This story also plays to all of the characters strengths too. We see his manipulative streak, the way he is often able to place himself in a position of authority which he uses against the Doctor.

Throughout most of this adventure the Doctor is desperate and struggling to get people to listen to him, whilst the Master is a respected member of the police force. That was always the best thing about the Master. Unlike the Doctors other enemies like the Daleks and Davros, the Master could turn the people the Doctor was trying to protect and even in some cases care about against him.

Delgado’s performance is excellent as always. I love the way he switches from appearing charming with Jo one minute. Jokingly telling her that she has his sympathies when the Doctor bores on about the Time Lords exiling him, but then turn vicious in a second when he stuffs her into an airlock and taunts the Doctor that he will eject her into space.

To me this is far more terrifying than making the Master just a cackling psychopath as here you never know when he is going to snap. Furthermore you can actually grow to like him when he is joking around with the Doctor and Jo, which just makes it all the more horrible when he threatens Jo and tries to brutally murder her without a seconds hesitation.

Delgado is also able to work a lot of great humour into the villain too, in moments such as his tantrum at the Ogrons for being cowards, his speech about preserving law and order (which prompts the Doctor to ask him if he is feeling well?) And his reading War of the Worlds as he provokes a war between two planets.

The only disappointing thing about this story is that it offers no conclusion to the Delgado version of the Master. To be fair it was never intended to. The plan was for Delgado to reappear next season in Jon Pertwee’s final story.

Sadly however Delgado was killed in a car accident not long after filming Frontier in Space, so it ended up becoming his swansong. As a story to go out on, he couldn’t have asked for a better script, but it is a bit of anti climactic end to his character, just to see him retreat back into the shadows for good.

The Daleks role in this story is obviously limited as they only appear at the end, but even then the writers make sure to treat them as a big deal.

Much like in Day of the Daleks, just three Daleks are shown to be dangerous. They completely slaughter a heavily armed earth expedition without breaking a sweat, and the Doctor tells the Draconian prince and Williams not to even bother firing at them as their weapons won’t even make a dent in the Daleks armour.

The voices supplied by Michael Wisher (who later went on to play Davros.) Are much better than those for Day of the Daleks. Wisher adds a the proper hysterical quality to the Daleks screeching voices.

The only disappointment is that we don’t get to see the Daleks and the Masters alliance in great detail. Though in a way I suppose its good that unlike in Doomsday neither are undermined for one another.

Still I would have liked to have seen how the two villains came to work together, as well as how they planned to stab in each other in the back. We only get a tiny glimpse of that when after the Daleks have left the Master sneers at them, that they’ll see who rules the universe once the war is over. Its a great moment, and I loved the way that the Master calls the Daleks “stupid tin boxes”, but sadly other than that this story doesn’t make much of the fact that it was the first time any of the Doctors archenemies met on screen.

Overall Frontier in Space is pretty much a perfect story for me. It has a brilliant, intelligent and engaging storyline, interesting supporting characters, a fully fleshed out world, and in spite of its ending, is a fitting send of for Roger Delgado’s Master, one of the best villains the show has ever seen.

There isn’t really anything I can fault in the story. Even from a production stand point, the sets are very well realised and the Ogron and Draconian costumes are very effective too. The only special effects failure that might have let the story down, the giant Ogron eater was thankfully cut, and only gets a fleeting cameo where we get a glimpse of how big it is.

Overall to me Frontier in Space is a brilliant story that deserves more appreciation.

What Could Have Been

In the top right hand corner is a concept drawing for the design of the Cybermen originally slated to appear in Frontier in Space.

Originally this story was to feature the Cybermen in place of the Ogrons as the Masters soldiers to attack both the Draconian and Earth ships.

The Cybermen would have been working as equals with the Daleks and the Master to provoke a war, rather than as their servants like the Ogrons (with all three obviously planning to stab each other in the back once the war was over.) The finale where the Daleks capture the Doctor, would also have taken place on Telos, the adopted planet of the Cybermen, with the sets from Tomb of the Cybermen being recreated.

Sadly this was scrapped at the last minute and the Ogrons were used instead. Personally as much as I like the Ogrons, I think that it would have been better with the Cybermen. It would have marked the Third Doctors only encounter with the Cybermen. He would go on to encounter them in 20th Anniversary story The Five Doctors, but sadly he was the only Classic era Doctor never to encounter them during his era.

Also I think that had the Cybermen been used then it would have been more genuinely surprising when the Daleks showed up at the end. As it was, because the Ogrons had been introduced as their servants, then really it was obvious that the Daleks had some kind of involvement from the start.

As to why the Cybermen were scrapped, well no reason has been given, but there are 4 possible reasons.

1/ Terrance Dicks, the script editor during Jon Pertwee’s time HATED the Cybermen. He considered them to be boring, dull and useless. Dicks also appeared to dislike Kit Pedler, one of the creators of the Cybermen personally too. He called Pedler whiny, difficult to work with, and said that Pedler was no where near as talented as he thought he was. He said that all Pedler was good for was the occasional idea and scientific knowledge.

Dicks hatred of the Cybermen would later lead to him having them get slaughtered memorably by the Raston Warrior Robot in The Five Doctors.

With this in mind its not exactly surprising that the Cybermen didn’t appear in the 5 years he was script editor. Though they were still considered for this story, perhaps Dicks ended up putting his foot down on the decision.

2/ Jon Pertwee who played the Third Doctor wasn’t exactly enamoured with the Cybermen either. Though its true that he didn’t like the Daleks who appeared 4 times throughout his era either. At the same time the Daleks were obviously far too popular to be left out of the show. Furthermore in contrast to the Cybermen, Terrance Dicks felt the Daleks were effective and got a long well with the creator of the Daleks, Terry Nation who he became friends with.

3/ Its possible that Terry Nation didn’t like the Daleks and the Cybermen meeting in this story. Whilst Nation was good friends with Cyberman co-creator Gerry Davies, he still didn’t like his monsters having to share the screen with other monsters and vetoed an attempt to bring the Daleks and the Cybermen together in the 1960s. When the Daleks and the Cybermen did finally meet in the 2006 story Doomsday, it was ten years after his death in 1996.

4/ They may not have simply had the budget to not only make the new Cybermen costumes, but also recreate the ice tombs of Telos. To be honest this seems like the most likely explanation, as the planet of the Ogrons, yet another quarry was obviously cheaper, whilst it would also have been cheaper to use the old Ogron costumes too.

Whatever the reason, sadly the Cybermen were not used, and their only appearance throughout the entire Pertwee era, is a tiny cameo in the story Carnival of Monsters.

Trivia

  • This was Roger Delgado’s last story as the Master. He was killed in a car crash not long after finishing the story. The death of Delgado, a close friend of Pertwee, as well as the departure of Katy Manning who played Jo Grant, both contributed to Jon Pertwee leaving the show next year. The Master would return just 4 years later where he was played by actor Peter Pratt instead.
  • This story and the next Planet of the Daleks, were originally conceived as one twelve part epic, with Letts hoping that it could rival The Daleks Masterplan. However again part way through production, Letts worried that one story wouldn’t be able to hold audiences for 3 months, and so they were split into two connected, but ultimately separate stories.
  • The end of this story where the Time Lords help the Doctor follow the Daleks to their base, marks the first time that there is any kind of conflict between the Daleks and the Time Lords in general, not just the Doctor.
  • Jon Pertwee always named the Draconians as being his favourite monsters. Pertwee praised them for the way you were able to see the actors mouths and eyes and therefore could act off of them properly unlike the Daleks or the Cybermen.

 

Day of the Daleks Review

The first Dalek story of the 1970s. Day of the Daleks is one of the few stories of the classic era to actually use time travel as integral part of the plot, rather than just as a way to get the Doctor somewhere.

Hugely popular at the time, Day of the Daleks helped to kick off a mini revival of Dalekmania throughout the 70s. Sadly it has become a somewhat polarising story in the decades since, with some critics slating its low key production values and poor Dalek voices.

Still overall I’d rate this as one of the best Dalek and 70s Doctor Who stories in general.

Plot

The Doctor and UNIT are called in to investigate the mysterious appearances of ghostly soldiers who have been appearing and then vanishing at Sir Reginald Styles house.

Styles is due to hold a peace conference which many (including the Brigadier) see as the last chance to prevent World War 3.

The Doctor discovers a highly advanced weapon near the house, whilst UNIT later stumble upon a soldier who has been beaten half to death. As they take him to the hospital however, the soldier vanishes into thin air.

The Doctor and Jo decide to spend the night in the house whilst Styles is away to find out what the real problem is.

In the morning they encounter more soldiers wielding futuristic weaponry, who are battling hideous, savage, ape like creatures called Ogrons. 

The soldiers leader explains that they come from over 200 years in the future. They have come to kill Styles who they claim will cause a third world war. According to the rebels Styles is a radical who will blow up all of the delegates, and himself too when he holds the conference in a few days time.

In a confrontation with the rebels, Jo Grant is accidentally sent forward into the rebels time. The Doctor then follows the rebels back to their time, where he discovers much to his horror, that his archenemies the Daleks now rule the future they come from.

After the world war that Sytles kicked off destroyed most of humanity, the Daleks saw their opportunity and conquered what was left of the human race. Most humans were rounded up into labour camps where they were forced to build weapons for the Daleks and mine the planet earth for resources.

The Daleks essentially turn the earth into a giant factory to build weapons and star ships to conquer other planets. The Daleks are also served by a race of ape like monsters called the Ogrons.

The human rebels who tried to kill Sytles are the last tiny pocket of resistance. With the aid of an inside spy, they managed to steal some of the Daleks own time travel technology with which they hoped to kill Styles and change history so that the war never happened. 

The Doctor searches for Jo in the wasteland of the future, but he is captured by Ogrons and brutally tortured by the Daleks human servants (who assume he is just another spy) for information.

The Controller however (latest in a line of the Daleks human servants who monitors the camps.) Halts the interrogation as he plans to use other means to find out what the Doctor knows. 

Jo Grant had earlier materialized in the middle of the Controllers base. After speaking with her, the Controller learned of the Doctor. Naturally when the Controller later mentioned the Doctor to the Daleks they were terrified.

The Controller believes that the Doctor can’t be broken, so he tries to trick the Doctor and lie to him that the rebels are the villains. 

Though Jo falls for his lies, the Doctor knowing who is in charge, and having seen the Dalek labour camps is disgusted by the Controller and brands him a Quisling. 

The Daleks do not recognise the Doctor (as he has regenerated since they last saw him.) So they torture him with a mind probe to discover his true identity. The Doctor resists the torture until it almost kills him, but his true identity is eventually discovered.

The Controller once again stops the Daleks from killing the Doctor, claiming that he can get more information out of the Doctor.

The Doctor however still refuses to tell the Controller anything. The Controller tells the Doctor that he does not serve the Daleks willingly, but that he thinks its futile to try and fight them as all who have tried have failed miserably. The Controller argues that he has made things easier for the people in their camps and has even saved lives, but the Doctor still views him as a traitor however.

The rebels meanwhile learn from their spy that the Daleks fear the Doctor, and so they decide to rescue him. Though many are killed in the fight, their mission is successful. The Doctor stops the rebels from killing the Controller, who is subsequently given just one more chance to find the Doctor by the Daleks.

The Doctor learns from working with the rebels that ironically Styles was not responsible for the explosion that kicked off the war. One of the rebels named Shura blew the house and himself up in a kamikaze attack against Styles. Unfortunately he was unaware that the peace conference was going on at the time. 

The Doctor and Jo head back to stop Shura, but along the way they are ambushed by the Controller and and a group of Ogrons. The Doctor convinces the Controller that he can finally free humanity from the Daleks. The Controller is skeptical at first, but eventually comes to believe the Doctor after having seen how scared the Daleks were of him. He also releases the Doctor as he feels he owes him for sparing his life when the rebels attacked.

The Daleks exterminate the Controller for his treachery, and decide to launch an attack on the conference to make sure that their version of history isn’t changed.

UNIT however are able to hold off the Dalek and Ogron attack force that arrives in the past long enough for the Doctor and the Brigadier to get Styles and the other delegates out of the house in time.

When the Daleks finally make their way into the house, they are killed in Shura’s explosion instead.

The story ends with the Doctor telling Styles to make sure his conference can go ahead as planned now, as he and Jo have both seen what will happen if he fails.

Review

Day of the Daleks is a brilliant reintroduction for the Daleks. At this stage the monsters had been absent from Doctor Who for 5 years (their longest ever break from the show, not counting the hiatus between 1989 and 2005.)

The Daleks needed a strong story that would remind older viewers why they had been such a big deal in the first place and show the new generation of Who fans how special they were.

Day of the Daleks accomplishes this by playing on all of the strengths the monsters had in previous stories.

Just like in great 60s stories like The Power of the Daleks, we get to see a manipulative side to the Daleks here, as the monsters create a situation where the humans ironically destroy themselves.

The Daleks are clearly aware that it was the rebels who destroyed the conference from the start, but they are able to trick the humans by letting them think that they have scored a victory in stealing their time machines, and planting a spy in their base. They even send Ogrons back to try and fight them in the past, all of which makes the rebels think that they have finally beaten the Daleks, when ironically they are playing right into the monsters hands.

This story also gives the Daleks a devious, manipulative human character to play off of too, which again had always made the monsters more interesting in the 60s (and would do so again for many decades to come.) Previous examples included Mavic Chen, Lesterson and Maxtible. The Controller from this story however might actually be the most interesting example of this type of character outside of Davros himself.

The Controller is not just a greedy, corrupt, power mad megalomaniac like Mavic Chen. There are moments that show he clearly enjoys being the Daleks right hand man, due to the power he can wield over other people. We see this in a memorable scene when the Controller threatens the family of one of his subordinates.

Aubrey Woods plays the scene brilliantly, with the little sadistic smile on his face as the man pleads with him not to hurt his loved ones. You can see how the Controller, who is constantly nothing more than a slave to the Daleks, is absolutely relishing in his chance to treat others like dirt.

Still despite this its obvious that deep down the Controller does mean what he says when he tells the Doctor that he is doing all he can to help the people suffering in the Daleks camps.

He genuinely pleads with the Daleks for their slaves sake several times in the story, and is utterly horrified when the Daleks show no regard for their well being. I love the way that even with a lifetime under their rule, the Controller can still be surprised at how evil the Daleks can be. It shows you how there truly is no limit to the Daleks cruelty.

Ultimately the Controller proves where his true loyalties lie in the end when he lets the Doctor escape which costs him his life.

The Controller is someone who has spent his entire life under the Daleks thumb. He has seen countless people try and face them only to all fail miserably. Furthermore his father, his grandfather, his ancestors all lived their lives in exactly the same way too. So really its no wonder that he feels its hopeless to fight them, and that the rebels will ultimately only make things worse for future generations under the Daleks rule.

With the Doctor however he is the one person the Daleks have ever shown fear of. Whilst the Daleks have never shown even the tiniest bit of concern over the rebels. Even with all of their attacks and supposed victories. The mere mention of the Doctors name is enough to make the Daleks literally shake and panic, something which the Controller could have never conceived of before.

Ironically for all his sins, the Controller dies a heroes death. His final act of defiance to the Daleks before they shoot him is excellent as he finally tells the monsters who have dominated his entire life that he may have finally brought about their end.

The Controller also spares the Doctor because the Doctor prevented the rebels from killing him as well, further showing that unlike Chen or Maxtible or the later Davros who were all just greedy and selfish. The Controller was capable of genuinely selfless acts for others.

The Daleks finally are also portrayed as powerful and dangerous. Throughout the story they are creatures that humanity knows it can never possibly beat in a fair fight, so they have to basically cheat and change history.

People often knock the final battle between UNIT and the Daleks because there aren’t that many of the monsters on screen. In reality there were only 3 Dalek props at the BBC at that time.

Still I think this works to the benefit of the story as much like the later Dalek, and the earlier Power of the Daleks, here we see the massive damage just a few Daleks can do.

UNIT have been shown to be capable of fighting off hordes of the most dangerous aliens in previous stories. Look at their first story The Invasion where they blow up dozens of Cybermen with their rocket launchers, then there are stories like The Silurians, Spearhead From Space and Claws of Axos where they are shown to be able to hold their own against monsters like the Autons and the Axons.

Even in this story they blast their way through dozens and dozens of Ogrons. With just three Daleks however? The Daleks absolutely slaughter UNIT, who aren’t even able to slow down one Dalek!

Honestly this story I think sold the idea of one or two Daleks being capable of destroying everything in sight better than any other Classic era adventure.

Power of the Daleks obviously showed us how they were able to manipulate people, but we never actually got to see how much physical damage a lone Dalek could do, as by the time they were ready to attack they were an army.

Here however we get to see how just 3 of them can decimate UNIT in matter of minutes. They do feel like mini tanks that just roll their way through bodies of men no problem.

The only real drawback with the Daleks portrayal is their voices. The actors (who only supplied them for this one adventure) don’t capture the anger and hysteria that the Dalek voices need to have.

The Daleks are not like the Cybermen who just speak in dull monotone voices. There has to be an emotional content there, as the monsters are after all, driven by an irrational hatred of other life forms.

Still overall I think this is a great showing for the Daleks. It doesn’t do anything new with them per se, but it does use them in the most effective ways it can.

Jon Pertwee is also on top form in this story. Ironically he hated the Daleks in real life, but I think he works his disdain for the monsters into his performance really well. You can really feel the Doctors disgust for the monsters when he comes face to face with the gold Dalek.

Its in the scenes with the Controller however that Pertwee really shines. I love the way the Doctor doesn’t buy into the Controller’s bullshit for a second and tears into him for seemingly selling out his own people. When he condemns the Controller as a Quisling. Pertwee’s anger is understated, but powerful.

At the same time however what’s interesting about the Doctors portrayal in this story is that it actually the Doctors compassion that saves his life.

Had he not spared the Controller then his replacement, who later sold the Controller out to the Daleks and was shown to be genuinely greedy and power hungry. Would not have allowed the Doctor and Jo to escape when he cornered them.

Thus we get to see many different sides to the Doctor in this adventure and Pertwee excels at them all. I’d say its one of his best performances.

The story overall also moves along at a great pace. There’s no padding, the mystery around the house builds up well throughout the first episode, but doesn’t drag and there is also plenty of action right the way through even with the budget limitations.

The twist that the rebels created their own horrible future is brilliant and helps the story to stand out from the usual more straight forward aliens invade earth adventures that had come to dominate the series at that point. Whilst the Daleks are obviously the main threat. Ironically its entirely the humans who bring about their own downfall.

Even before the Daleks show up, humanity has already exterminated itself. Later the Controller describes the years of the war as being the hardest humanity ever endured, including the Dalek invasion!

Overall Day of the Daleks is a an enjoyable, action packed, intelligent story and a brilliant way to start the next generation of Dalek stories.

Day of the Daleks vs Days of Future Past

Day of the Daleks was the main inspiration on the classic X-Men story arc Days of Future Past. Its author, Johnny Byrne was a big Doctor Who fan, and openly admitted to being inspired by this story. He even joked that he was lucky not to get sued!

Days of Future Past revolves around a dark future where mankind has been overrun by gigantic robots called the Sentinels.

The Sentinels were originally created to deal with mutants, but soon turned on and exterminated most of humanity. The few unlucky survivors are rounded up into ghettos and work camps. A tiny pocket of resistance remains however, and one of the X-Men, Kitty Pryde is able to travel back to the 80s to stop the mutant Mystique from assassinating the president, which sparked anti mutant hostility and eventually led to the creation of the Sentinels.

Days of Future Past would later be adapted in various X-Men animated series including the classic 90s series, and as the 2014 blockbuster Days of Future Past (where Wolverine took the place of Kitty Pryde.)

Both Days of Future Past and Day of the Daleks follow the same basic idea. In the future humanity has wiped itself out in a war. The survivors are then taken over by horrifying, xenophobic, mechanical monsters who round them up into camps. The last pocket of resistance knows that they have no hope to beat them in a fair fight, so they travel backwards in time to change things.

In both cases the war that wiped out humanity was not only caused by a political assassination, but by a radical who believed that they were ironically helping their people. Mystique who thought she was standing up for Mutant’s rights, and Shura who thought he was killing Styles and preventing the war.

Of course Days of Future Past is not just a rip off of Day of the Daleks. Its a classic piece of Sci Fi in its own right, that has been adapted successfully across many different mediums.

Still you can see how Day of the Daleks was its predecessor in a number of ways.

Notes/Trivia

  • Jon Pertwee and Katy Manning said this story was their least favourite.
  • This appeared to be the only Dalek story by another author that Dalek creator Terry Nation was pleased with, calling it an exciting batch of episodes.
  • The Daleks made their third appearance on the cover of the radio times to promote the first episode of this story.

  • In order to accompany this story Terry Nation wrote a short story for the Radio Times called “We Are The Daleks” which explained their origins. This story was different to the later Genesis of the Daleks.
  • A special edition of this story was later released on DVD that featured new and improved effects and a new Dalek voices supplied by the voice of the Daleks in New Who and Big Finish, Nicholas Briggs.

Top 30 Doctor Who Monsters And Villains

Doctor Who has arguably the most colourful rogues gallery of any television series.

Over the decades the good Doctor has faced everything from robots, to giant maggots, to Dinosaurs, to Vampires, to living statues, to living plastic dummies, to the Devil himself!

Whilst there are many reasons for Doctor Who’s enduring success, undoubtedly the monsters are a big part of that.

Ask anyone about Doctor Who and the first thing they will probably talk about, even before which Doctor was their Doctor, is which monster they were scared of, whether that’s the Weeping Angels, the Yeti’s in the underground or of course the Daleks.

In this article we are going to run through the top 30 monsters and villains to plague the Doctor across both old and new who.

All opinions are my own and let me know what you think in the comments below.

30/ Light

Appearances/ Ghostlight

Doctor/ Sylvester McCoy

Played by John Halam, Light was a strange Angelic being who arrived on earth many millions of years ago with the goal of cataloging all life.

He ran into a problem however in that whenever he had finished his collection then all life would evolve into something new and he’d have to start all over again.

Realising that his work would never be done, Light decided to exterminate all life on the planet, but the Doctor was able to defeat the monster by telling him of all the creatures he had supposedly missed (in reality mythical beasts like Dragons and Griffins.)

Unable to comprehend these creatures Light had a total breakdown and eventually perished.

Light was an effective villain in a number of ways. John Halam, a renowned character actor gave a truly chilling performance. Whilst better known for playing hard men, and thugs. Hallam gave Light a somewhat eerie childlike tone, which just made it all the more disturbing whenever he tortured and killed his victims.

A moment that always stuck with me as a child was when Light casually dismembers a young maid commenting in a calm, eerie voice as he hold’s her severed arm and guts. “I wanted to see how it was made, so I dismantled it”.

The setting for Light, in an old mansion in 1883 is also perfect. Not only is it suitably atmospheric, but Light also serves as quite an interesting metaphor for certain aspects of Victorian society.

Light has a fear of evolution as it makes his entire life’s work pointless. Similarly many priests and vicars, and even scientists at the time were terrified at Darwin’s new theories as it challenged beliefs they had held for their entire lives too.

The fact that Light is willing to go to such extreme lengths but ultimately is unable to adapt to modern life as he is just too closed minded, and lacks imagination shows why people like him who try and fight positive changes for their own selfish reasons will always fail.

Most Memorable Moment

Light Turns Mrs Pritchard And Her Daughter Into Stone.

Unable to cope with everything changing, Light stumbles upon Mrs Pritchard and her daughter alone in their room and declares “You’ll never change again!” Before turning them both to stone.

This scene always terrified me, but I feel its only really in the larger context of the story.

In Ghostlight the Doctor takes Ace back to the Chase mansion because as a teenager in the 1980s, Ace stumbled upon the mansion (which was on the outskirts of her town, Perivale, and had been abandoned for 100 years.)

Searching through the mansion alone Ace could sense there was a great evil here (in reality it was the disembodied spirit of Light that had filtered through the house, 100 years after his death.)

Ace became so scared she burned the house down. The Doctor wanting to know what it was Ace sensed there, takes her back to exactly 100 years before she found it.

Now why I bring this up is it always scared me imagining what happened when Ace stumbled upon the house as a teenager. When she searched through it she would have undoubtedly found Mrs Pritchard and her daughter as statues.

At the time Ace would have had no idea that they had not only once been people, but that they were still conscious and had been for the full 100 years since Light trapped them in this state too. (I suppose though when she burned the house down she would have inadvertently freed them from their century long torment!)

It always made me scared to wander by any statue as a boy. I’d always think “what if they had once been people like Mrs Pritchard and her daughter, and are screaming for help on the inside.” 

29/ Zygons

Appearances/ Terror of the Zygons, Day of the Doctor, The Zygon Invasion/The Zygon Inversion

Doctors/ Tom Baker, John Hurt, David Tennant, Matt Smith, Peter Capaldi

The Zygons are a race of shapeshifters who seek to make the earth their new home planet.

They first appeared in the 1975 story, Terror of the Zygons. In this adventure a small group of Zygons had been hiding in Loch Ness for many years, aided by their pet, a gigantic, Dinosaur like life form called the Skarasen (in reality the Loch Ness Monster.)

The Skarasen, a semi aquatic, cybernetically advanced Dinosaur like alien and pet of the Zygons!

The Zygons plan to use their shapeshifting abilities to infiltrate and destroy humanity, but they are foiled by the Doctor and UNIT, after which the Skarasen now free from their control goes back to live in Loch Ness.

Terror of the Zygons is a classic story. Its a fairly straight forward body snatchers, they walk among us idea, but the Zygons themselves are very memorable creations.

Their design is among the most striking of any Doctor Who monster, easily on a par with the Sontarans and the Ice Warriors. I think this is why they went on to be one of the big icons of Doctor Who. You’d always see them appear alongside the main monsters from the series like the Daleks and the Cybermen, even though they were only in one story, because their design was so unique.

The Zygons would go on to return in the new series (they are big favourites of Tenth Doctor actor David Tennant, and showrunner Steven Moffat.)

Sadly however I haven’t enjoyed the monsters portrayal in the revived series. To start with their costumes are all wrong for me.

The 21st century Zygons costumes look too smooth, shiny and rubbery. Ironically they actually look far more like costumes than the originals which were more slimy and organic looking. Also I think the expression on their faces looks too goofy the way their mouths are always open.

70’s Zygon

21st Century Zygon

I also haven’t liked any of the new Zygon adventures.

The 50th anniversary story, The Day of the Doctor which sees another group of Zygons try and conquer the earth was actually a great story overall, but the Zygons themselves were the weakest part of it.

They seemed to be used for comedy rather than horror (such as the scene where the Doctor gets a snog from a Zygon in Queen Elizabeth’s form.) They were also just brushed to the side and forgotten about before the end of the story too.

The season 9 two parter The Zygon Invasion/The Zygon Inversion meanwhile I didn’t like because I thought its premise was far too silly.

Its established that after the 50th the Doctor was able to reach a peaceful solution between the invading Zygons and the humans, where all 20 million Zygons were allowed to live on earth in secret by posing as humans.

The Zygon Invasion/ The Zygon Inversion sees a renegade group of Zygons led by a fanatic named Bonnie try and overrun the earth, but in the end the Doctor is able to talk them out of it himself and convince the Zygons go back into hiding.

The thing that bugs me about this story is why didn’t the Doctor just use his TARDIS to take the Zygons across the universe to an uninhabited planet?

Also how the hell does the Doctor expect this solution to work in the long term? Aliens so advanced they fought in the Time War are going to be happy taking on a human form, getting a shitty 9-5 job, and deal with all of humanity’s stupid issues?

Also why the hell should humanity show any compassion to the Zygons and let them stay here? They are an invading force!

Still having said that it is quite an interesting idea that there are all these aliens secretly walking among us, and it was something that future writers I feel could have taken advantage of.

For instance maybe a future companion could turn out to be a Zygon? The Doctor would have no way of knowing after all. It could be quite a good twist that the Doctor takes on this young woman who seems perfectly normal at first, only for her to later during an adventure where there was no way of escape, suddenly morph into her true Zygon form and save the Doctors life.

I’d also like to see the Zygons work with UNIT too. Not only is their former leader Bonnie now a member of UNIT, but the Zygons wouldn’t want the earth, their new home to be invaded anymore than the rest of humanity.

I’d have loved to have seen a story where the Zygons help UNIT battle the Cybermen and sic the Skarasen on the Cyber King!

You could also do a story set in the future, maybe 100 years from now where the Zygons are finally discovered and there is perhaps a civil war on earth.

Sadly however it appears that the fact that there are 20 million aliens just living in secret has been completely forgotten about. The Zygons weren’t even mentioned in the Monks three parter as being an option against the alien invaders of that story, even when UNIT where there which employs a Zygon, which was a shame in my opinion.

Most Memorable Moment

Zygon Harry Tries To Kill Sarah

I think this scene demonstrates what’s scary about shapeshifters, that they can look like someone close to the main hero when they do horrible things.

I also think this scene is effective because its a bit more gritty too. The Zygon isn’t trying to just zap its victim, its trying to stab her to death!

This was another way that the 70’s Zygons were scarier. They were far more brutal. We saw them do things like try and impale people with pitchforks, choke people to death, break their necks, and bludgeon them to death with stones.

In the season 9 two parter of New Who, all of their murders happen offscreen, and they kill people by vaporising them into nothing but tiny little balls of tumbleweed.

28/ Drashigs

Appearance/ Carnival of Monsters

Doctor/ Jon Pertwee

The Drashigs are a race of gigantic super predators that will eat just about anything they can find. One notorious incident saw the monsters actually eat a warship that had unfortunately landed on their planet for repairs.

In the story Carnival of Monsters a group of Drashigs are captured by a machine called a Miniscope. The Miniscope abducts beings from all over the universe and shrinks them before placing them in a minature controlled environment within the scope itself. The scope has captured many other life forms across all of time and space including Cybermen, Ogrons, and a ship full of humans too.

The Doctor inadvertently lands the TARDIS within the Scope’s atmosphere and later stumbles upon the Drashig’s environment where he and Jo are nearly devoured. The monsters manage to break out of their environment and into the humans enclosure. They are also later able to escape the scope itself, thanks to the work of a malicious alien named Kalik who hopes to use the Drashigs to begin a revolution on his home planet.

There isn’t much to the Drashig’s character. They are just savage animals who kill to feed, but what makes them so memorable and frightening is both their design, and the horrible screaming sounds they make.

The creatures are very much like a monster from Greek mythology in that they are like a mix mash of various different creatures. They have the body of a caterpillar, mixed in with the face of a pitbull terrier!

There aren’t that many giant monsters in Classic Doctor Who. Most of the time whenever they’d try due to their budget it would be an absolute disaster like the notorious Dinosaurs in Invasion of the Dinosaurs.

The Drashigs by the standards of the time are actually very well realised. They look better when frolicking in their natural habitat, but when we see them attacking humans they do tend to look a bit superimposed.

Still the models are very well realised, and detailed and the story really sells the idea of the Drashigs being the most dangerous predators in the galaxy.

Most Memorable Moment

The Drashigs Burst Out Of The Ground

A classic moment, whilst the giant hand coming to save the Doctor and Jo might look a bit cheesy, there is a brilliant sense of paranoia in this scene the way the Drashigs come bursting out of the ground. You get the feeling that they could emerge anywhere, kind of like an early version of Tremors.

27/ The Beast

Appearances/ The Impossible Planet/ The Satan Pit

Doctors/ David Tennant

The Beast was an ancient evil that claimed to have existed before the universe, though the Doctor believed this to be impossible.

The Beast apparently fought with an entity called the Light who after the universe was created, imprisoned him within a planet near a black hole. If the Beast ever escaped then the forcefield preventing the planet from falling into the black hole would collapse and the Beast would finally die.

The Light apparently didn’t have the courage to kill the Beast himself, so he set up a situation where not only would the Beast kill himself if he tried to escape, but someone else would be able to kill him years later as well,.

Whilst the Beast spent many billions of years imprisoned, he claimed that he had still influenced the hearts and minds of people across the entire universe. He also had an army of Demonic children too, though many if not all of them had been imprisoned by the disciples of the Light over the millenia.

One of these children, Abaddon was later seen in the Doctor Who spin off Torchwood, where it was freed by its human disciple, Billis Manger.

Abbaddon, one of the Beasts many Demon children who are imprisoned in planets across the universe.

A group of astronauts later go to investigate the planet the Beast was imprisoned on. They know nothing of the Beast itself. They simply want to find out how a planet can survive next to a black hole.

Unfortunately however the Beast soon takes over members of the crew, as well as their alien servants, the Ood. The Beast plans to escape by implanting his mind into the body of one of the crew.

Fortunately however the Doctor is able to foil these plans by destroying the Beasts prison, causing it to fall into the black hole. Whilst this would be suicide for anyone else, as they would fall into the black hole too. The Doctor is able to escape thanks to his TARDIS.

The end of the story however hints that the Beast may not have been destroyed.

The Beast is one of the most underrated monsters of the revival in my opinion. It was a genuinely frightening idea. A monster that could peer in the darkest secrets of our main characters, take people over with just its thoughts, and whose mere existence genuinely shocked the Doctor. In some ways the Beast scares the Doctor more than even the Daleks or the Cybermen ever could, as the Beast defies everything he thought he knew about the universe.

The effects used to bring the monster to life were also spectacular too, and the monster’s voice, supplied by Gabriel Woof (who had earlier played Sutekh the Destroyer) is also very effective. Woof’s rich, smooth, commanding voice is just perfect for a villain.

I like the way that they left it open as to what the Beast’s true identity is. Was it just an all powerful alien, or was it actually the real deal?

Its a shame that they didn’t do anything else with the Beast after this story. I think the Beast is one of the few New Who villains that could have been strong enough to be the main villain of a season.

He has a lot of presence, and there is potential for an interesting story arc involving his children too.

Most Memorable Moment

The Beast Reveals Himself

One of the most genuinely unnerving moments in Doctor Who’s long history. The Doctor and the others seem genuinely powerless against the Beast who knows everything about them, all of their darkest secrets, weaknesses, most painful memories, and they know nothing about it.

David Tennant plays it well when he tries to reassure the rest of the crew that everything is going to be alright. You can tell despite his best efforts to convince them, even he doesn’t believe it as even he has no idea what the Beast is actually capable of.

26/ The Autons/ The Nestene Consciousness

Appearances/ Spearhead From Space, Terror of the Autons, Rose, The Pandorica Opens, The Big Bang

Doctors/ Jon Pertwee, Christopher Eccelston, Matt Smith

The Nestene Consciousness was a powerful disembodied spirit that had the power to animate anything made of plastic. It could assume a physical form too, but it decided instead to invade the earth by creating an army out of plastic dummies, called Autons.

All three invasion attempts by the Nestene (one of which was aided by the Master) were foiled by the Doctor, but the monsters would later end up as part of the alliance to try and trap the Doctor in the season 5 finale.

The Autons represent the first in a long line of monsters in Doctor Who who are an everyday object made into something terrifying.  Any child that saw the monsters memorably smash their way through shop windows and gun people down in the streets would probably have been unable to walk past a shop mannequin for a long while after.

I think the Autons played a huge role in ensuring Doctor Who’s success throughout the 70’s. Though they only appeared in two stories, they really helped to prove to people that Doctor Who could still be a shocking, frightening series.

In the 1960’s Doctor Who had become a sensation because of its scary monsters like the Daleks, the Cybermen and the Yeti, but towards the end of the 60’s its popularity began to fade. The fact that it was still in black and white more than anything else caused many to see the show as an old relic that had had its time.

The Pertwee era needed something big to show people that Doctor Who could thrive as much in the new decade. The Autons terrified children so much that not only was the BBC bombarded with thousands of complaints from enraged parents about the show being too scary, but Doctor Who was even discussed in the House of Lords after the broadcast of Terror of the Autons as being too frightening for children.

Thus the Autons proved that Doctor Who could still outrage the moral guardians, be the edgy, daring show that parents weren’t sure if they could show their children, and even be discussed in parliament for its horrific themes and frightening content.

Naturally all of this just made Doctor Who a show that people wanted to see, and so in this respect I think the Autons played a very key role in ensuring the shows success at probably one of its most crucial points.

The Autons massive influence on later Doctor Who monsters, the high quality of all of their stories, and the major impact they made on the shows viewers,  earn them a place on this, and I’d wager any top Doctor Who monsters list. However the reason they are not quite as high up as you might think is that I think they are extremely limited.

There isn’t really much you can do with them other than just an invasion earth story. All 3 of their major appearances are basically the same story. The only variables in their stories are to do with other factors besides the Autons. For instance Spearhead From Space is about the Doctors exile, Terror of the Autons is about the Master’s introduction, and Rose is obviously about Rose’s introduction, but the Autons plan in all 3 stories is exactly the same, and there are even certain scenes that are repeated in all 3 stories too.

The only story that really tries to do anything new with them is their season 5 appearance The Pandorica Opens/The Big Bang. Here we are introduced to an Auton version of Rory Williams (Amy’s at that point late boyfriend) who is in love with her too and helps save the day.

Having a good guy version of one of the Doctors greatest enemies seems to be a recurring theme in Steven Moffat’s work on the show.

There is Strax and Vastra, the heroic Sontaran and Silurian who fight crime together in the 19th century, Handles the Doctors Cyberman head companion, Rusty the Dalek who hates other Daleks, Zygood, Osgood’s Zygon sister, and later Bonnie after she reforms, and finally even the Master went through a redemption story arc in series 10.

Auton Rory was really the first such example, and so I suppose in this respect the Autons once again were trailblazers among Doctor Who monsters.

Still other than Auton Rory I don’t really think there is much you can do with the Autons compared to other monsters which is probably why they have been used so fleetingly throughout the shows long history.

Most Memorable Moment

Autons Break Out Of Shop Windows

One of the all time greatest moments in Doctor Who. Its not hard to see why this made such a huge impact in the early 70’s.

So many stories have tried to emulate this scene in the decades since, by similarly taking an everyday thing and turning it into a monster.

There’s the Weeping Angels, gargoyles who turn into monsters, the Vashta Nervada, who are essentially shadows that eat people, and from the recent episode The Pilot there was even a puddle that turned into a monster too.

Still this was the original and in some ways the most shocking example.

25/ Morbius

Appearance/ The Brain of Morbius

Doctor/ Tom Baker

Morbius was originally the President of the Doctors home planet Gallifrey. He attempted to lead his people, the Time Lords to conquer the rest of the universe, but when they overthrew him, he instead created an army of the worst creatures, “the scum of the galaxy”. Under his command they ravaged hundreds of worlds across the cosmos, before Morbius was finally brought to justice.

The Time Lords and the Sisterhood of Karn (whose home planet Morbius had destroyed) executed the former President by vaporising his entire body. Morbius however survived thanks to one of his servants, a human scientist named Solon.

Solon was able to remove Morbius’ brain and placed it in a preservation tank. For several decades Solon would build a new body for Morbius from the bits and pieces of different alien bodies.

The Doctor is sent on a mission by the Time Lords to stop Morbius’ resurrection. Though Solon is successful in creating a new body for his master. The Doctor is able to challenge the villain to a mind bending contest, which weakens Morbius after which the Sisterhood of Karn are able to finish the villain off, by chasing him over the edge of a cliff with torches.

Morbius was one of many villains in the early Tom Baker era who drew more from classic horror characters.

Morbius is essentially a Frankenstein’s monster. In fact the producers originally wanted Peter Cushing himself to play his creator, Solon.

Whilst the Frankenstein influence is obvious, Morbius was still an effective villain in his own right. It was fascinating watching what had once been the most powerful being in the universe suffer such a catastrophic fall from grace.

Though this is a common motif in author Robert Holmes stories, with Sutekh, and Magnus Creel both being villains who had once been all powerful, but were now in hiding. Still I think it was actually more effective with Morbius.

Morbius hadn’t just lost his former power. He was trapped in a jar, unable to see, hear, feel or influence the world around him in anyway. Its a truly horrifying fate even for a loathsome villain like Morbius.

MORBIUS: Do you think I care about my ultimate appearance? Just to walk again, to feel, to see! 
SOLON: Naturally, that is how you think now, my lord, but when you are once more a physical entity, imagine how you will see yourself then. Think how it will be then.
MORBIUS: Solon, I think of nothing else! Trapped like this, like a sponge beneath the sea. Yet even a sponge has more life than I. Can you understand a thousandth of my agony? I, Morbius, who once led the High Council of the Time Lords and dreamed the greatest dreams in history, now reduced to this, to a condition where I envy a vegetable.

Some of Robert Holmes’ best dialogue, and Michael Spice who voices Morbius really gives the character a lot of gravitas too.

Morbius has gone on to return in spin off material which details his early life, as well as attempts to resurrect him yet again, but so far on television he has only made one appearance.

Most Memorable Moment

Morbius/Doctor’s mind duel

A notorious moment, this scene is actually more memorable for the way it changes the Doctor’s history than anything to do with Morbius, but since it is related to Morbius, then what the hell I’ll list it anyway.

The Doctor challenges Morbius to “mind wrestling” and as they fight images of the Doctor and Morbius’ previous regenerations flash up on the screen.

Now the original intention was that the 8 faces that flash up after William Hartnell were actually unseen versions of the Doctor before William Hartnell.

At that point it hadn’t been decided that William Hartnell (the first in real life) was the first in the show. However the later story The Five Doctors would finally establish that Hartnell was the original Doctor, so the previous 8 faces have since been retconned into being Morbius’ previous regenerations.

In the actual story its never said that they were the Doctor to be fair, so its easy to dismiss them as just being Morbius. (It actually makes sense if they are Morbius. If they were the Doctor, then the Doctor got his ass kicked badly, which doesn’t make sense as whilst the Doctor did lose, Morbius’ brain was also fried too.)

However there are still some attempts to fit these faces in as being earlier Doctors. A popular fan theory is that they are the faces of “The Other”. Now “The Other” began as an idea in the late 80’s by script editor Andrew Cartmel but was incorporated into spin off material.

Cartmel had intended to reveal that the Doctor was in fact one of the founders of Time Lord society, a mysterious figure simply called The Other, who fled in disgust after Rassilon’s corruption. The Other later returned on his last regeneration to Gallifrey where after an accident, he fell into the Looming machine. (In spin off material it was revealed that Time Lords do not give birth. Instead they are created in machines called Looms.)

The Other was “Loomed” into a new Time Lord, complete with a new set of regenerations who eventually became the Doctor. The Doctor at first had no memory of his previous existence as “The Other”, though later stories would show that he had learned of his previous life at least by his 7th regeneration.

This was of course never revealed in the show itself (save for a few hints.) Still if you take it as canon, then the previous 8 faces, could be regenerations of The Other (this could also be when the Doctor first learned that he was The Other too. Maybe even the Doctor was surprised to learn that he had previous lives before William Hartnell.)

24/ Duroc

Appearances/ Dead Man Walking

Doctors/ No Doctors

Okay I know Duroc was from the spin off show Torchwood, but I’m making an exception here as I feel that Duroc was still one of the greatest monsters in the entire franchise. Since Torchwood is part of the greater Doctor Who universe then what the hell, I’ll count it just this once.

I have mixed feelings towards Torchwood. I’m a huge fan of Captain Jack and John Barrowman in general, but I think Torchwood was very up and down in terms of quality overall. Still “Dead Man Walking” is easily one of the best episodes from any Doctor Who related television series in my opinion.

Its premise sees Captain Jack in desperation revive his deceased team mate Owen Harper with an alien gauntlet capable of briefly reviving the dead. Owen however is seemingly permanently brought back, but he soon discovers that a being from the afterlife is using him as a vessel to enter our reality.

In previous episodes of Torchwood it was said that there was no life after death, but in the episode “They Keep Killing Suzie”, Suzie Costello, a character who had been revived from the dead warns the immortal Captain Jack that something is waiting for him on the other side, and that when she was dead it chased her through the eternal darkness beyond life itself.

Here we discover its Duroc who needs to claim 13 lives before manifesting itself on earth forever. It is said that the only thing that can stop the monster is faith. Many centuries ago, Duroc came into our world through a resurrected young girl, who beat it off with faith. However it later turns out in a twist that the little girls name was actually Faith and she beat it simply because she was the only one who could face the monster without dying.

Thus Owen is able to banish Duroc back to the darkness before it can claim its thirteenth life.

What makes Duroc such a unique villain in the history of the whole Doctor Who franchise is that there is absolutely no way it can be anything other than supernatural. Though Doctor Who has had Witches, Demons, Vampires, Werewolves, and even Satan himself. In all cases, whilst there are hints that they were the real deal, it’s always left open that they are just really advanced aliens.

With Duroc however he is said to come from the world of the dead, so there’s not really any way you can rationalise him as just being another alien. Whilst I understand that some fans might not like the supernatural being brought into Doctor Who, for this story I think it works really well.

Its scary the way we aren’t given that many details about what the afterlife is in the Whoniverse. Is it just an endless void forever, with Duroc perhaps just being the soul of another dead person, who is desperately trying to escape the endless nothingness we are all destined for?

Or perhaps the place Owen and Suzie went to is hell? Makes sense in a way as Hell can be many things. It doesn’t always have to be fire and brimstone and for some being placed in an endless darkness, with nothing to do, no company forever, would actually be worse.

Whilst Owen may have helped Torchwood save the day lots of times, he’s not exactly lived a blameless life. (For one thing he shot his former friend and boss in the head!) So its not so unreasonable to assume he’d have gone to hell just like Suzie.

Then of course there is the possibility that Duroc is simply a manifestation of death itself, in much the same way as the Black Guardian is a manifestation of evil.

There are so many interesting possibilities with Duroc, and the fact that we are never given a definitive explanation leaves the viewer to wonder which makes him one of the scariest and most interesting villains in the entire Doctor Who franchise.

Most Memorable Moment

Owen Battles Duroc

The scene that for many fans saved the character of Owen who had previously been the least popular member of the team.

Until this point Owen had always been portrayed as selfish, and borderline sociopathic, but here we finally see him redeem himself as he takes Death itself on by himself.

Its quite moving the way Owen uses his battle with the monster to inspire a young boy, dying from cancer by showing him that whilst death is inevitable for us all, that doesn’t mean it can never be fought.

23/ The Veil

Appearance/ Heaven Sent

Doctors/ Peter Capaldi

A monster created from the Doctors darkest fears. The Veil was used as an instrument of torture by the Time Lords against the Doctor.

The Time Lords had wanted to know the truth about the Hybrid prophecy. According to an old legend, a creature half Dalek, half Time Lord was foretold to rise up after the Time War and destroy both races.

With only the Doctor apparently knowing who and where the Hybrid was, the Time Lords decided to capture the Doctor and seal him in a virtual world, which resembled an old castle.

There the Doctor was chased by an indestructable monster called the Veil. The Veil was created in the image of the rotting corpse of a woman the Doctor had seen as a boy, who had been covered in robes, but left out in the sun to rot for days on end.

The Veil’s job was to torture the Doctor for information on the Hybrid, but the Doctor managed to evade the monster through the castle until he reached the exit.

Unfortunately the exit was guarded by a wall made from a substance 400 times harder than Diamond. With no way of escape the Doctor started to hit the wall until the Veil attacked him.

The Veil tortured the Doctor to death, but with his last breath, the Doctor managed to crawl back to the teleporter that brought him here where he used it to burn up his old body, and create a new replica, which he then transplanted his consciousness into.

Sadly however he lost his memories of being trapped in the castle when he downloaded his consciousness into his new body, and therefore repeated the same process again of fleeing the Veil until he reaches the wall.

Every time he makes it to the wall the Doctor remembers his previous “deaths” and decides to keep punching the wall, even though every time the Veil catches up to him and kills him, forcing him with his dying breath to repeat the process of transplanting his consciousness into a new body.

After 4 and a half billion years of repeating the same process and punching at the wall each time, the Doctor finally chips away at the wall so much it shatters, allowing him to escape the Veil which crumbles into nothing after he leaves.

Now Heaven Sent is a story I have mixed feelings towards. Its part of one of my least favourite arcs, the Hybrid story. Also the episode after called Hellbent which concludes the story begun in Heaven Sent is a contender for the worst Doctor Who episode ever made.

Still taken as an episode in its own right then Heaven Sent is a classic. The Veil is undoubtedly one of the most frightening monsters of the week ever seen in the show.

The fact that the Doctors all alone against the beast only heightens the terror. Whilst the Doctor may be a cunning and resourceful hero, we have never actually seen him take on an enemy completely alone before. Even in stories where he doesn’t have a companion like the Deadly Assassin, there is still always help.

Its quite an unusual and scary situation to see the Doctor trapped, with no one coming to help him, no one he can rely on, face to face with a monster that has no other plans, or desires but to torture him!

The history behind the monster is utterly horrific too. I like the way they are able to make it a monster with a personal history to the Doctor without revealing too much about his past. Obviously as part of the Doctors character is that he is mysterious we can never find out too much about his history.

Here they get round that by having the Veil be created from a single traumatic incident of the Doctor as a boy seeing the rotting corpse of an old woman. This image stuck with the Doctor not just because it was a gruesome sight, but because of the tragedy that no one knew who this woman was. She was literally just left to rot in the streets, and no one even cared except for the Doctor.

Some fan theories I’ve read online however have said that they believe the woman whose corpse inspired the Veil was actually the Doctors mother! Personally however I’m glad that they didn’t reveal this in the show, as that would have been far too horrifying.

Whilst I may not be too keen on the Capaldi era, Heaven Sent and the Veil were definitely high points of the revival, and you have to give the Veil credit for causing the Doctor more pain than every other monster in the series combined.

Most Memorable Moment

The Doctor Breaks Through The Wall

A truly brilliant moment that really shows what a strong character the Doctor is the way he just never gives up. Even when he’s reached the two billion mark, he isn’t half way through his ordeal yet, but he still just keeps on going.

The Doctor being burned by the Veil isn’t even the most horrific part of his torture however. What’s worse is that whenever he reaches the seemingly unbreakable wall, then his memory of all the previous times he has been killed returns meaning that when he finally does break through, he has the memory of 4 billion years worth of torture to live with!

 

22/ Cheetah People

Appearance/ Survival

Doctors/ Sylvester McCoy

The main villains from the final Doctor Who story. The Cheetah people were originally human beings who tried to harness the power of a strange, uninhabited planet that had the power to bring out the darkest qualities in anyone who lived there, before eventually turning them into savage, animal creatures.

Sadly the humans eventually succumbed to the darkness themselves and became monstrous Cheetah people. Able to travel between dimensions with the aid of special creatures they bred. The Cheetah people travel through time and space to other worlds, including modern earth to snatch unsuspecting prey and bring them back to their own world. They will also sometimes bring people back to become new members of their own kind too.

Survival is a brilliant story that in many ways is decades ahead of its time. The Cheetah people themselves are also an interesting idea that plays on the old trope of evil being somewhat alluring.

Throughout the story the Doctors female companion Ace is shown to be drawn to the leader of the Cheetah people Karra. At one point Ace actually runs off with Karra and abandons the Doctor and a group of people trapped on the Cheetah planet.

However in an interesting inversion of the trope Ace ends up being stronger and not only does she resist the evil of the planet manifested in Karra, but she is able to actually influence Karra for the better, as Karra ultimately ends up sacrificing herself to try and protect Ace from the Master.

The fact that the Cheetah people are intelligent, and can speak, reason and even love as seen with Karra’s affection for Ace. Just makes it all the more disturbing when they hunt people down and eat them.

This isn’t like the Drashigs who are just animals. This is a creature that can think like a human, and isn’t evil either. Its just simply higher on the food chain than we are.

The only drawback with the Cheetah people was the make up. Now I don’t actually think that the makeup was terrible like most fans do. It was very well realised, but sadly it was just wrong for this particular story.

To start with it didn’t really fit into the idea of the Cheetah people being these attractive monsters that can lure people in. It looks a bit odd to see Ace be attracted to a cat person! Also making them into monsters feels like its playing it too safe too.

Imagine how much more disturbing it would have been if they had just been degenerate humans that hunt people down and eat them alive. When its a furry cat person however its taken to a level of fantasy that feels surreal more than anything else.

The author of the story, Rona Munro has often complained about the Cheetah masks. She said that she envisioned the monsters of the story as simply being fanged, savage looking humans, but that it was producer John Nathan Turners idea to make them into Cheetah people.

Rona felt that the relationship between Ace and Karra in particular was hurt by this.

They should have just had Cheetah eyes and a very faint pigmentation round of Cheetah spots and big canine teeth. And in fact, I think the actors that were cast, from what I was told, were doing all of this wonderful expressive facial work, and then they were forced to wear these ‘Puss in Boots’ things and so then you can’t see what they’re doing under there. Particularly Karra and Ace, there were whole amazing scenes between them and for me, that was supposed to be my lesbian subtext, and you can’t see it!

John Nathan Turner was probably scared about the show being attacked for being too violent, which it had been during his time as producer before.

Still since it was the last episode I think JNT should have just gone for it. As it stands however I wouldn’t say the make up actively ruins the Cheetah people. They were still one of the most interesting and genuinely surreal creatures in the shows history.

Most Memorable Moment

Karra Captures Ace

I think this scene demonstrates how the Cheetah people would have been better if they had been more human in appearance.

When Ace sees Karra you can see she is in awe of her at first before she flees, which again doesn’t make sense when its a monster. If Karra had been a beautiful, yet savage looking woman then it would have felt more natural.

Still the scene is very effective. Much like with 12 and the Veil what makes it so scary is the way the monster has cornered Ace alone, and there’s nothing she can do against it. Can’t outfight it, can’t outrun it, can’t hide from it. She’s just lucky the Cheetah woman had a crush on her instead.

21/ Midnight Entity

Appearance/ Midnight

Doctors/ David Tennant

The Midnight Entity was a mysterious creature that had a vendetta against the Doctor, yet he had seemingly never heard of it before.

The Doctor encountered this monster when taking part in the Crusaders Tours of the Galaxy. Unfortunately the ship that was to take its crew across the Galaxy broke down near the planet Midnight, a strange world apparently made of diamonds where no life was thought to exist.

A strange, spiritual creature however soon started to attack the ship and possessed one of the crew. A woman named Sky.

The monster started to imitate everything the crew said in an effort to learn about the humans, before it eventually took over the Doctor, and forced him to repeat everything it said.

The monster then, whilst in Sky’s body attempted to convince the rest of the crew (who had already come to distrust the Doctor) to throw him off the ship.

Fortunately however the Hostess noticed something was wrong with Sky and before it could kill the Doctor she ejected it (along with herself) back onto the surface of the planet.

The Doctor was not sure if the monster had been killed, but the planet Midnight was sealed off from any more human involvement after to prevent the entity from claiming any more victims.

The Midnight Entity is definitely one of the scariest monsters of the revival. Monster possession seems to be something that Russell T Davies does brilliantly, with other examples being of course the Beast, The Flood, and even to some extent Duroc too.

The Midnight entity in some ways is the scariest however, as we never know just what its plans are. Most of the time it just stares at its victims as its power slowly grows, but you can tell its relishing in the fear and panic its creating among the crew.

At times you’re not sure if the monster is mimicking the crew because it has to, or if its just playing with them. Lesley Sharpe is brilliant in the role. Its a very limited performance, as all she does for most of the episode is just sit at the back and repeat what everybody else says, but the glare she gives the Entity is frightening.

The Midnight Entity is also one of the few monsters who really beat the Doctor too, and what’s interesting is that it doesn’t beat the Doctor through power. Instead it convinces the people the Doctor normally protects to turn on him. Its smart enough to single him out as being different to them, and plays on the fact that actually no one really knows much about the Doctor to make them all suspicious.

The Doctor is only saved by the hostess who is forced to sacrifice herself, rather than by his own cunning. Of all the enemies he has faced, the Midnight Entity is one of the creatures that came closest to killing him, reduced him to being completely helpless, and completely stumped him, with the Doctor still not knowing what it truly was, or even whether or not it was still out there.

Most Memorable Moment

The Entity Possesses Sky

What makes this moment the scariest in the whole episode for me is the way that Sky can sense the monster is coming for her first, even outright saying “she said she’d get me first”.

You can clearly see how malevolent the monster is the way it zeros in on her. There’s no reason for it to go after Sky more than anyone else other than the fact that she is the most scared, anxious, and vulnerable person there.

Its horrible the way Sky knows its coming and begs the Doctor, and everyone there to help her, but none of them can, and as soon as the beast snatches her she is gone.

20/ The Ice Warriors

Appearances/ The Ice Warriors, The Seeds of Death, The Curse of Peladon, The Monster of Peladon, Cold War, Empress of Mars

Doctors/ Patrick Troughton, Jon Pertwee, Matt Smith, Peter Capaldi

Giant reptile invaders from Mars. The Ice Warriors benefited from a brilliant design, and a somewhat more complex personality than many other monster races.

Whilst the Daleks and the Cybermen are all evil drones who think exactly alike, the Ice Warriors had individual names, personalities, desires and actually cared for one another. In their first story the Ice Warrior commander Varga, is genuinely grief stricken when his men are killed (compare that to the Daleks who regularly execute mooks who fail for the slightest thing!)

Furthermore the later story Curse of Peladon would even show the Ice Warriors in the future renounce their war like ways and become a race devoted to peace.

I think the Ice Warriors were somewhat underused. Its very rare to have a race who can function just as well as the villains as they can as the heroes.

The likes of the Cybermen, the Borg and the Daleks for instance obviously work better as villains. Though there have been the odd good guy Daleks, Cybermen and Borg, overall I think its fair to say that they are more effective when evil. Also due to the nature of all 3 races any good guy version of them has to be a mutant, reprogrammed, or brainwashed, as they are all conditioned to want to conquer and destroy other races.

With the likes of the Sontarans meanwhile whilst its easier to have one of them go rogue, as we have seen with Strax they were much better as villains. For the record I do like Strax, but he has kind of turned the Sontarans from being major foes of the Doctor to being goofy, comedy characters.

The Ice Warriors meanwhile much like the Klingons from Star Trek are a rare example of being every bit as effective as both.

As villains they are towering, ruthless, and utterly dedicated to conquest, whilst as heroes they are honourable, noble, yet at the same time also willing to kill which can often put them at odds with the Doctor.

The reason they are able to work so well as both is that you don’t have to change their characters. They always maintain their sense of honour and dedication to their cause, but some Ice Warriors simply have more noble intentions than others.

Still whilst I think that they could have used the Ice Warriors more often, fortunately most of their appearances have been absolute classics too.

I think my favourite story is probably Cold War. Of all the attempts to do a “one monster can slaughter thousands of people” type of story in Doctor Who, this one is probably the best.

They don’t just show the Ice Warrior as being really badass because it can kill lots of people. We see how cunning they are too the way the Ice Warrior is able to stay 5 steps ahead of its enemies, find out their weaknesses and then nearly set about causing a war that would destroy all of mankind.

Overall the Ice Warriors are deservedly one of the great icons of Doctor Who and a monster I’m always happy to see come back.

Most Memorable Moment

Storr Tries To Cut A Deal With The Ice Warriors

A classic scene where Storr who holds a grudge against the scientists tries to team up with the Ice Warriors who instantly kill him ironically because he is not a scientist and therefore of no use to them.

This scene I think demonstrates not only how ruthless the Ice Warriors are, but also how hypocritical they can be. The Ice Warriors always talk of honour and bravery, yet here they gun down an unarmed man whilst he’s pleading for mercy!

19/ The Black Guardian

Appearances/ The Armageddon Factor, Mawdryn Undead, Terminus, Enlightenment

Doctors/ Tom Baker, Peter Davison

The main villain from The Key To Time season. The Black Guardian was the physical representation of evil and chaos in the universe. He along with his counterpart, the White Guardian (who represents order) balance the forces of the universe, though the Black Guardian naturally wants to upset the balance and bring chaos to all of creation.

Despite his power, the Black Guardian is unable to act directly and must always work through his minions.

The Black Guardian was the main villain in the Key to Time season. In this story arc, the White Guardian sent the Doctor on a mission to reassemble all of the pieces of the Key to Time, the most powerful weapon in the universe together to help him restore order, and to prevent the Black Guardian from gathering them first.

Whilst the Black Guardian only appears at the very end of the series where he tries to trick the Doctor into giving him the key, he is the overarching threat throughout the entire season.

After the Doctor foils his plans to steal the Key, the Black Guardian swears that he will make the Doctor and his companion Romana suffer.

Whilst he does not appear again in the 4th Doctors era, the Doctor in later stories is hesitant about staying in one place for too long or else the Black Guardian will find him.

The villain finally returns in the 20th season. Here the Guardian finally tracks the Doctor down, and attempts to influence his new companion Turlough to murder him. Once again however the Doctor is able to foil his plans, though at the same time he also warns Turlough that the Black Guardian can never truly be vanquished as he is essential to the very fabric of the universe.

The Black Guardian was an interesting concept. In a way he was kind of the precursor to Dahak from the Xena franchise, or The First Evil from Buffy the Vampire Slayer.

All 3 are either the root of, or personification of evil in their respective universes, yet all 3 are quite powerless ironically and must work through their servants. Both are also able to take control of somebody close to the hero, or make them betray the hero (Turlough in the Doctors case, Gabrielle in Xena’s and Spike in Buffy’s.)

Neither the First nor the Black Guardian are vanquished either as both can never be destroyed.

I also liked the way the Black Guardian was always only ever used fleetingly too. Unlike with Q from Star Trek, another all powerful alien whose effectiveness was diluted by over exposure. The Black Guardian always remained a shadowy figure that you were scared could turn up as the Doctor in the later parts of Tom Bakers era was always terrified of the Black Guardian finding him.

Overall whilst me may not be quite as iconic as other villains, the Black Guardian was certainly a menacing and interesting foe for the Doctor.

Most Memorable Moment

The Black Guardian Tries To Trick The Doctor

I’ve always liked the way that the Black Guardian’s ruse is discovered because he can never truly appear to be benevolent. He can appear charming, affable, nice on the surface, but he will always let it slip just how twisted and evil he is.

I think this also demonstrates a large part of what is so great about the character of the Doctor too the way he is able to take on the most fearsome and frightening monsters, completely unarmed and defenceless in the most laid back, even jovial way.

18/ Sil

Appearances/ Vengeance on Varos, Mindwarp

Doctors/ Colin Baker

One of the most revolting and vicious creatures the Doctor ever came across. Sil was the representative of the Galatron Mining Corporation.

He kept the people of the planet Varos in poverty by lying to them about the value of the substance Zeiton Ore. He also enjoyed and took part in the sick torture games that passed for entertainment on Varos too.

The Doctor however managed to rumble his con and left him at the mercy of the vengeful Varosians. Sil would return however many years later on the planet Thoros Beta.

Here the monster was arms dealing, as well as trying to prolong the life of Lord Kiv, a wealthy member of his race who needed a new body. Sadly Sil later murdered the Doctors companion Peri, after which Kiv’s brain was transplanted into her body.

Sil, and Kiv were both seemingly killed by a vengeful King Ycranos (played by Brian Blessed) before the Time Lords disposed of the operation to prevent the technology from falling into the wrong hands.

It was later revealed however that this was all just lies by the Valeyard to try and discredit the Doctor. Thus the true fate of Sil is left open.

Sil was quite a unique villain in Doctor Who in that he had virtually no physical power whatsoever. Even Davros the twisted creator of the Daleks would later gain the ability to fly and zap people from a distance.

Sil however was completely helpless, but he still managed to be one of the most terrifying monsters in the series for two reasons. One he was absolutely revolting. Not just in appearance, but personality too, the way he’d derive an almost orgasmic pleasure from watching people suffer. The horrible little cackle that actor Nabil Shaban added whenever Sil saw someone suffer just made him all the more vile.

Furthermore what Sil lacked in physical power he more than made up for in terms of influence. Sil was a monster protected by the law. The Doctor couldn’t just zap him like a random Dalek, he had to find other ways to bring him down, and even then he was never able to completely defeat Sil either.

Its quite unusual to have a monster occupy the role of the unscrupulous bureaucrat in Doctor Who. Normally those roles tended to be filled by more human adversary’s, but in Sil’s case we had the most slimy, inhuman disgusting little monster you could imagine, representing the very worst aspects of human greed, and willingness to exploit others.

Sil’s death scene was also probably the most sensational of almost any villain in the entire history of Doctor Who. Well that is if they had kept it as his death scene, and not crapped out of it later by revealing that it was all a hoax.

To be fair to the producers I’m not actually sure if they made such a mistake in deciding to undo Peri’s death. Whilst it was an absolutely thrilling moment, at the same time it might have been just a bit too horrible. Peri wasn’t just zapped or blown up like Adric. She was brutally tortured to death, and then had her cadaver occupied by a slimy, horrible little reptile monster, all the while Sil laughed at her pain, taunted her, and insulted her appearance!

You have to remember that Doctor Who whilst not a children’s show, is still a family show, and perhaps that would have been crossing the mark to murder one of the longest running and most popular companions in such a horrifying way.

Of course another bonus of undoing the ending was that the possibility for Sil to return was left open too. Sadly however apart from in Big Finish (which was set earlier than Mindwarp) he hasn’t appeared since, and thus the fate of one of the Doctors most iconic enemies from the 80’s is still unknown.

Most Memorable Moment

Sil Tortures Peri

From Vengeance on Varos, Sil has Peri transformed into a hideous avian creature whilst she is still awake!

This scene plays on a trope that was common throughout the 6th Doctors era of body horror, though this was probably the most explicit example.

There’s also a great little moment of black comedy when Sil after seeing Peri be horribly disfigured comments that she is finally beginning to look attractive!

17/ The Mara

Appearances/ Kinda, Snakedance

Doctors/ Peter Davison

The Mara was a being of pure evil and greed that fed on the fear of its victims. Created on the planet Manussa many centuries ago, the Mara caused havoc throughout the galaxy, before finally being banished to “the dark places beyond”.

The monster however survived and would later be able attack the Doctors companion Tegan Jovanka on the planet Kinda. The Mara was eventually able to possess her, before going on to take over the body of a native on the planet Aris.

The Mara planned to provoke a war between the peaceful Kinda and human colonists which would have eventually destroyed the surface of the planet.

The Doctor however was able to foil its plan and defeat the Mara by trapping it in mirrors. The Mara’s weakness was that it was so evil it could not bare to see its own reflection.

The Mara was forced to leave its host Aris, after which, manifested in its true form of a gigantic snake. The beast was driven back to the dark place.

The Mara however survived, and would attempt to possess Tegan a second time on its planet of origin.

The Manussans were celebrating the 500th anniversary of banishing the Mara ironically when it was able to snatch Tegan again. The Mara planned to use an ancient and powerful crystal to recorporalize itself, but the Doctor was able to use this crystal to destroy the Mara seemingly once and for all.

The Mara has gone on to appear in spin off material which reveal that he survived, but so far the monster has not returned to tv.

Now the Mara was one of the most interesting and genuinely surreal concepts Doctor Who ever explored.

The scary thing about the Mara is the way its able to enter your mind, thoughts, and influence its victims without them even knowing it!

The fact that the Mara could also exist in a world seemingly beyond the universe itself also created a feeling of paranoia that it could never really be destroyed, and that it could re-emerge at any point.

Much like with Nicola Bryant as Kiv, Janet Fielding who plays Tegan gives her best performance as the Mara. In contrast to the normally hysterical, loud mouthed Tegan. As the Mara, Janet’s performance is more confident, arrogant and sneering. Adrian Mills who plays Aris does a brilliant job of replicating the same characteristics when the Mara possesses Aris too.

The only problem with the Mara are the horrendous special effects that are used to bring the beasts true form to life at the end of Kinda. They are among the worst ever seen in Doctor Who. I did like the design for the Mara, but sadly the actual snake just looked too rubbery.

Most Memorable Moment

The Mara Possesses Tegan

A very creepy and atmospheric scene. The Mara is able to convince Tegan to be its host through a disturbing combination of seduction and breaking her will too.

I also love the way the Mara manifests itself as 3 people, so it can completely corner and surround her.

I think its a shame we never got to see the three human forms it assumed again. They were all much creepier than the giant snake.

16/ The Great Intelligence and The Yeti Robots

Appearances/ The Abominable Snowman, The Web of Fear, The Snowmen, The Bells of Saint John, The Name of the Doctor

Doctors/ Patrick Troughton, Matt Smith

The Great Intelligence was a powerful disembodied spirit that could only work on the earth through its minions, who were usually (though not always) robotic Yetis.

The Doctor first faced the monster (from his perspective.) In his second regeneration in the Himilayas.

Here the monster was planning to build a physical body for itself, with which it could use to take over the earth. It was operating not only through its Yeti robots, but a high priest named Padmasamabhava who it had ensnared many years ago.

The Doctor was able to foil its schemes and cut it off from its servants leaving it powerless. Many decades later however, Professor Travers (who helped the Doctor defeat the Intelligence) Accidentally repowered a sphere which the Intelligence had originally used to control the Yeti, which allowed it to reactivate its minions.

This time the Yeti’s attack London and overrun it, though their main base of operations is in the London underground.

The Intelligence plans to lure the Doctor into a trap, as it wants to drain his mind of all knowledge of time travel and become invincible.

The Doctor however once again is able to cut it off from its minions, but this time the Intelligence escapes back into space with the Doctor wondering when it will return.

The Doctor would next encounter the monster at an earlier point in its time line in Victorian London. Here the Intelligence was planning to create a new race of warriors out of the snow.

The Doctor next encounters the Intelligence in modern day where it, using its robot servants “Spoon Heads” attempts to drain the minds of billions of people on earth to increase its own power. Once again the Doctor is able to shut down the monsters operations, but not before it is able to absorb many minds and become vastly more powerful.

Despite this however many centuries later, the Intelligence had still not been able to assume a physical form.

Having been driven mad by all the years as a spirit, and coming to see its very existence as a curse. The Intelligence blamed all of its woes on the Doctor who had thwarted its previous attempts to build a body and attempted to finish the Time Lord by throwing itself into his timeline.

Though doing so would destroy the Intelligence, it would also create many splinters of the Intelligence throughout the Doctors timestream which could tamper with his life and destroy the Time Lord.

Fortunately however the Doctors companion Clara was able to defeat the Intelligence by throwing herself into the Doctor’s time stream, creating splinters of her who were able to stop the villain at every point and restore the timeline.

The Great Intelligence was a truly groundbreaking monster in the history of Doctor Who.

To start with he marked the first time that Doctor Who touched on the idea of a monster that could possess people, which is something that it would use many more times with the Mara, the Beast, the Flood, the Midnight Entity, Duroc, and even the Master who eventually became a villain that stole people’s bodies in later stories such as the 96 movie.

Also the Intelligence marked the first time that we saw a monster that was a disembodied spirit work through its minions, which again was something that would be replicated throughout Doctor Who’s history, with other prominent examples being the Nestene Consciousness and the Beast.

The Intelligence also really marked the first time that Doctor Who I feel had a villain who was somewhat more mystical, and fantastical in origin.

Doctor Who though having a somewhat more surrealist premise of a ship being bigger on the inside than the outside, had still always remained hard sci fi in the 60s.

The Daleks, the Cybermen, and the Ice Warriors were all firmly rooted in sci fi, but the Intelligence, though still ultimately just another alien. Nevertheless was really for all intents and purposes an evil, demonic spirit.

Mixing sci fi and fantasy together is something that Doctor Who has done to great effect in the decades since, from the Weeping Angels to the Mara, and it could be argued that the Great Intelligence really started that tradition.

Also finally the Great Intelligence I think really in the Troughton era demonstrated what Doctor Who does best in that it is able to take things and people from different times, and planets and bring them together.

No other show can do this quite as well, as obviously its the fact that Doctor Who can travel in time and space so regularly that can allow it to bring all of these different things together. Buffy, Firefly, even Star Trek (bar the odd time travel episode) are all limited by one time.

In The Web of Fear, the second Intelligence story, we have the Doctors two companions, a man from the highlands in the 18th century, Jamie McCrimmon, and a woman from Victorian England, Victoria Waterfield, alongside the Yeti’s from the himalyas and a powerful alien, that’s also a powerful ghost, all thrown together in the London Underground in the 1960’s!

You don’t even realise how surreal the set up is when you first watch The Web of Fear, as at first glance you just take it as a thrilling monster story. Its only in hindsight that you realise what a surrealist classic it was.

(Incidentally it was apparently this surrealist aspect of Doctor Who that inspired the book and later television series Outlander. Its author Diana Gabaldon was inspired to write the series when she saw an old Patrick Troughton story with Jamie on the tv. She apparently thought it was strange to see a man from the Highlands in the 18th Century, suddenly in modern day, and thus wrote her own series about a time travelling Scots man who was even called Jamie! Its funny thinking how a minor detail from Doctor Who can inspire another entire sci fi franchise.)

The Yetis themselves were a brilliant creation. Though some have criticised the first design for the Yetis as being too cuddly, personally I always found them quite creepy as they had no faces. A monster is always scarier when there is less you can relate to about the monster. This is why the Daleks who had no human features at all were so effective, and so I think the original Yeti’s design is quite underrated in this respect.

The fact that the Yetis also never spoke, yet were still as intelligent as human beings (if not more so) also I think made them more scary. With a monster that speaks there is always a chance you can reason with it. Even if its a Dalek that is utterly ruthless, there is still a chance you might be able to appeal to its own interests.

With the Yeti however there is no way you can communicate with it, and unlike a Drashig, its not just an animal either. It can still outsmart and surprise you.

There were plans for the Yeti to appear again in the classic era, but sadly a dispute with their creators, Mervyn Haisman and Henry Lincoln meant that they never appeared again in Classic Who (save a tiny cameo in the Five Doctors.)

Its a shame as I really think that the Yeti could have actually gone on to be as iconic as the Cybermen and the Master had they been brought back.

To start with the Yetis were big favourites with the viewers. Its very telling how much they embedded themselves into popular culture when they not only appeared just twice, but until 2013 both stories to feature them were sadly wiped.

Still they were always usually brought up as examples of how scary Doctor Who could be back in the day by the mainstream media, right up until the 90’s.

Furthermore again for the next several decades the writers and producers of Doctor Who would often attempt to create similar monsters from the Nestene to the Beast.

Also finally I think that the combination of the Yeti and the Great Intelligence could have fulfilled both classic villain roles. All of the villains in Doctor Who can be broadly divided into two categories. One the rampaging monster that serves as an invasion force (the Daleks, the Cybermen, the Sontarans, the Ice Warriors, the Weeping Angels.) The other is the single enemy that can match wits with the Doctor, (the Master, the Rani, Davros, and the Valeyard.)

The Intelligence itself can fulfil the single enemy role, whilst the Yeti can take the classic monster part. Its very rare to have a villain that can fulfil both. Often one ends up undermining the other. Like take for instance Davros and the Daleks. In stories like Revelation, the Daleks become nothing but mooks, whilst in Remembrance the reverse is true and Davros is reduced to nothing but a fleeting cameo.

Similarly in Dark Water/Death in Heaven, the Cybermen are nothing but Missy’s servants, whilst in the most recent finale, World Enough and Time/The Doctor Falls, two incarnations of the Master are pushed to the side in favour of the Cybermen.

With the Intelligence and the Yeti however you don’t run into that problem. The reason for that is because neither can really exist without the other in the sense that, without the Great Intelligence the Yeti are just boring animals, but obviously without its servants the Great Intelligence is just a voice in the air. Its not like the Daleks and Davros where you have two villains with large personalities competing for screen time.

When the Intelligence did return to the show over 40 years later in the Matt Smith era it was without its Yeti servants which was a shame, but they gave it new servants, the best of which were the Whisper Men.

Much like the original Yetis, the scary thing about the Whisper Men was the way they had no faces, save a mouth full of yellow teeth!

The Whisper Men were like something from a Guillermo Del Toro film, and objectively were definitely far scarier than either versions of the Yeti, but I still prefer the Yeti as they were a somewhat more unusual idea.

Richard E Grant who played the Intelligence gave a brilliant performance (as always) and overall I liked all 3 of the New Who episodes featuring the villain.

However the third story The Name of the Doctor is somewhat flawed. I wasn’t fond of the resolution where Clara was basically retconned into being the hero of every Doctor Who story ever made. It felt like yet another attempt to undermine the Doctor for his companions in the revival.

Still overall the Intelligence was a very original, influential and frightening monster, especially when it had its Yeti servants alongside it.

Most Memorable Moment

Yeti Attack Covent Garden

One of the most thrilling action sequences in Classic Doctor Who. This is some of director Douglas Camfield’s best work on the show.

The soldiers throw everything they have at the Yeti, grenades, rocket launchers, but the monsters just completely overwhelm them and smother the soldiers to death with their web guns, or rip them apart with their claws.

Only one soldier, Colonial Lethbridge Stewart is able to escape. Before they generally tended to crap out of showing us big fight scenes with the monsters. Take a look at The Dalek Invasion of Earth for instance and compare the fights between the Daleks and the rebels which are just basically, a couple of guys toss over one Dalek, and then a Dalek shoots someone.

Here in contrast we get to see just how dangerous the Yeti are as Camfield really does his best with the budget to make it seem like a scene from a big action movie.

15/ The Silurians and The Sea Devils

Appearances/ Doctor Who And The Silurians, The Sea Devils, Warriors of the Deep, The Hungry Earth/ Cold Blood, The Pandorica Opens/The Big Bang, A Good Man Goes To War, Dinosaurs On A Spaceship, The Snowmen, The Crimson Horror, The Name of the Doctor, Deep Breath

Doctors/ Jon Pertwee, Peter Davison, Matt Smith, Peter Capaldi

Ancient reptiles who evolved during the age of the Dinosaurs. The Silurians and their underwater cousins the Sea Devils were a highly advanced race that ruled the earth for many millions of years.

Their time would come however when they detected a huge asteroid heading towards the planet earth.

The Silurians hid in hibernation chambers all around the earth where they hoped to remain until the earth was habitable again. They overslept however and during the millions of years they were in hibernation, man evolved.

Naturally when the Silurians awoke they were angry to see the earth populated by in their mind, an ape with ideas above its station.

The Silurians and the Sea Devils were an interesting race of creatures in that for once they were a race who had every bit as much right to the planet earth as we did.

Added to that the Silurians unlike the Daleks or the Cybermen are not drawn towards one alignment either. They can choose between good and evil, and unlike the Ice Warriors their culture is not a warrior one either.

In fact before they were forced to go underground their culture was even more advanced than humanity’s.

Thus the Silurians weren’t really villains. They were merely thrown into a situation where they had to fight for survival. Humanity or indeed any species would most likely react the same. Indeed the Brigadier, a normally heroic human character acts the same way that the Silurians do at the end of the first Silurian adventure.

The Brigadier in order to protect humanity destroys the Silurian base, killing thousands of them. He does this to destroy the evil Silurian who tried to wipe out mankind with a plague, but at the same time there are many innocent Silurians in the chambers.

The Brigadier however doesn’t care, in much the same way that the Silurian who wanted to wipe out humanity didn’t care about the innocent humans. They both only cared about protecting their own and that was that.

At the same time however there are humans and Silurians who do want to live in peace, such as Liz Shaw, the Doctors companion, and the former leader of the Silurians who even helps the Doctor save humanity by giving him a sample of the plague so he can find a cure.

The conflict in the Silurians was always more complex and interesting than it was with other monsters, as it wasn’t really a case of good vs evil.

The only problem with the Silurians however was that later stories tended to be a repeat of the first story except not as well done.

I don’t think it was until the character of Madame Vastra that the Silurians really became interesting again. Vastra tends to be quite a polarising character, but personally I liked her as I think she showed that the Silurians could actually have lived in peace with humanity after all, with Vastra not only living among humans, but being married to a human woman named Jenny.

I think that more could be done with the Silurians. Whilst many have written them off as limited, the fact that they have a full culture and history, and can be anything from a villain to a hero, actually to me makes them among the most varied and interesting races in the Doctor Who canon.

Most Memorable Moment

Silurians Try To Poison Humanity

From their first story, the Silurians release a virus that slowly eats away its victims. Despite the Doctors best efforts, the virus still manages to spread through London killing many people.

This moment always disturbed me as a child. It wasn’t just a case of Daleks zapping their victims, here we saw their flesh slowly peel off as they died in absolute agony.

It was also disturbing seeing how the Silurians debase the human they use as a test subject, and ultimately a carrier for the plague. We see how they do view humanity as literally nothing more than animals.

“We shall use this creature to destroy all other members of its own kind.”

14/ The Rani

Appearances/ The Mark of the Rani, Time and the Rani

Doctors/ Colin Baker, Sylvester McCoy

The Rani was once one of Gallifrey’s most respected and celebrated scientists. She went into exile however after an experiment of hers went wrong. Allegedly rats she had been experimenting on grew to enormous sizes and ate the Presidents cat!

The Rani would continue to experiment on various other life forms across the universe that she considered lesser than herself (including human beings.) She also however developed extreme affection for others such as Dinosaurs, many of whom she would keep as pets (her favourite species was always Tyrannosaurus Rex.)

The Rani was also not above meddling with and even changing time as well. In one instance she even intended to prevent the Dinosaurs from being driven to extinction.

At first the Rani had nothing but contempt for the Doctor. She viewed him and the Master as nothing but a pair of pests, but as the Doctor began to intervene in her unethical experiments on human beings she soon turned to the Master for help.

The Rani would later come to respect the Doctors intellect and even attempt to use it in her later schemes, though her hatred of him only grew and the Rani actually even managed to cause the death of the Doctors 6th incarnation as well.

The Rani is one of only a few of the Doctors main enemies to cause his death, alongside the Daleks, the Cybermen, and the Master.

The Rani was one of the most interesting individual villains in the shows history.

Unlike the Master, Davros, Morbius, or the Black Guardian, the Rani did not desire ultimate power, and she wasn’t necessarily evil.

She wasn’t sympathetic, but much like the Silurians, her and the Doctors conflict was somewhat more complex than his conflict with other enemies.

The Rani believed that her experiments were for the greater good of the universe, but she was just willing to experiment on creatures that she thought were inferior to the Time Lords, which sadly for us included human beings.

Despite how horrific her experiments were the Rani could actually justify herself to, and even stump the Doctor.

After all its not like human beings don’t exploit, experiment on, devour, and kill for sport animals they regard as lesser than themselves.

To a Time Lord like the Rani, a human is less than an ant. In terms of life span most humans live 80 years, a Time Lord has 13 lives, and each life can live for 1300 years.

Also in terms of intellect a human brain can’t even contain the knowledge of a lowly Time Lord like the Doctor without dying.

So really human beings are tadpoles to Time Lords in every way. With this in mind is the Rani really any more evil than humans themselves are to the animals around them?

Doctor: These are human beings Rani. Living creatures who have done you no harm.

Rani: They’re carnivores. What harm have the animals in the fields done them? The rabbits they snare, the sheep they nourish to slaughter. Do they worry about the lesser species when they sink their teeth into a lamb chop?

You can see how unlike with the Master who just wants power, Davros who is pure evil, with the Rani its a little bit more complex. Obviously we are on the Doctors side because he is defending us, but that doesn’t mean we have the moral high ground against the Rani at all.

The fact that the Rani regarded humanity as nothing more than animals also meant that what she did to her victims was far more horrifying. Even the Master was horrified by some of the things she did.

The Master as wicked as he was, still viewed humanity as an intelligent species. That’s why he wanted to rule us in the first place. Obviously he was still willing to murder innocent people, but still when he see’s how far the Rani, who doesn’t view humanity as anything other than vermin, is willing to treat them, it genuinely disturbs him.

Sadly the Rani was only in two stories. The first, The Mark of the Rani was a classic, but sadly the second Time and the Rani was a disaster.

It wasn’t because of the Rani however. Time and the Rani came at a very turbulent time in the shows history. Colin Baker had sadly been dismissed from the role, John Nathan Turner had only a few months to get the season together, and a new Doctor, and finally Michael Grade had insisted the show being made lighter to counteract claims of the series being violent.

Despite the poor quality of Time and the Rani, the Rani remains one of the most popular Classic era villains. It doesn’t hurt that the late Kate O’Mara who played her was one of the greatest guest stars in the series history either.

Sadly however the producers of the revival have always resisted bringing her back. The excuse that Steven Moffat always used that “no one knows who the Rani is” was complete bollocks.

Far obscurer villains have been brought back such as the Macra. Also I’d argue that the likes of the Great Intelligence, the Autons, and the Silurians were either no better known, or arguably less well known than the Rani too. (PS Moffat did a spin off show about Coal Hill School, a minor part of DW from 1963-5)

Also I might add that its not always a bad thing to bring something back from the past that the general audience might not be completely aware of.

Take a look at Wrath of Khan. If Steven Moffat had been in charge of Star Trek at that point it would have been a “oh lets not bring back Khan Noonien Singh, only anoraks and nerds remember him”.

If there is potential in a character, then bring them back, and really I can’t see how there is absolutely no potential in a renegade Time Lady who is a greater genius than the Doctor (and in some ways the Master too.) Who LOVES Dinosaurs and keeps T-Rex’s as pets!

However given the way that classic villains have been mistreated in the revival for the past few years maybe the Rani is better left in the past.

Most Memorable Moment

The Rani Turns Luke Into A Tree

Okay I know a lot of people think this scene is silly, and it is silly, but its no more ridiculous than the Master shrinking people.

Within the context of the story I think it works. Its a horrifying fate for Luke who not only ends up becoming a Tree, but is still conscious.

Once again we can see the differences between the Master and the Rani, the way even the Master is disgusted at what she does to Luke, but the Rani has so little regard for humans, she thinks he’s better off now as he’ll live longer as a tree!

13/ The Flood

Appearances/ The Waters of Mars

Doctors/ David Tennant

The Flood was an ancient entity that existed on Mars. It took on the form of sentient water, and could travel in water. It was frozen in the ground by the Ice Warriors.

Unfortunately it was freed many centuries later by the first human base on Mars.

The Flood had the ability to take people over, turning them into hideous Zombie like creatures.

In the original version of history the monster killed everyone at the base, except for the Captain Adelaide Brooke who blew up the base to stop the Flood from making its way to earth where it would have taken over all of humanity.

The Doctor however intervened and rescued Adelaide and other members of the base before it exploded. Sadly however Adelaide would still end up taking her own life, as in the original timeline her death inspired her descendants to explore space leading to a new golden age for mankind.

The Waters of Mars is one of the most underrated Doctor Who stories. I’d say its easily on a par with The Ark in Space (if not better.)

The Flood is yet another Russell T Davies possession monster. The Beast might have been the most interesting, Duroc the most unusual, the Midnight Entity the most creepy, but the Flood was the most genuinely horrific.

The effects used to bring its victims to life are also brilliant. The horrible dried up skin around their mouths, and the blank stare they give their victims not only makes them look horrifying, but also as though their victims are in a state of constant pain as well.

The fact that it can assume the form of water as well adds to the sense of paranoia that it can seep through the tiniest little cracks and infect something that we need to survive as well.

In many ways the Flood can be seen to combine all of the greatest Doctor Who monster tropes. Like the Autons and the Angels, its something mundane and every day made into a monster, in this case water. Like the Intelligence, the Mara, and the Beast its a monster that can take you over and possess you. Like the Cybermen and the Krynoids, and the Primords, its a monster that can make you into one of its own. And finally like the Daleks its also something that is completely alien to us. Its not even a spirit, like the Intelligence, its sentient water!

All of this of course allows the Flood to play on many different horror tropes, from body horror to body possession.

Most Memorable Moment

The Flood Corners Steffi

One of the most genuinely chilling moments from the revival. Stefi Ehlrich is corned by the flood as water drips from the ceiling, separating her from the others. Though she tries to conceal herself in her room, the water begins to seep through the cracks, and knowing she is going to die she watches a tape her two daughters gave her, whilst the others are forced to watch her slowly die.

There have been many instances of the Doctor and main characters being unable to help someone, but this is one of the most disturbing.

Normally in Doctor Who when someone is cornered and its hopeless, we’ll still see them fight or even beg. With Stefi however she knows there’s no hope as the water slowly seeps its way towards her, and so she watches a tape of her daughter as she wants that to be the last thing she will ever see.

12/ Vashta Nerada 

Appearances/ The Silence in the Library/ Forest of the Dead

Doctors/ David Tennant

Yet another Tennant era monster. Doing this list has made me appreciate the David Tennant era all the more as I’ve realised how great it was for monsters.

Really it was the golden age of monsters from the revival (much as the Troughton era was from the original era.)

The Vashta Nerada were the “piranha’s of the air“. They were tiny creatures that lived in the shadows and moved as a swarm. According to the Doctor they had evolved on many planets throughout the universe.

They were mostly scavengers, but occasionally they’d take live prey. They would only ever operate in the shadows. The Doctor encountered a particularly aggressive pack of them on a planet sized Library where he first met (from his perspective) his future wife, River Song.

The Vashta Nerada are arguably the most extreme version of the “take an everyday object and turn it into a monster” idea.

They were able to make the young children who watched the show literally afraid of their own shadows!

It was also quite clever the way Moffat was able to have them kill their victims in such a gruesome, yet bloodless way. As Doctor Who is a family show, it can never show too much blood and gore, so having monsters eat people could potentially pose a problem. Here they get round that, by having the creatures operate in the darkness and so fast, that we never see actually see them strip their victims flesh on screen. Instead its just a flash of dark followed by the victims body, stripped to the bone.

The Vashta Nerada I think are very underrated monsters. Whilst they were defeated, with the Doctor simply telling them to look him up in the library was lazy, the idea was inspired and throughout most of the story we had never seen the Doctor more helpless than against the Vashta Nerada.

Most Memorable Moment

The Doctor Warns About The Vashta Nerada

A wonderful scene that really sells the idea of the Vashta Nerada as one of the most dangerous enemies of the Doctor.

Prior to this Moffat had done a great job of slowly building up the idea of there being a monster lurking in the shadows, but here we find out that its essentially the shadows themselves that are the danger!

With the Vashta Nerada we get a rare instance where the Doctor can not even attempt to fight his enemy, but simply has to flee from.

11/ The Weeping Angels

Appearances/ Blink, The Time of Angels/ Flesh and Stone, Angels Take Manhattan

Doctors/ David Tennant, Matt Smith, Peter Capaldi

The Weeping Angels were predators said to be as old as the universe itself. They had a defence mechanism where whenever you looked at them they would turn to stone.

The Angels had the power to send their victims backwards in time. They would feed on the displaced energy. The Doctor said that in a way they were the only psychopaths to kill you nicely, as they just zap you back into the past and let you live to death. Even then however, they would always zap people several decades into the past where they would never see their friends or loved ones again.

A small group of Angels would manage to steal the Doctors TARDIS and send he and his companion Martha Jones back into the 1960’s where they would remain trapped. The Doctor however outwitted the Angels by leaving clues hidden in DVDs which managed to guide a young woman named Sally Sparrow into sending the TARDIS backwards in time. In the process the Doctor also tricked the Angels into looking at each other, trapping them in their stone forms.

The Doctor would encounter the Angels again in his 11th incarnation when a lone Angel caused a ship called the Byzantium to crash on a seemingly uninhabited planet.

It was later discovered that there was an army of dormant Angels buried under the planets surface, with the radiation from the ship reviving them.

The army of Angels slaughtered all of the humans who had come to investigate with only the Doctor, River Song, and Amy Pond surviving. The Angels were defeated when they were pulled into a time field.

The Doctor would next encounter the Angels in Manhattan. Here a rogue group of Angels were capturing people and displacing them in time, but also trapping them in a building for their entire lives, allowing them to draw even more time displaced energy.

One of their victims was the Doctors companion, Rory Williams. In order to prevent his horrible future from coming true, Rory killed himself which created a paradox (as he had already seen his older self die.)

The paradox poisoned all but one of the Angels who still managed to capture Amy and Rory. With the Doctor being unable to change history by freeing them, he was forced to abandon them in the past.

The Weeping Angels are without doubt the most iconic monsters of the revival. Indeed the Angels are just about the only monster from the revival to seriously rival any monster from the classic era in public recognition.

The Angels are of course yet another example of a normal object being made into a monster. These types of monsters, along with a monster becoming a good guy were really what Moffat did best.

All of the most prolific writers have a particular type of monster that they are the best at.

With Terry Nation it was creating monsters that served as a frightening metaphor for the very worst aspects of humanity like Davros and the Daleks, with Robert Holmes it was disfigured, or weakened monsters who had once been the most dangerous force in the galaxy who were now trying to rebuild their former power, with Malcolm Hulke it was creating monsters that were not truly villainous, it was just their survival sadly came at the expense of ours (such as the Silurians and the Draconians.)

With Russell T Davies meanwhile as we have been over his real strength was in possession monsters, but with Moffat his speciality was in making us terrified of everyday objects and things, from statues, to shadows, to puddles!

The Angels however score highly than other monsters of this type such as the Autons and the Vashta Nerada, because I think there is more too them. The problem with these types of monsters is that normally there isn’t really much to them, as their whole thing is just “oh my god something I see every day is going to attack me.” Not only do their stories have to be built around getting us to that moment, but they also often can’t function in environments that don’t allow that sense of paranoia as well.

For instance the Autons work best on modern earth where they can take over mannequins, whilst the Vashta Nerada can only work in creepy dark environments.

The Angels however have proven to be just as effective in many different environments. From an abandoned house in the English countryside, to the London in the 21st century, to alien planets in the far future, to Manhattan in the 30s.

Also the Angels stories have all been different too, and they have all brought something new to their characters (compared to the later Auton stories that are mostly just a retread of Spearhead from Space.)

The first Angels story is a creepy, atmospheric, Doctor lite episode, that revolves around human characters and the effects these monsters can have on everyday people’s lives. I think that’s part of why there’s more in the Angels, because of they way they dispose of their victims, by throwing them into the past. Its interesting seeing how certain people are able to adapt to different times, whilst others can’t, and it also allows the Angels to be scary in a way beyond just the paranoia of having something normal attack and kill you.

Whilst the Angels might not kill you, in some ways being forced to live out your entire life, separated from everyone you ever cared about, in a world that’s totally removed from the one you grew up in is actually worse.

The second Angels adventure meanwhile is a classic base under siege story that’s non stop action in contrast to the more slow paced, low key Blink. Though the Angels just kill their enemies by snapping their necks in this adventure, Moffat nevertheless proves that they can work as a swarm of monsters like the Daleks, and the Cybermen and the Yeti just as well.

The fact that they are fast and their bodies are made of stone makes them a frightening monster to be cornered by. Not only can they suddenly appear behind you in an instant, but even if you do manage to spot them first there is no way you can kill or even hurt them as they’re bodies are indestructable. This story plays up the “perfect assassin” aspect of the monsters far better than Blink.

Finally Moffat also adds an even more disturbing aspect to the Angels, the way they are able to take over Amy and make an Angel almost grow out of her head!

Finally the third Angel story, though like Blink its a similarly low key adventure, here Moffat plays on the Angels ability to control time to make them a more formidable threat.

In some ways the Angels are shown to have a greater knowledge of time travel than the Doctor himself, with the Time Lord being completely powerless to affect changes to history that they create.

I think its really this episode that secured the Angels place as major enemies of the Doctor, not just because they took two of his longest running companions from him, but they are among the only monsters who are able to actually beat him at his own game, time travel.

Whilst some fans and critics have said that they felt the Angels were less effective as time went on, personally I have enjoyed all 3 Angels stories. There’s certainly more that can be done with the monsters than with many of the Doctors other enemies and this coupled with their obvious screen presence, and the fantastic sense of paranoia they create makes them one of the greatest monsters in the shows history.

Most Memorable Moment

The Angels Imprison Rory

From the criminally underrated third Angels story. Here the Angels have begun capturing people and not only dispelling them back in time, but trapping them in one room, all alone for the rest of their lives.

To me the Angels are far scarier here than they ever were in previous episodes. Their victims are trapped in one tiny little dark room, with no company, nothing for the rest of their lives.

There are many frightening moments throughout the episode, such as at the start where a lowly private detective stumbles upon the Angels base and discovers his future self as an old man, who has spent the last several decades trapped all alone in one room, begging him to leave now before the Angels catch him so he won’t end up her. (of course he fails miserably when the Angels corner him on the roof.)

Still when Rory finds his future self its probably the scariest moment of the entire Matt Smith era. Much like the detective, Rory finds his future self who tries to warn him before dying. Its chilling the way that the old Rory in his last few moments is so happy to see his wife Amy again because he hasn’t seen her or anyone for the past 40 years!

Rory: What is going to happen to me?

Doctor: The Angels will come for you. They’ll zap you back in time to this very spot, thirty, forty years ago, and you’ll live out the rest of your life in this room, until you die in that bed. 

Rory: And will Amy be there.

Doctor: No

Amy: How do you know.

Doctor: He was so pleased to see you again.

The most terrifying moment however is when the Doctor tells Rory that even if he escapes here, then the Angels will pursue him throughout all of time and space. Even if the Doctor takes him across the universe thousands of years from now, and years pass from Rory’s perspective, the Angels will eventually find him and zap him back into that little room, away from Amy, his family, his friends.

Eventually Rory is forced to kill himself to escape the Angels. Whilst Rory does suspect that he might escape the Angels, as the paradox of him dying twice will erase their base. He is not entirely sure and would rather die on the streets than downstairs with the Angels.

Whilst this might seem like yet another big overemotional companion departure in the revival, its actually an incredibly dark moment.

The two people closest to the Doctor are actually killing themselves to escape the fate the villain has in store for one of them. Its very rare not just in Doctor Who, but in anything to have the villain actually drive the heroes friends to suicide!

10/ Scaroth

Appearances/ City of Death

Doctor/ Tom Baker

Scaroth was the last survivor of a war like race known as the Jagaroth. The Jagaroth were driven to near extinction over 1 billion years ago before life on earth began after a long and brutal war.

Their last ship landed on the earth to escape. Unfortunately Scaroth its commander ordered they take off before the ship was repaired. As a result their ship exploded and all of the Jageroth save Scaroth were killed in the blast.

Scaroth was splintered through time up until at least the twentieth century. All of the different versions of Scaroth who were able to contact one another across time, would slowly advance humanity over the years. One version of Scaroth for instance taught the first caveman how to use fire, whilst another claimed to have invented the wheel.

Scaroth hoped to progress humanity forward to the point where they could invent time travel technology that would allow him to go back and stop himself from making the catastrophic mistake that caused the death of his race.

Doing so however would erase humanity from existence. Ironically it had been the radiation from the explosion of the Jagaroth ship that caused the primordial soup from which all life on earth emerged to mutate and eventually evolve into the first life forms on earth.

The death of one species gave rise to another. Scaroth however despite having shaped their entire history has no affection for humanity, regarding them as “primitive scum”.

When the Doctor and Romana intervened, Scaroth was able to trick Romana into giving him time travel technology. Fortunately however the Doctor and Romana were able to follow him back to the past and stop him from changing history with the aid of a human detective Duggan.

Scaroth remains a big fan favourite decades on for many reasons.

First of all City of Death is rightfully regarded as one of the greatest Doctor Who stories ever made. Second Scaroth is played by Julian Glover, a beloved genre actor who has appeared (most often as a villain) in dozens of big franchises. Blake’s 7, Game of Thrones, Star Wars, Indiana Jones, The Saint, and James Bond.

Glover himself has always named Scaroth as one of his favourite performances.

Glover’s performance is of course excellent. He brings a wonderful charm and sense of humour to the villain, with a subtle, yet strong hint of sadism.

Still overall I think Scaroth was a brilliant idea in his own right. As vicious as he was, you could still sympathise with him to an extent. All he wanted was to save his race, and he had to live through thousands of years as a stranger in a strange land, with the knowledge that he killed his own race!

Added to that having lived through the very worst aspects of human history, whose to say his more unfavourable view of humans was not in some way shaped by his own experiences?

Also without Scaroth who knows how humanity would have progressed as well? Whilst it was obviously for his own selfish whims and desires, ironically the Doctor has Scaroth to thank not just for the creation of his favourite race, but also what they became.

Scaroth wasn’t just simply an invader. He was our creator, our guide, our father in many ways, yet he had nothing but the utmost contempt for humanity, even after all the centuries he spent living among us, and he is not even the tiniest bit proud of what we have accomplished either.

In a way Scaroth serves as quite an interesting science fiction take on the idea of a creator being extremely disappointed with how humanity had turned out.

Also finally its quite a nice twist that earth would have been incapable of supporting life had it not been for aliens involvement. In both Doctor Who and obviously in real life there are many people who assume that life could never develop on any planet other than the earth, simply because in the first few worlds we have examined are devoid of life.

Ironically however here we discover that earth itself was a planet incapable of supporting life until the Jagaroth arrived. Had it not been for the careless actions of one individual, then another alien race may very well have taken a look at our barren rock of a planet and assumed that life could not have developed elsewhere because the first world they had examined was empty of life.

On the surface Scaroth was a brilliant, suave, charming, yet ruthless villain, but underneath he was a brilliant sci fi take on the idea of the creator becoming ashamed of its creations, and of humanity, who thinks its alone in the universe ironically being just the tools of another more advanced race.

Most Memorable Moment

Scaroth Kills His Wife

Scaroth has the ability to look human which he uses to blend into our society. He even takes on a human wife as part of his disguise.

The wealthy and ruthless countess has no idea of her husbands true nature, until the Doctor gives her a warning.

When she attempts to turn on Scaroth however he kills her using a bracelet he gave her for her birthday which is actually a secret weapon that electrocutes her.

I always liked this scene as it gave quite an interesting insight into how little Scaroth cares for human beings. The countess is the only human he appeared to have any genuine affection for, and after brutally killing her he does show some regret but just dismisses it a matter of seconds. Even when he’s lived with a human for decades the most sorrow he can muster up to their death is a tiny ounce of regret that he forgets in a two seconds.

“Goodbye my dear. I’m sorry you had to die, but then in a short while you will have ceased ever to have existed.”

9/ Krynoids/Harrison Chase

Appearances/ The Seeds of Doom

Doctors/ Tom Baker 

The Krynoids were sentient plant life forms, and the top predators on their home planet. They travelled through the universe in pods. Wherever they landed they drove the animal life forms to extinction according to the Doctor. Not only were they gigantic, strong, and intelligent, but they also had the power to transform any organic life form into members of their own kind too.

Two Krynoid pods ended up in the Antarctic where they infected and killed all members of the excavation team who uncovered them. One of the pods was brought back to England by the crazed Botanist Harrison Chase.

Here the monster ended up infecting one of Harrison’s lackeys and grew to an enormous size eventually crushing Harrison’s mansion. Fortunately before it could spread and take over the earth, the Doctor, and UNIT were able to destroy the monster with fire.

The Seeds of Doom is unquestionably one of the greatest Doctor Who stories ever made. Though its usually held in a high regard, I think its often overlooked.

The Krynoids and Harrison Chase both absolutely terrified me growing up.

The Krynoids represent the most effective example of body horror in the shows history. The effects are very well realised as we see the Krynoid literally burst from under its victims skin and envelop them.

What’s worse is how slow the process is. We see the victims remain completely aware as the infection spreads throughout their body and there is nothing they can do.

The most disturbing scene is when Harrison Chase’s lackey, Keeler is infected and rather than help him, Chase simply locks him up to see the results. Later however when Sarah finds Keeler she still doesn’t help him escape, as she knows there is nothing she can do and he would turn on her eventually.

What’s worse is that ironically the only reason he was infected in the first place was to protect Sarah from the Krynoid. Still Sarah is forced to leave him as there really is no way to stop the infection and she has to make sure he can’t infect anyone else.

His final words to Sarah, are a furious “YOU WANT ME TO DIE!”. Its such a protracted and hopeless death with Keeler constantly begging everyone to help him, and all of them to the last leaving him to literally rot away. The fact however that Sarah, one of the main heroes of the series, who he had basically given his life for earlier is forced to leave him just make its all the more bleak.

Chase meanwhile starts out as a somewhat comical character. Much like Poison Ivy from Batman, Chase prefers plants to people. His is obsession is treated in somewhat more humorous ways at first, such as when he forces the Doctor and Sarah to listen to the awful music he composed that he calls “the rhapsody of the plants”.

However as time goes on his obsession becomes much darker. Where as Poison Ivy is a wonderfully camp character who kills her victims by kissing them, Chase tortures his victims to death by strapping them to a machine that slowly grinds them up into a compost so he can feed their remains to his plants!

Even by the standards of the Hinchcliff era which was always much more violent and graphic this was extreme. Also what makes Chase even more frightening is that he is not insane, nor is he being controlled by the Krynoids. Later in the story even the Doctor believes they must have taken control of him because of how inhumane his actions are, but later when he confronts Sarah he makes it perfectly clear that he is in full control of his faculties and that, perversely being with the Krynoids is what he has always wanted.

Whilst Harrison and the Krynoids may technically count as two separate villains, I decided to list them here together as I feel they both compliment each other so well.

Most Memorable Moment

Chase Grinds Up A UNIT Soldier

Chase is able to catch a UNIT soldier who came to help the Doctor and Sarah unawares and knock him out. He then drags his unconscious body back to his compost machine and grinds him up into mush before feeding him to his plants.

We don’t see the gory details, but the sadistic smile on Chase’s face as he feeds the UNIT soldier to his machine is disturbing enough.

Of course its wonderful poetic justice later when Chase ends up falling victim to his own machine when he tries to throw the Doctor into it.

8/ Sontarans

Appearances/ The Time Warrior, The Sontaran Experiment, The Invasion of Time, The Two Doctors, The Sontaran Stratagem/ The Poison Sky, The Pandorica Opens/The Big Bang, A Good Man Goes To War, The Snowmen, The Crimson Horror, The Name of the Doctor, The Time of the Doctor, Deep Breath

Doctors/ Patrick Troughton, Jon Pertwee, Tom Baker, Colin Baker, David Tennant, Matt Smith, Peter Capaldi

The Sontarans were one of the most advanced, as well as one of the most militaristic civilisations of the entire universe.

A race of clones. They had no purpose but to wage war on all other life forms and thought it was the greatest honour to die in battle for the greater Sontaran cause.

The Sontarans greatest adversaries were an equally evil race known as the Rutans. Their war spanned several star systems and millennia.

The Doctor would encounter various Sontaran warriors throughout his travels, including one named Linx who had crashed in 10th century England after being shot down by Rutan scouts. Linx not only abducted human scientists from the 20th century to help him build his machine (all of whom he almost worked to death.) He also aided a local warlord named Irongron by supplying him with weaponry far in advance of anyone else at that time. Fortunately the Third Doctor was able to prevent Linx from interfering in human history and send all of the scientists he had captured back home.

The Doctor would next encounter another Sontaran named Styre in the far future. This Sontaran brutally tortured several humans to see if humanity was weak enough to be invaded, (including the Doctors companion Sarah Jane Smith).

The Doctor however with the aid of his companion Harry Sullivan destroyed Styre and prevented a full scale Sontaran invasion of earth.

The Doctor later foiled a Sontaran invasion of Gallifrey the Doctors home planet, which the monsters achieved through the help of a servant race called the Vardans.

A group of Sontarans, working with a corrupt scientist called Destari and a race of savages called the Androgums later managed to capture the Second Doctor who they intended to dissect in order to discover why Time Lords had such mastery over time. Fortunately the 6th Doctor was able to rescue his previous incarnation from the villains.

The Tenth Doctor meanwhile would prevent the monsters from wiping out humanity in the 21st century, so that they could use the earth in their battle against the Rutans.

Whilst the Doctor mainly encountered the Sontarans as enemies, he did later gain a very valuable Sontaran ally called Strax. Though Strax still had the same violent tendencies as regular Sontarans, and a desire for war, he nevertheless would dedicate himself to protecting humanity, alongside a Silurian named Vastra and her human wife, Jenny in the 19th century. They became known as the Paternoster Gang and would help the Doctor battle many other dangerous foes including the Great Intelligence.

The Sontarans are one of the most iconic villains in the entire history of Doctor Who. Huge fan favourites, and instantly recognisable with the general public. The Sontarans were an interesting concept. The ultimate warriors who were bred in billions, bred to love war and fighting, and see themselves as disposable in the greater good for their cause.

There’s a certain tragic element to the Sontarans, as ultimately their entire lives were decided before they were even born. They can never have any desires or ambitions of their own but to die for a pointless conflict. What’s worse is that they are duped into thinking that its a great honour to die in conflict, when actually its just a way of making them into canon fodder.

Though Moffat would later undo it (like he does to all his characters deaths) Strax’s death in A Food Man Goes To War is surprisingly moving. Here we see a Sontaran finally realise how pointless its entire life has been as its mortally wounded. Its quite an interesting comment on how so many young men are sadly often deluded into thinking that dying in a war for king and country is some great noble cause, rather than a waste of a young life.

The Sontarans were able to function effectively as villains in a number of different ways.

Obviously as seen in stories such as The Sontaran Stratagem/ The Poison Sky they can be the standard alien invasion force, but at the same time one Sontaran can be a legitimate threat too.

In the Time Warrior one Sontaran threatens the entire course of human history by supplying a human warlord with weapons that could allow him to rule the world. The Sontaran however doesn’t care. Its not like he even wants to wipe humanity from history. As the Doctor says, he’s just “like a little boy mixing up the red ants and the blacks ants”. Perverting an entire civilisations development is just to stop him from getting bored!

The fact that the Sontarans had individual names and personalities also allowed them to play off of the Doctor, his companions and other human characters more so than other monsters such as the Weeping Angels and the Cybermen.

Again you can see this in their very first story The Time Warrior. The relationship between Link, the Sontaran commander and Irongron, the human warlord he allies himself with, is a fantastic double act.

I love the way Irongron goes from declaring that he loves Linx like a brother when he gives him new weapons, to wanting to murder him whenever Linx does the slightest thing to annoy him.

Linx and Irongron were on the cusp of forging one of the greatest bromances in all of sci fi as they had so much in common. Bloodlust, psychotic mood swings, desire to crush all of their enemies mercilessly, a LOVE of guns and weapons. Sadly however those same things that could have forged a beautiful friendship, also led to them trying to kill each other, frequently!

Its also brilliant watching how Irongron stupidly believes that he and Linx are equals and that Linx needs his help as much as he needs his which is of course painfully untrue. Irongron is basically just a distraction for Linx until he can leave, and Linx at one point is shown to be offended when Irongron says about their alliance, “each has much that the other wants.”

Finally the fact that the Sontarans all have individual personalities has allowed the writers to develop them too, as in the case of Strax who has now become a hero to a whole generation of children.

A lot of classic era fans dislike Strax as they feel that he ruins the Sontarans image as villains, not just by making one a hero, but also comical too.

Still personally I don’t mind as I think this demonstrates one of the strengths of the Sontarans that they are actually a very versatile monster that can be used in various different types of stories.

One the one hand you can use the Sontarans to demonstrate the horrors of war as seen in the Sontaran Experiment. On the other you can use them as more tragic characters, as they can serve as a metaphor for the young boys brainwashed into thinking that dying for someone else’s cause is worthwhile such as in A Good Man Goes To War.

Finally as seen with Strax their militaristic personalities can also be used for Colonial Blimp style humour.

Much like with the earlier Brigadier, Strax pokes fun at the idiotic military general whose solution to every single problem is just to blow things up, shoot the bad guys and charge in head first without thinking.

The design of the Sontarans by John Friedlander also I think can lend itself both to drama and comedy. On the one hand with a few modifications it can look really horrible, such as in The Time Warrior where they give Linx more reptillian features, or The Sontaran Experiment where Styre has more rotting, corpse like features.

However at the same time there is an obvious humorous element to the design the way its head is the same shape as the helmet it has just taken off! Strax merely heightens the comedy and gives the Sontaran a more cute, silly face.

Having said that though whilst I do like Strax it would have been nice to see the monsters return to being the villains they were intended to be. I personally would have loved a television adaptation of the audio story The First Sontarans, featuring the Sixth Doctor.

This adventure as its name would suggest told how the origins of the Sontarans.

The Sontarans were created by a humanoid race known as the Kaveetch who were at war with the Rutans. The Sontaran warriors managed to drive the Rutans away from their planet, but unfortunately they later turned on and killed off the Kaveetch, except for a few who were able to escape through time.

The few surviving Kaveetch then attempt to destroy the Sontarans far in the future, but the Sontarans find and kill all but two of them who the Doctor is able to help escape.

The First Sontarans is one of my favourite Doctor Who stories across any medium. What makes it so effective is the way that the Sontarans don’t just essentially wipe out the Kaveetch, they wipe all traces of them from history too. Even the Doctor, a major enemy of the Sontarans has never heard of the Kaveetch.

It also demonstrates just how dangerous the Sontarans are the way that the Kaveetch’s attempts to destroy them, not only fail miserably, but result in their entire species being killed.

I also love the way that the Sontarans casually dismiss their genocide of the Kaveetch as being because they were an inferior species who simply lost their right to survive. It really takes you into how twisted their mindset is, that they can justify the murder of innocent men, women, children and infants as being because they weren’t strong enough to fight back!

The First Sontarans would have been an amazing story for Peter Capaldi. (It would have been better than any television story they actually gave him.) The fact that the current generation of Doctor Who fans are only really familiar with the Sontarans as good guys, I think would have made it even more effective when they saw the Sontarans butcher the helpless Kaveetch.

Despite their popularity the Sontarans have only really been used fleetingly across the entire history of Doctor Who. It’s a shame as there is so much that can be done with them. Still overall I’ve enjoyed just about every Sontaran story, and the monsters have certainly earned a place among the all time great, not just Doctor Who, but sci fi monsters in general.

Most Memorable Moment

Styre Tortures Sarah

Styre tortures Sarah by using a powerful hypnotic device which causes her to experience hallucinations of her very worst fears.

She begins to hallucinate that snakes are crawling all over her and that the ground itself is beginning to smother her and that she can’t breath.

These torture scenes were quite clever as well as disturbing, as they needed to show just how nasty the Sontaran was, but obviously in Doctor Who they couldn’t have a really gory torture scene.

So instead they had the Sontaran use hallucinations which on the one hand was bloodless and would get by the censors, but on the other was actually more frightening than if the Sontaran had just started hiting Sarah.

Here the Sontaran was able to peer into the darkest corners of Sarah’s mind and use the very things she was scared of the most to torment her. The monster uses her own imagination as a form of torture, whilst violating her mind in the process.

7/ Omega

Appearances/ The Three Doctors, Arc of Infinity

Doctors/ William Hartnell, Patrick Troughton, Jon Pertwee, Peter Davison

Omega was one of Gallifrey’s greatest scientists. He discovered the secret of time travel, but was sadly lost in a black hole in the process and believed to have died.

Little did his fellow Gallifreyans know however he had survived and ended up in an anti matter universe. There he would remain trapped for many centuries. He grew insane from the loneliness and eventually wished to punish not just the Time Lords (who he blamed for deserting him) but the entire universe itself.

Omega would attempt to destroy the universe by unleashing anti matter into it. The Time Lords however were able to foil his scheme by bringing then all 3 incarnations of the Doctor together to fight him.

The Doctors were successful in foiling Omega and seemingly destroyed the former scientist.

Sadly however Omega survived and would return to plague the Doctor and the Time Lords again.

Omega is one of the few genuinely sympathetic villains in Doctor Who. Unlike the Master, Davros or the Cybermen he is not truly evil. In a way he’s kind of like Khan Noonien Singh from the Star Trek franchise in that he was someone who was just left to rot somewhere and completely forgotten about. In Omega’s case however its actually worse as he essentially founded the society of the Time Lords, and they still did nothing to help him.

As he says, they all went on to become masters of time, whilst he was left to rot all alone for hundreds of years.

Its very rare to see the Doctor actually feel sorry for, and even want to help a villain. Obviously the Doctor who prefers non violent solutions will always have some measure of regret when killing any enemy (except for the Daleks) but with Omega its different.

The Doctor actually does genuinely feel bad at having been forced to trick Omega, and comes to see his apparent death in The Three Doctors as being a mercy as sadly it was the only freedom he could have ever had.

Omega also helped to flesh out the Time Lords history as well. It was one of the first times that we saw a shady side to their backstory. All of their great achievements had come at the expense of the very person who had given it to them.

Stephen Thorne who played Omega was also I feel one of the series best guest stars. Some critics have said that his performance was too over the top and it was, but I think that suited the character. Omega after all was a crazed megalomaniac who literally believes he is a God!

At the same time Thorne also brought a real vulnerability to the character however, underneath all of the grandiose, such as when Omega pitifully weeps after realising that he will never escape from his prison.

Overall Omega was a somewhat more complex, tragic villain that for once the Doctor and the audience could actually feel sorry for.

Most Memorable Moment

Omega Learns He Is Trapped

Omega at this point wishes to merely escape his prison, and asks the Doctors to take his place. With no way of beating him, the Doctors agree to his demands. However when Omega attempts to take his mask off he discovers that there is literally nothing left of him.

All that remains is his will which can only exist in his universe. Realising that this means he can never return to our universe Omega has a complete breakdown and screams that he will take his vengeance on all of creation.

Stephen Thorne really gives it his all in this scene. Omega has waited for centuries to finally be free and its snatched away from him. Thorne is brilliant at showing the villains rage, before he finally breaks down and cries in absolute despair.

6/ The Master

Appearances/ Terror of the Autons, The Mind of Evil, Claws of Axos, Colony In Space, The Daemons, The Sea Devils, The Time Monster, Frontier in Space, The Deadly Assassin, The Keeper of Traken, Logopolis, Castrovalva, Time Flight, The Kings Demons, The Five Doctors, Planet of Fire, Mark of the Rani, The Ultimate Foe, Survival, Doctor Who (1996), Utopia/The Sound of Drums/The Last of the Time Lords, The End of Time, Dark Water/ Death in Heaven, The Magicians Apprentice/ The Witch’s Familiar, World Enough And Time/ The Doctor Falls

Doctors/ Jon Pertwee, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant, Peter Capaldi

The Master was a renegade Time Lord just like the Doctor. He and the Doctor were once close friends back on Gallifrey, but they ultimately went down different paths.

The Master originally believed that the Time Lords should use their great power to bring order to the cosmos. Of course the Time Lords had a strict policy of non interference and came to view the Master as the most notorious renegade their race had ever produced. The Master meanwhile at first believed the Doctor, another renegade and his old friend might be his ally.

However the Doctor saw the Masters attempts to take over planets like the earth as evil and the two clashed many times.

A skilled hypnotist, master of disguise, and criminal mastermind, the Master proved to be one of the Doctors most implaccable and dangerous foes, and whilst the Doctor was always able to prevent the Master from taking over planets like the earth. At the same time he was never able to bring his archenemy to justice either, or finish him for good (which he tried too many times.)

Thus the Doctor and the Master were locked in a seemingly never ending struggle and over time the Master became consumed with hatred for his former friend. The Master believed that the Doctor had made him waste all of his lives.

The Master eventually used all 13 of his incarnations and was left in an emaciated, burned form. Kept alive only by his burning hatred for the Doctor. The Master attempted to prolong his life at any cost and was eventually able to steal the body of Tremas, a friend of the Doctor and father of his companion, Nyssa.

In Tremas’ body the Master would succeed in killing the 4th Doctor, and would battle many later incarnations until he was captured and seemingly exterminated by the Daleks. The Masters mind however survived as a disembodied spirit and took control of a human named Bruce. After one last duel with the Doctor, the Master was pulled into the Eye of Harmony and seemingly vaporised.

He would return however when the Time Lords resurrected him to fight in the Time War and gave him a new cycle of regenerations. The Master ultimately fled the war, and escaped to the very end of the universe, where he used a chamelion arch to transform himself physically and mentally into a human named Yana, in order to hide from the Time Lords and the Daleks.

Yana had no memory of his previous life, but if he ever opened a fob watch that stored the Master’s essence then he would become the Master again. Sadly however, when the Doctor arrived at this point in the future, his companion Martha, recognising that the Doctor had the same fob watch when he had earlier become a human. Inadvertently made Yana open it which caused him to become the Master again.

Stealing the Doctors TARDIS and travelling back to the past, the Master would attempt to conquer humanity yet again, and has continued to be a thorn in his old archenemy’s side.

The Master is a classic villain and one of the most iconic aspects of Doctor Who in general. Had it not been for the appalling way he has been treated in the last few years of the show I would have ranked him much higher. Sadly however the latest iteration of the villain, Missy I’d say is the worst villain in the entire history of the show, but more on that later.

The Master throughout the classic era was one of the most well developed villains. We saw him gradually over the years descend from perhaps a well meaning, but utterly ruthless villain, to a degenerate sociopath.

The original version of the Master, played by actor Roger Delgado, genuinely believed that his evil was for a greater good. He believed that when he ruled over planets like the earth, he would rid them of disease, war, inequality and build them up to being a power in the universe that could defend itself.

He even offered the Doctor a chance to help him build this better galaxy in Colony in Space, telling him together that they could save the universe.

Of course the Master was willing to make any sacrifice to create this better galaxy, including even provoking wars the would kill billions, so that he could emerge in the aftermath and take over. In his mind, what did it matter sacrificing a few lives, even a whole generation. If he ended building a better world for every subsequent generation?

All of this coupled with Roger Delgado’s suave, charming, and affably evil performance made his Master a villain that you could never truly hate in spite of all the terrible things he did, and who you certainly never tired of watching.

The original Master played by Roger Delgado, battles the Third Doctor played by Jon Pertwee.

Of course for the next version of the character the reverse was true. The burned Master was a total monster. With his frightening, monstrous appearance, this Master was motivated solely by his own craven cowardice, and his fanatical hatred of the Doctor. This Master simply could not die until he had seen the Doctor suffer, even commenting that its the only reason he endures the constant agony he is in.

Whilst he may have seemed as different as could be imagined from Delgado’s charming villain, he was actually the perfect continuation. There had always been hints of a nastier side to Delgado. As time went on he came to despise the Doctor for foiling him so many times. In fact in The Sea Devils the Master is shown to be willing to commit a double genocide just to spite the Doctor!

There were also instances where the Delgado Master would loose his cool and do something horrible for no reason whatsoever, which showed that deep down, he was just a vicious, petty sociopath.

Thus the burned Master is really just this side of the Master brought to the fore. He’s now at the end of his life, and whatever happened that disfigured him has just pushed the Master over the edge, bringing out all of the most twisted, dark urges that were always bubbling under Delgado’s cool, charming facade.

Anthony Ainley’s version of the character meanwhile was kind of like a combination of the previous two. He could be charming like Delgado, but at the same time he dropped any facade that his schemes were for a greater good. He still wanted power, but it was now only for his glory.

Later by the time we get to the Eric Roberts incarnation, the Master has degenerated to the level of an animal. Whatever happened to the Master to make him lose his 13 regenerations and burned him, followed by his death at the hands of the Daleks, and on top of that the influence of the Cheetah virus too, which in the story Survival pushed him even further into madness. All of this has turned the Master into a monster!

Aside from his interesting characterisation, the Master was also effective in how he operated, and in how big a threat he was to the Doctor.

Whenever the Doctor faced an enemy like the Daleks and the Cybermen everyone would trust the Doctor, because he was the only one who knew about them. The Doctor would also always take control among the humans he was with in any situation with the Daleks as a result of this, and as he was a Time Lord he would still usually have knowledge that most of his other enemies didn’t.

With the Master however, the Master to start with was obviously a Time Lord and therefore knew everything the Doctor did. Also the Master would often operate in a more sneaky, dirty, underhand way than the Doctors other enemies.

He would usually manipulate people into helping him against the Doctor. Sometimes it would just be other, slimy, corrupt individuals such as Goth, whilst in some cases it would actually be good people like Trenchard, Kassia and Chang.

The Master would find some weakness or even perhaps a strength of theirs and exploit it. For instance in Kassia’s case he plays on the fact that she has always felt alone and uses that by appearing as her only friend, and by playing on her bitterness too. With Trenchard however he plays on his patriotism and convinces him that there is a secret plot against Britain that he can foil.

It was always fascinating watching the Master spit poison in people’s ears, promise them power, glory, even in some cases his love (like Chang, a homeless orphan who he claims he loves like a son to win him over.)

It would also always put the Doctor in a terrible dilemma, as where as the Daleks servants where just monsters like the Ogrons, the Varga plants, or the Pig slaves that he could zap or beat up. The Masters servants were often good people who had just been fed a pack of lies, and the Doctor would always have to try his hardest to reason with them, which would sadly often be a futile gesture.

The Master would also often gain some position of authority that he could use against the Doctor too. For instance in Frontier in Space the Master is the chief of police in the future, whilst in The Time Monster he is made a lord, and in The Deadly Assassin his servant is one of the high council of Gallifrey.

As a result of this we’d often see the Doctor be framed for crimes, captured, beaten, tortured, and put through hell by the very people he was trying to save because of the Masters actions.

Finally another reason the Master was always a great character in Classic Who was because all of the actors who played him were brilliant in the role.

The best two were of course Roger Delgado and Anthony Ainley who had the most stories, and were therefore naturally able to get into the character more.

Delgado was more charming, and had a more 3 dimensional personality, but Ainley I think was better at being more genuinely cruel.

Still all of the other actors, Peter Pratt, Geoffrey Beavers and Eric Roberts were good too.

A lot of people knock Roberts portrayal, but I liked it. I thought that it was faithful to the original Masters, whilst adding a more desperate, pitiful, yet dangerous edge to the villain too.

Sadly however whilst the Master was one of the greatest success stories of the original series. All of his appearances in the revival have been terrible. Really of all the classic era villains the revival has tackled, the Master has been the most mishandled.

Three actors have portrayed the Master in the new series. Derek Jacobi, John Simm and Michelle Gomez.

Of the three Jacobi was the best. Ironically he only played the Master for 2 minutes on screen. His version of the character was the one who disguised himself as Yana, and after remembering who he is, he is shot two minutes later by his former assistant Chantho, who he mortally wounded.

Still Jacobi really captured the villains psychotic hatred for the Doctor, and his sneering arrogance, and contempt for all other life forms.

The build up to the Master returning was also in all fairness probably the best reintroduction of any villain in the new series. We all knew it was coming. Earlier in the series the Doctor, who believed himself to be the last Time Lord in existence at that point, was given a cryptic warning. “YOU ARE NOT ALONE”.

Still even with that its a real edge of your seat moment as Yana slowly starts to remember, and Jacobi is brilliant at switching between the kindly, sweet natured old Yana and the sociopathic Master. Added to that the cliff hanger where the Master leaves the Doctor, Jack and Martha stranded in the future, about to be eaten by hordes of flesh eating monsters is absolutely thrilling.

Sadly its all downhill from here.

I don’t have any problems with the John Simm version of the Master per se. I thought John Simm was brilliant in the role.

Also I think it was fairly faithful to the original Master too. A lot of fans have said they felt that Simm wasn’t believable as the Master because his version of the character was portrayed as a cackling lunatic.

To me however this always seemed like quite a shallow interpretation of the Masters character.

Yes the likes of Delgado, and Ainley’s Masters were more suave, charming and understated than Simm, but remember a Time Lord’s outer personality is supposed to change somewhat when they regenerate.

Hence why Hartnell’s Doctors grumpy on the surface, whilst Tennant’s is dashing, vain and more awkward.

However the core personality remains the same. Hence why all the Doctors still want to explore the universe, why all the Doctors are still mysterious, why all the Doctors prefer non violent means, but will use them if need be etc.

With the Master its the same. There are three basic motivations for the Master that make up his core character. One is to gain power over the galaxy because he believes it will be better under his rule. Two is to make the Doctor, the man he hates more than anything else pay.  Finally the Master also often wants to prolong his own miserable existence too.

Every single last story featuring the Master from Classic Who gives him one, or two, or sometimes all three of these as his motivation.

Furthermore the Master as we have been over always operates in three ways. One, he will twist the minds of people around him through any means necessary. Two, he will lie, cheat and grease his way to being in a position of power and use that to turn people against the Doctor. And finally when all else fails the Master will use mind control against his victims, whether that’s Delgado’s hypnotic chant of “YOU WILL OBEY ME!” or Anthony Ainley hypnotising people with his watch, or Eric Roberts spit that takes people over.

Now as far as I could see John Simm’s interpretation follows the Masters character perfectly. He too wanted power. He tried to create a new Time Lord empire in his first story, and he tried to turn the Time Lords into clones of himself in his second.

He also hated the Doctor and wanted to make him suffer too. He tortured the Doctor for a whole year!

The Simm Master was also a sly, manipulative villain who tricked the family of the Doctors latest companion, Martha Jones, into betraying both her and the Doctor. He also dupes the British public into voting for him, and finally he seduces a young woman named Lucy Saxon into being his sidekick too.

He also placed himself into a position of authority and used that against the Doctor. The Simm Master actually went one step further than his predecessors and made himself the Prime Minister! In The Sound of Drums, just like in many previous Master stories, we saw the Doctor having been framed as a criminal by the Master, forced to go on the run, and be hunted, and betrayed by the very people he was trying to help such as Martha’s family thanks to the Masters manipulations.

And to top it all off he also used hypnosis through the Archangel network too.

So to me the Simm Master has the exact same core personality and motivations as his predecessors and operates in exactly the same way too. The fact that he acts more crazy on the surface is really unimportant. After all the burned Master’s outer persona was different to Delgado too. The important thing was that the core characterisation was the same, and it was with both Simm and the burned Master.

My only beefs with the Simm incarnation are that they kind of messed with his origin and his relationship with the Doctor. They revealed in the Simm era that the Master had been driven insane when he was forced to stare into the untempered schism, a hole in time and space as a child. Since that day he heard a constant drumming in his head which tormented him and drove him over the edge.

Now I didn’t like this because it tossed about 24 years worth of character development for the Master out of the window. Before we had seen him slowly descend into madness, but now he was apparently always a lunatic?

Also I feel this attempt to make the Master sympathetic ironically made him more one dimensional. Now he was absolved of all his evil actions because basically, the drums did it!

Before however though he had been driven mad, it was his own actions that had brought him to it, his lust for power, his petty hatred of the Doctor etc.

Also in the Tennant era, Russell T Davies had the Doctor become desperate to try and reconnect with the Master and help him. This was a bad mistake in my opinion as it undermined the Doctor and the Master.

In Classic Who the Doctor tried to murder the Master in almost every story.

There were a few instances where he showed mercy to the Master sure, but only in the same way that he does to all of his enemies. Basically the Doctor will kill any villain if he needs to, but if there is another way he’ll take it, and if the villain is helpless then he won’t kill out of vengeance.

So the same applied to the Master. There were a few instances where the Master was unarmed and the Doctor didn’t just gun him down sure. In Survival the Doctor also stops himself from killing the Master because if he does, then the Cheetah virus will overcome him.

Still that didn’t mean most of the time he didn’t try and kill him. In Terror of the Autons, The Mind of Evil, The Claws of Axos, The Sea Devils, The Deadly Assassin, The Keeper of Traken, Castrovalva, Planet of Fire, The Mark of the Rani, and the 96 movie the Doctor tries to murder the Master by, having him shot by UNIT soldiers, trapped in a place that’s about to be hit by a nuclear bomb, trapped in a time loop forever with Axons (horrible space parasities), kicked down a bottomless pit, blew up his TARDIS, trapped in a place that’s about to fade from existence, and locked in a room with a hungry T-Rex!

In all cases the Doctor said afterwards that he hoped he had finished the Master for good without any regrets, or hint of sadness.

This was better for both characters as it meant that neither really won against the other. Yes the Doctor stopped the Master from taking over the earth, but he could never even bring him to justice, never mind kill him. Thus the Master would always go free, unpunished for his heinous crimes and the Doctor would know that he would always turn up again and cause more suffering and pain.

Davies however had the Doctor not only refuse to kill the Master, but stop other people from doing so, which meant that the Master now only escapes because the Doctor went easy on him. Also the Doctor first of all looks like a massive hypocrite. He’s willing to murder scores of other villains, but the Master, he spares because killing an enemy is suddenly wrong?

Also it further undermines the Doctors morality the way that he wants to be friends with such a sick, sadistic, mass murdering monster! Yes its true that the Doctor and the Master were always meant to have been friends back on Gallifrey, but that’s the point, their friendship had long since vanished. Davies was the first to bring in the ridiculous idea that they still want to be friends which is just silly after all this time.

Finally another problem with the Simm Master was that both of the stories he was in were crap.

To be fair Utopia and The Sound of Drums, his first two episodes were great, but The Last of the Time Lords is one of the worst Doctor Who episodes ever made.

Its the conclusion that ruins it. Everyone on earth literally prays to the Doctor (who for some reason shrunk when the Master aged him?) The Doctor then literally turns into a Jesus like figure, flying through the air on the power of luuurve, because of some bullshit hypnotic device that the Master has.

Easily one of the most ridiculous and cheesy scenes that lets down what could have been a good story otherwise.

The End of Time, Simm’s next appearance is not much better, though its really because they turn the 10th Doctor into a whiny self pitier, rather than because of anything to do with the Master.

Its a shame that Simm was served with such poor stories, as other than a few misgivings I did think he was a very good Master.

Simm’s Master tends to divide opinion the most. Some classic era fans absolutely despise him, whilst to many who grew up more with the new series, he is THE definitive version of the Master, above even Delgado (who is usually the most popular of the Classic era Masters.)

Indeed despite his controversy with older fans, I think that due to his popularity with modern viewers, Simm is probably the most iconic and popular Master after Delgado who still reigns supreme overall.

Whatever problems there were with John Simm’s version however, sadly it was nothing compared to what came next.

When the Master returned in the Peter Capaldi era (after an absence of 4 years.) He had regenerated into a female form, played by Michelle Gomez.

This version of the Master called Missy was in my opinion one of the worst things ever introduced into Doctor Who.

I don’t have anything against Michelle Gomez, the actress who played Missy. She was a brilliant actress (if miscast because the Masters you know a MAN), but ultimately Missy was a betrayal to everything the character of the Master was supposed to be.

To start with they threw out all of the Masters character. Missy did not wish to conquer the universe like previous Masters. In fact in her first story her “plan” is to create an army of Cybermen that she can give to the Doctor as a present to win him back!

She also is in love with the Doctor too. In fact the first thing she does when she sees him is French kiss him!

All of this completely ruined the character of the Master.

To start with it made him a joke. What the Masters actually been in love with the Doctor this whole time? Now when you look at past stories where the Master talked of how only his hatred for the Doctor kept him going, you laugh. You think “sure its your HATRED of him.”

Another alternative is that the Master’s sexuality has changed because he has turned into a woman, and so now finds the Doctor (who is still a man) more attractive than before.

Sadly that’s even more ridiculous! Suppose the next version of the Master is a straight man? Will he go back to wanting to kill the Doctor? Then what will happen if he falls and bangs his head and becomes a straight woman again?

Its absurd and turns the Master into a total joke. It also I might add ruins other Time Lord characters. If Christopher Eccelston had regenerated into a straight woman instead of David Tennant, would she have wanted to shag Mickey Smith instead of Rose?

Furthermore making him/her in love with the Doctor made the Master a significantly less effective and dangerous villain.

In the classic era the Master was a villain that the Doctor wanted to kill, but who would always manage to slip away. A villain who wanted to rule the universe and who was kept alive, even when in the most agonising pain by his hatred of the Doctor.

Now in Missy’s time the Master is a villain who wants to shag the Doctor, and literally hands the Doctor victory. She gives him a Cyber army as a present, with no way of taking it back. She’s literally beaten by a no thanks!

See here.

How can anyone not say that’s a huge comedown for the villain? He was once the Doctors deadliest enemy, grappling with him on a planet that’s about to crumble to bits. Now he is handing him an army of Cybermen without a fail safe for some sex!

Missy tossed out all of the Masters time honoured traits and characteristics. She just isn’t the character in any way shape or form. Is she hypnotic? Is she manipulative? Does she turn people against the Doctor? Does she put herself in a position of authority and use that to frame the Doctor? Is she determined to destroy the Doctor? I’d say she’s the Master in name only, but even then she’s not. Her name is MISSY.

Missy also completely undermines the Doctor too. Just like with the Simm Master, the 12th Doctor doesn’t ever want to kill Missy. In fact worse, he lies to his companions, and UNIT that she has died to protect her!

Thus when she next shows up, UNIT are completely unprepared and many of them are killed.

The Doctor is now complicit in Missy’s crimes, and why? Before he always tried to kill the Master. He even said in stories like The Deadly Assassin that the Master is the one person in the galaxy he would wish death upon!

At the very least in the John Simm era, the Doctor wanted to imprison the Master. Also whilst I didn’t like Tennant going more easy on the Master, at the very least it can be rationalised as being because at that point the Doctor believed he was the only other Time Lord left in the universe.

With Missy however he knows that they have all survived, so why does he still care about this asshole? And at the expense of innocent people. Missy still murders people, yet the Doctor doesn’t give a shit!

Another reason I despise Missy is because I feel she only came about because of pandering.

Now I am not going to go into too much detail about this here, as I have already written about this topic extensively.

Still it needs to be mentioned as its ultimately why the character of the Master was ruined.

Basically from about 2011 on SJWs and third wave feminists latched onto the Doctor Who franchise. As always they had to take it over. I would consider myself left wing. In fact I identify as a socialist.

However identity politics, or the regressive left, or SJWs, whatever you want to call them, are shallow, intolerant and needy. They have to take over everything they latche onto. One only has to look at other franchises like Ghostbusters and Marvel and DC to see other examples of this.

The SJW “fans” viciously slandered Steven Moffat as a sexist, a homophobe, and a racist over the most petty things like “Karen Gillan has a short skirt, River Song isn’t as important as the Doctor” etc.  Sadly however Moffat took their criticisms to heart and so he started to pander to them in a number of ways including Missy.

Here are examples of the feminist smear campaign against Moffat, as well as responses from Moffat and the New Who production team showing how the feminist attacks did actually bother them.

Trigger Warning Sexual Assault in Doctor Who

Doctor Who is Racist

Has Doctor Who Become More Sexist

Problematic Posters For Doctor Who Season 8

Doctor Who Bechdel Test

Steven Moffat is Abelist

Steven Moffat And His Problem With Representing People Of Colour

Moffat argues against sexist claims

STOP ASSUMING I’M A SEXIST DEMON

BBC Responds To Sexist Claim

Karen Gillan “Steven Moffat Is Not A Sexist”

So you can see how based on this Steven Moffat was desperate to win favour with his feminist critics.

There was absolutely no reason to cast a woman as the Master other than pandering to feminists who wanted a female Doctor, and saw Missy as paving the way for it. If you wanted a female villain, bring back the Rani. The Rani is a great character, popular with fans, and sadly Michelle Gomez would have been excellent as the Rani, as she has the right look, voice and sense of humour for the Rani.

Sadly however Moff crowbarred Gomez into the role of the Master, simply to set a precedent for a female Doctor. Prior to Moffat pandering to feminists, Time Lords had never changed gender when they regenerated.

I might add that the Master was portrayed as a violent misogynist too. He beat his wife Lucy Saxon, he forced her and his masseuse to shag each other for his own amusement, and both he and the Jacobi Master were deeply embarrassed at being killed by a woman.

Now given that we know that the Master can control how he looks when he regenerates (he decided to be young and strong when changing from Jacobi to Simm.) Why the hell would this guy choose to be a woman?

Whilst I blame the SJWs for being puritanical, fanatical bullies who slandered a mans reputation to get what they want in a tv show. Moffat shouldn’t be let off the hook either.

Moffat completely destroyed a villain that had been in the show for 40 years just to win favour with people who said some bad things about him online. He had no right to make the Master a joke, and salt the earth for future writers who might have wanted to do something interesting with the character after him.

Its now impossible for a writer to make the Master the character he had been for 40 years.

Imagine having say a Master played by Charles Dance, who is desperate to destroy the Doctor. You wouldn’t take him seriously as you’d think “hey remember that time you tried to fuck the Doctors brains out?”. You also wouldn’t believe him when he ranted about wanting power over the galaxy as you’d think “well you gave it up to try and shag the Doctor before”. The villains credibility has been destroyed for all time.

The only good thing about Missy was watching her get killed by John Simm (who returned for the first multi Master story this year.)

It was fitting watching John, the last true version of the Master kill the PC pandering, SJW friendly Missy. Still even then it was just a further example of how the character had become a parody. The Simm Master murders Missy because he doesn’t want to end up as a woman and elope with the 12th Doctor.

So is Moffat making out that the Master’s sexuality changed when he regenerated after all? That’s absurd! Also Moff had the male Master want to shag the female Master which again just turned the whole thing into a farce.

Sad end for a once great villain, but I guess the real moral of the story is that SJWs are the biggest monsters of them all.

Most Memorable Moment

The Master Steals Tremas’ body

 

This scene terrified me when I was a child. I was scared to go near a grandfather clock for years because of this scene and the end of the Deadly Assassin.

This elevated the Master to being more than just another renegade Time Lord. Here he became an evil that would never truly die. He could just go on stealing bodies for ever, like a Demon taking over its victims.

This scene was also the only one to make use of the fact that the Master’s TARDIS is capable changing shape to blend in with its surroundings too. I was always scared when I was young that anything reasonably big could be the Masters TARDIS, and that he could come crawling out of it to take me over.

5/ Cybermen

Appearances/ The Tenth Planet, The Moonbase, The Tomb of the Cybermen, The Wheel in Space, The Invasion, Revenge of the Cybermen, Earthshock, The Five Doctors, Attack of the Cybermen, Silver Nemesis, Age of Steel/Rise of the Cybermen, Army of Ghosts/Doomsday, The Next Doctor, The Pandorica Opens/ The Big Bang, Closing Time, Nightmare in Silver, Dark Water/Death in Heaven, World Enough And Time/The Doctor Falls

Doctors/ William Hartnell, Patrick Troughton, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, David Tennant, Matt Smith, Peter Capaldi

The Cybermen originally came from earth’s identical twin planet, Mondas. The Mondasians were once an organic, humanoid race, but as their planet began to drift away from the sun, they slowly replaced all of their organic components with metallic and robot parts until they became complete machine creatures.

They also removed all of their emotions too in order not to go insane after their upgrade.

The Mondasians became known as the Cybermen, and would seek to convert all other organic life forms they came across, for the survival of their species, and because they believed that it was better for the life forms they were conquering.

The Cybermen took over many planets and wiped out whole species, but their time would come when they attempted to invade the earth. Their home planet Mondas would be destroyed in the attack, though tiny pockets of the monsters would survive across the universe and attempt to rebuild their power base.

The Doctor would later discover another group of Cybermen who originated from a parallel universe version of the earth. It was later revealed that the Cybermen originated on many different worlds, with the Doctor even commenting that wherever there was people, there would eventually be Cybermen.

The Cybermen are the most iconic monsters in Doctor Who after the Daleks. They were a truly inspired idea.

The Cybermen mix the classic fear of technology over running mankind along with the age old fear of being turned into a monster.

The Cybermen are almost like robotic zombies the way they hardly ever say anything move in a horde, and can turn people into members of their own kind.

There were also of course elements of body horror in the Cybermen too with Cyber conversion being a long, drawn out, bloody process. Some versions of the Cybermen also, most disturbingly of all still retained certain human features, such as the Mondasian Cybermen who still had human hands.

The Cybermen I think were the scariest of all of the Doctors main enemies. What I always found terrifying about them was the way that if one cornered you there was nothing you could do.

With the Daleks there are a number of weaknesses you can exploit, with other enemies like the Sontarans, and the Ice Warriors, though they are strong, there is still a chance you can hurt them, or maybe as seen with Skaldak, reason with one.

With a Cyberman, its a mountain of pitiless steel! There’s no way you can reason with, or even attempt to defend yourself against one.

Whilst the Cybermen may have been one of the most genius concepts in the history of Doctor Who, sadly however it cannot be denied that they have been somewhat misused over the years.

Its not that their stories are bad. I’ve enjoyed most of the Cybermen adventures throughout old and new Doctor Who. Some Cybermen stories like Tomb of the Cybermen, The Invasion and Earthshock are among the greatest Doctor Who stories ever made.

The problem is that I think a lot of writers have got it in their heads that the Cybermen are second rate villains, as they were never quite as famous and popular as the Daleks, and so sadly they write them accordingly.

Examples of this include in the 20th anniversary story, the 5 Doctors where a whole platoon of Cybermen are wiped out by the Raston Warrior Robot. It is admittedly one of the most spectacular sequences in Doctor Who’s history as we watch the robot tear the Cybermen’s bodies to pieces, but its it just further makes them seem like second rate foes.

Then in the story Silver Nemesis, Ace wipes out a group of them with a sling shot. In the David Tennant era meanwhile first Russell T Davies had the Cybermen become totally earthbound primitive villains. In contrast to the Daleks who Davies made into god like monsters who had wiped out the Doctors people, the Time Lords. The Cybermen became the creations of an earth scientist and if anything were now the weakest of all his enemies. After all their technology was only really the same level as Earth’s whilst the Sontarans for instance had the technology to destroy an entire planet in seconds!

Davies also famously had the Cybermen and the Daleks meet which ended with 5 million Cybermen not being able to hurt one Dalek.

All the Cybermen need is a little bit of respect to reach their true potential. The idea is one that will always be terrifying, and also as the Cybermen frequently change their design, then they are not limited by an old outdated look like other monsters.

I’d say that the three golden periods for the Cybermen would probably be the 60s, the 80s and incredibly enough, the Peter Capaldi era.

The 60s was one of the few times that the Cybermen were treated as the equals of the Daleks. In fact they were the Doctors archenemies during the Troughton era. It wasn’t just that they were important during the 60s however. The writers always highlighted what it was that made them frightening.

We’d get scenes that showed just how strong and dangerous they were up close such as when the Cyberman savagely beats its victim to death in The Wheel in Space, or when Zoe and Isobel are cornered by a crazed Cyberman in the sewers of London.

The stories were also often set in tighter, claustrophobic environments such as the moonbase, the sewers of London, the ice tombs of Telos, all of which made use of the fact that not only could a Cyberman be lurking around any dark corridor, but if it was there was nowhere you could run to escape it.

The 60s stories also constantly reminded people that the Cybermen were not just generic robo killers either. This is a problem with many later stories is that it seems the writers forgot that they can turn other life forms into members of their kind. In Revenge of the Cybermen for instance, its never even mentioned!

60s stories however like Tomb of the Cybermen always sought to remind us that the Cybermen won’t just kill you like the Daleks. They will make you into one of their own.

At the same time, Cyber conversion was also not made out to be something that could be overcome either.

In many New Who stories people such as Yvonne Hartman, and Mercy Hatrigan will often just shrug off becoming a Cyberman, but in 60s stories such as again The Tomb of the Cybermen, Toberman is unable to overcome being partially converted and sacrifices himself at the end as he doesn’t want to live under the Cybermen’s rule.

Finally the Cybermen seemed like a legitimate menace in the Second Doctors era. Its true that their race was always portrayed as nearing extinction, but still the threat of what would happen if they managed to rebuild was always very real.

The Doctor was terrified of what they would be capable of if they were allowed to swarm throughout the galaxy, and any story involving the Cybermen would also often end in a high body count too.

They were also shown to be highly manipulative, sneaky and capable of outwitting the Doctor and their often trecherous human allies such as Tobais Vaughn and Cleeg.

In the 80s meanwhile the Cybermen first of all became a right of passage for each new Doctor to meet. Up until that point, though they had met 3 out of the then 5 Doctors, the Cybermen were not really viewed as being the Doctors other archenemy after the Daleks.

They had made just one appearance in an average story in the last 11 years. Most modern fans probably wouldn’t have ever seen them (as remember repeat showings were very rare back then, and there obviously no video or DVD releases.)

So the 80s was an important period for the monsters as by having them face all of the Doctors in that decade as that really made them a right of passage, which only the biggest classic era icons, like the Daleks, the Master, and the Brigadier were.

The 80s also much like the 60s, made them a legitimate threat again, with the story Earthshock seeing several races have to unite against them. Earthshock also had the monsters memorably kill off the Doctors companion too.

Adric’s death marks one of the few times the Doctor is unable to save someone close to him, and Adric dies alone, scared, and thinking he has failed to save billions of innocent people because of the Cybermen.

All of this naturally made embedded the Cybermen as prominent foes of the Doctor, arguably during that period more so than even the Daleks, who were not responsible for any major tragedies in the Doctors life during the 80s.

The 80s also much like the 60s stories would feature Cyber conversion prominently in stories like Attack of the Cybermen, where conversion was again an irreversable process as seen with Lytton who begs the Doctor to kill him.

With the Capaldi era meanwhile I have to give it credit for making the Cybermen a big deal again. There is little in my mind to be grateful to the Capaldi era for, but it did mark the first time in a long while that the Cybermen didn’t just feel like second rate villains.

In the Capaldi era the monsters to start with where given a greater prominence, being the main villains in two out of Capaldi’s three season finales. Also Moffat seemed to know what it was that made the Cybermen so frightening and gave them plenty of scenes in dark, claustrophobic corridors, and played up the body horror aspects too.

The scene where the Doctors companion Bill is converted is unquestionably one of the most genuinely chilling moments in Doctor Who’s long history and really to me demonstrated how the Cybermen will always be terrifying, as the basic core idea is just so horrific.

Finally on top of that the Cybermen also killed the 12th Doctor too, which marks the first time they were able to actually kill a Doctor directly.

They wore down the first Doctor too, but here they actually blast 12, who is then forced to kill himself in order to stop them. I might add that had it not been for the timely intervention of Bill’s watery girlfriend then the Doctor would have been dead for good too.

Of course I didn’t like any of the Cyberman stories that were in the Capaldi era, but that was more down to other factors like Missy. In fact the latest Cyberman story, if you took Missy out of it, could have been an all time classic.

Still at least the Cybermen were given a bit of renaissance in the Capaldi ear overall.

Whilst they may not have always been treated with the respect they deserve, the Cybermen still are not only one of the most iconic monsters in Doctor Who, but all of Sci Fi as well.

Their influence on popular culture was immense not only in the way they helped to achieve a greater public recognition of Doctor Who, but also in the way they influenced other monsters too.

The Borg from the Star Trek franchise were closely inspired by the Cybermen. Its no secret as the writers of the Next Generation were big Doctor Who fans (and even included the names of all the actors who had played the Doctor at that point flash up on a screen in one episode.)

The Borg much like the Cybermen were a race of Cybernetic creatures who had once been organic, but had now upgraded themselves. They sought to do the same to all other life forms in the universe just like the Cybermen, and played on body horror tropes, and the fear of being turned into a monster just like the Cybermen too.

Obviously that’s not to do down the Borg who became fantastic and iconic villains in their own right. No idea is completely original and as long as you do something new with it, which no one would deny the Borg did, then who cares?

Still its important to mention not only because it demonstrates how Doctor Who was often a pioneer in science fiction concepts and ideas, but also how the Cybermen in particular were such a fantastic idea too.

Most Memorable Moment

The Cybermen Abduct And Torture Lytton

Lytton and his allies are planning to steal a time machine that the Cybermen have captured. Just as Lytton is about to climb to safety however a Cyberman grabs his foot and pull him down. Lyttons allies are forced to abandon him as there is nothing they can do.

The monsters take Lytton to their controller and torture him for information. They slowly crush his hands, but Lytton does not break and so the monsters decide to convert him. Though the Doctor attempts to save Lytton, sadly it is too late, and he is finally killed by the Cyber Controller.

This scene manages to capture everything that is terrifying about the Cybermen perfectly. We see how physically unstoppable they are. When they grab Lytton by the foot you know he is gone. The fact that its in a tight, dark corridor also heigthens the sense of hopelessness too.

Lyttons conversion is also shown to be a slow, drawn out, and agonising process, just as it should.

Unlike in other stories where people like Yvonne Hartman are able to just decide not to become a Cyberman, here Lytton pitifully begs the Doctor to kill him.

4/ Davros

Appearances/ Genesis of the Daleks, Destiny of the Daleks, Resurrection of the Daleks, Revelation of the Daleks, Remembrance of the Daleks, The Stolen Earth/Journeys End, The Magicians Apprentice/The Witch’s Familiar

Doctors/ Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, David Tennant, Peter Capaldi

Davros was the creator of the Daleks and the Doctors single greatest enemy alongside the Master.

Originally from the planet Skaro, Davros came from a race of humanoid creatures called the Kaleds.

The Kaleds had been locked in a thousand year long conflict with another humanoid race known as the Thals.

The war had destroyed the surface of the planet and polluted the air to the point where both the Kaleds and the Thals had begun to slowly mutate. Davros, the Kaleds leading scientist discovered that the Kaleds were destined to undergo a mutation cycle as a species. Davros wanted to find out what their final mutated form would be, so he took living Kaled cells and subjected them to the same radiation that had polluted the air of Skaro.

Davros soon discovered that the Kaleds were destined to mutate into a race of hideous, slimy, octopus like creatures. Davros created machines to house these Kaled mutants, but he also tampered with their minds. He removed all emotions that he considered to be weaknesses in the Kaleds such as love, pity, compassion and programmed into their minds a strong hatred towards all other life forms that were different to them. Davros believed that one race would have to dominate all the others in order to survive.

Davros came to name the combination of the Kaled mutant inside the near indestructable tank like robot, a Dalek.

The Daleks would prove to be so ruthless and unpredictable that they would eventually turn on Davros himself and seemingly exterminate him. Davros however would survive and return many centuries later to try and take control of his monstrous creations. At various points Davros would also attempt to create a new race of Daleks that were truly loyal to him.

Davros’ attempts to build a new Dalek race from terminally ill humans, kept in cryogenic suspension until a cure can be found for their illness on the planet Necros.

Davros’ relationship with the Daleks would be somewhat complicated. Whilst they never truly accepted him, at the same time they were never able to kill him either. Sometimes he would be placed in a position of authority and the monsters would even respect all he had done for them, but he was never able to control the Daleks like he wished.

Whilst he may never rule them, Davros is the only creature in the entire universe that the Daleks could be said to hold any kind of affection for, albeit in a twisted way.

Davros is probably the most polarising of all the Doctors great enemies. Whilst Davros’ first appearance, Genesis of the Daleks is one of the most beloved Doctor Who stories ever made. Many fans feel that Davros should never have returned, and that he did nothing but undermine the Daleks in his later appearances.

I can certainly understand why people would say that. In Davros’ first story its brilliant the way he sees the Daleks as his way of living forever. He has after all essentially recreated his own race, the Kaleds in his own image. However all previous Dalek stories have shown that whilst his creations do go on, ironically no one knows Davros’ name.

Even the Doctor, the archenemy of the Daleks, had never heard of him before Genesis of the Daleks. The Daleks would never want to acknowledge that they were the creation of a lesser being, so Davros is ironically forgotten about, despite having given every civilised world reason to curse his name for all eternity. In many ways however that is the best punishment of all for him.

Sadly however this is of course undermined in later stories when Davros returns and becomes a legendary figure feared by the Time Lords.

Also it is true that in later stories Davros does tend to push the Daleks into the background. Davros and the Daleks are two such big personalities that its understandable some writers would find it hard to get the balance right.

There are a few stories that manage too like Genesis of the Daleks, Destiny of the Daleks and The Stolen Earth/Journey’s End. However others like Revelation of the Daleks, and The Magicians Apprentice/The Witch’s Familiar reduce the Daleks to being Davros’ mooks, whilst in a story like Remembrance of the Daleks the reverse is true and Davros is reduced to just a cameo at the very end.

Still overall I am glad they brought Davros back, as not only did his return serve as the basis for some truly excellent stories, but I think they developed his character and more importantly his relationship with the Doctor brilliantly.

There are so many different sides to Davros’ personality. He is totally evil, without any redeeming features at all, but that doesn’t mean the writers weren’t able to make him into a more 3 dimensional villain.

Davros is a deeply pathetic, insecure, weak little man. He can barely defend himself, and whenever he is faced with death he is a miserable, pathetic coward such as when he attempts to convince the Fifth Doctor to spare his life by selling him some bullshit about wanting to build a new Dalek army with him.

I love the way that when it becomes obvious that the Doctor doesn’t have it in him to kill Davros, Davros drops the pretence of wanting to build an army with him, and just laughs in his face. The fact that Davros views not being able to murder someone who is completely unarmed as “lacking in courage” is also a nice insight into how twisted and cowardly Davros is.

The big difference between Davros and the Master, though they are both cowardly megalomaniacs, is that at the very least the Master wants to rule as he believes that when he is in charge things will be better.

Davros however just wants to destroy because it makes him feel strong.

We can see this in his first story Genesis of the Daleks where Davros tries to bullshit a captive Fourth Doctor, that he just wants to build a better universe for all life forms. He says that when the Daleks rule all other life then they will do so benevolently. Wars will end, and all races will united under the Daleks rule.

Of course the Doctor doesn’t buy it and proposes a hypothetical example of having ultimate power which excites Davros, proving that the Daleks are all just a way for him to exert his own power over everything else.

Davros later actually realises this scenario during the David Tennant era when he creates the reality bomb, a weapon which will allow him destroy all universes.

Its brilliant the way that you can see how this was always at the heart of Davros’ character. The Davros in Genesis is exactly the same as the one in Journey’s End. Its just that he doesn’t have the power yet to enact his twisted desires, but in every story in between Genesis and Journey’s End he is working towards accomplishing that.

Davros’ relationship with the Doctor was also in some ways perhaps the most interesting relationship the Doctor had with any of his foes, save the Daleks.

The Doctor doesn’t really have a relationship with the Cybermen, whilst other enemies like the Rani we didn’t get to see enough of for the writers to really establish a strong dynamic between them and the Doctor.

With the Master meanwhile there was a strong relationship until they botched it with Simm and Missy.

With Davros however I’ve enjoyed most of the Doctors interactions with the villain. We’ve seen the Doctor genuinely struggle with having to commit acts of murder, even genocide in order to prevent the greater evil Davros represents. We also I think can not only see how much the Doctor has changed in his dealings with Davros, but I feel that each encounter the Doctor has with Davros helps to define each Doctor too.

When the Fifth Doctor encounters Davros he wants to kill him. He knows that Davros is incapable of change and for the greater good of the universe must be killed while he is vulnerable. However he can’t bring himself to commit cold blooded murder which is what this still is.

He’s not shooting the Master in self defence. He’s gunning someone who can’t defend themselves down simply because their very existence is a danger to the rest of the universe.

When he misses this golden opportunity to finish Davros, the Fifth Doctor instantly regrets it. The Fifth Doctors last words after Davros escapes are “I’m an imbecile”.

The Fifth Doctor was always the softest and most compassionate Doctor and sadly his enemies were often able to take advantage of this. This scene more than any other demonstrates how the Fifth Doctor wasn’t always in control compared to other more ruthless Doctors.

This of course leads brilliantly into the next Doctors confrontation with Davros as the Sixth Doctor is more than willing to kill him. Sadly however the Sixth Doctor is unprepared for Davros and so he ends up being captured by Davros. This sums up the Sixth Doctors personality as he was a more arrogant, conceited Doctor. Just like 5 however, 6 does learn his lesson and tells Davros “I will be waiting for you”.

Sure enough the Seventh Doctor takes the fight to Davros. 7 is ready for Davros in every respect and destroys the Daleks power base, and seemingly kills Davros.

Just as with the Fifth and Sixth Doctors, 7’s confrontation with Davros sums his character up arguably more than any other, as here we see how ruthless he is, and how much more sneaky and manipulative he was.

7 is the natural conclusion to 5 and 6 however. 5 was a good man struggling to deal with the horrors around him, and sadly often made mistakes. 6 as a result was determined to be more ruthless, but sadly he was also overconfident to make up for 5’s apparent weakness. 7 finally is the one who is ruthless enough, but also has thought things through and not just blundered in there, and so he is the one who (seemingly) defeats Davros.

Finally Davros’ relationship with his creations, the Daleks was also fascinating too. Its easy to see how Davros could have just become another variant of Dalek leader, like the Cyber Controller, the Ice Lords, the Borg Queen or even the previous Dalek Emperors and Dalek Supermes.

Instead however the writers would always create an odd mixture of loathing and affection between the two.

The Daleks will never accept Davros as their leader because he is not one of them. Their programming says they should kill him. However they never actually do finish him, even though they are given plenty of opportunities to do so.

In Genesis of the Daleks for instance though they shoot him, they clearly are aware that he survived. In the next story Destiny of the Daleks, the Daleks are searching for Davros showing that they are clearly aware they didn’t kill him at the end of Genesis.

At the same time however they have just left him to rot underground for possibly thousands of years until they need him.

Later in Revelation of the Daleks, the monsters again could just zap him, but decide to take him back to Skaro to stand trial for his crimes. Similarly in the stories The Stolen Earth/Journey’s End and The Magicians Apprentice/The Witch’s Familiar, the Daleks keep Davros locked up like in the Doctors words “a smelly old uncle.”

Yet they still don’t just kill him. Now its true that Davros does have great scientific knowledge that the monsters want, but even then it doesn’t seem likely that the Daleks wouldn’t just scan his mind and kill him in the process like they do to the Torchwood professor in Doomsday. That way they would get all they wanted from him, and not have to deal with him always trying to take them over.

Yet they not only don’t, but also make some very strong concessions to Davros. The Dalek Supreme spares the Doctor and Rose, simply because Davros wants to torture them for his own amusement. Similarly in The Magicians Apprentice, the Daleks allow a dying Davros to drain energy from them. Every single Dalek, including the Supreme agrees to have its life force drained just to prolong his life a little longer!

They even all chant at the end of The Witch’s Familiar “ALL PRAISE DAVROS, ALL PRAISE DAVROS, ALL PRAISE DAVROS”.

For the Daleks to acknowledge the contribution of a “lesser life form” which is still what Davros is to them is unbelievable. Look at Mavic Chen, the Controller, Theodore Maxtible, and Lytton, all humanoid life forms who in some cases spent their entire lives helping the Daleks. They were all cast aside and killed without a seconds thought once they ceased to be of use to them.

Even the Daleks themselves are probably confused by the way they treat Davros. On the one hand they can never have anything approaching affection for their “father”, but at the same time they would never kill him because he made them. He didn’t just give birth to their race, he created the Daleks beliefs. He made them in his own image, and so they will never just discard him.

Davros meanwhile at first longs for the Daleks to accept him. In Destiny he is overjoyed when the Daleks return to him as he believes that they have finally seen sense and want him to lead them. The Daleks even go along with it at first to play him, but when Davros finds out that all they want is for him to fix their latest problem he is devastated.

Later Davros after realising that the Daleks will never follow him tries to create a new race of Daleks. Unfortunately however these Daleks prove to be worthless too him. Ironically because they are all drones that are conditioned to obey him, they can’t think for themselves, and the original Daleks wipe them out effortlessly when they come to capture Davros.

Davros next attempts to make himself into a Dalek in order to be accepted by them as seen in Remembrance of the Daleks.

Even then however not all of the Daleks accept him and eventually by the time of the new series, Davros has finally accepted that he will never rule his children, but at the very least they will always turn to him for help, and he can be content in the fact that he is the one creature in all of creation that they will never kill.

Whilst his original ending in Genesis may have been a brilliant send off for the character, at the same time I think the writers and producers were able to do very interesting things with Davros’ character, his relationship with the Doctor and his relationship with the Daleks.

There is only one Davros story that I am not keen on, The Magicians Apprentice/The Witch’s Familiar, and even then the Davros scenes are great, its just the rest of it I don’t much care for.

Most Memorable Moment

Davros Tortures Sarah And Harry

I was torn whether or not to include this or his famous speech about destroying all of reality in Journey’s End.

Davros discovers that the Doctor is from the future. The Doctor has been sent by the Time Lords to stop the development of the Daleks to prevent them from destroying all of reality.

Though the Doctor attempts to warn Davros of the pain and suffering the monsters will cause, Davros only wants to know about the times they will lose. The Doctor of course refuses and so Davros decides to torture his two companions Harry and Sarah.

Even as they are being tortured, Harry and Sarah plead with the Doctor not to give up the information and betray billions of people in the future, but their cries are drowned out by Davros’ shrieking “YOU WILL TELL ME, YOU WILL TELL ME, YOU WILL TELL ME!”

Michael Wisher who played Davros in Genesis was probably the best Davros. Though Terry Molloy definitely comes a very close second in Revelation, I think Wisher just edges him out as Wisher was able to switch between the cold, understated ruthlessness of Davros, and the hysterical, fanatical lunacy wonderfully.

You can see that here the way Davros at first screams at the Doctor to tell him, but after the Doctor furiously refuses, Davros suddenly goes quiet. He tells the Doctor so calmly that he will exploit his weakness (a weakness he boasts he has removed from the Daleks) his compassion.

3/ The Haemovores

Appearances/ The Curse of Fenric

Doctors/ Sylvester McCoy

The Haemovores were the mutated descendants of mankind many thousands of years into the future. The were blood drinkers, virtually indestructable and could only be killed by a wooden stake through the heart, or hurt by human faith in something, such as an ideology, or even a person, which created a psychic barrier that prevented them from hunting.

Eventually however the radioactive slime that had created the Haemovores destroyed their world and killed them off. Only their leader, Ingiger survived. Ingiger would be brought back through time to the 10th century by the Demon known as Fenric.

Ingiger would infect many Vikings creating an army of Heamovores whose goal would be to try and free Fenric from the flask the Doctor had trapped him in.

Eventually during the Second World War, Fenric would be freed. He hoped to convince Ingiger to place a new toxic chemical developed by the British forces to use against the Russians after the war, under the oceans.

Ironically it would be this chemical that would eventually poison the oceans, creating the Haemovorers, and finally wiping out all life on earth. Fortunately the Doctor was able to convince Ingiger to turn on Fenric, and he killed both the Demon and himself using the toxic gas, thereby erasing the Haemovores from existence.

The Haemovores represent one of many forays Doctor Who made into Vampires, with the others being State of Decay and The Vampires of Venice. Whilst all 3 were very effective, I think there was more in the story of Fenric.

Fenric used the old tropes and staples of Vampire fiction to tell a very compelling and thoughtful story about how people cope in dark times.

In Fenric we are introduced to two characters, Reverend Wainwright, and the Russian Captain Sorin.

Wainwright has lost his faith in God due to the horrors of both world wars. He can no longer believe in a a loving omnipotent creator, overseeing the world where innocent men, women and children are being butchered in millions.

The Haemovores sense this about Wainwright and throughout the story they target him above all others.

At the same time however Sorin who is a communist is able to use his faith in communism to drive the Vampires off!

Unlike Wainwright, Sorin’s beliefs have been reinforced by both World Wars as he believes western society will fall due to its own corruption. In his mind its already led to two world wars, so he believes once Nazi Germany is crushed, people will turn to his beliefs willingly.

Having a communist scare Vampires off using the Soviet badge, whilst a priest is unable to war the monsters off with a cross and a bible is one of the most clever and daring twists Doctor Who has ever done in its entire history.

The idea of faith being used to ward off Vampires is an old one, but Doctor Who was able to do something new and completely unexpected with it that showed how some people are able to use their faith to get them through difficult situations whilst with others the reverse is true and everything they’ve ever believed in can be crushed by horrible circumstances.

The Haemovores were not not only among the strongest Doctor Who monsters, but among the best takes on Vampirism there has ever been.

Most Memorable Moment

The Haemovores Kill Wainwright

Wainwright does his best to try and hold the Vampiric monsters off, but sadly his faith in God is not strong enough. The monsters taunt him, telling him that there can be no God as long as creatures like them exist. Eventually he gives up and the monsters rip him to pieces.

Reverend Wainwright, played by Nicholas Parsons was one of the best supporting characters. He was a very thoughtful, kind hearted soul who really tried to keep the faith he had believed in all of his life. His death isn’t just a victim of the week moment.

The first time you watch it you do genuinely hope that he can find the faith to drive the monsters away, but sadly the very existence of the Haemovores kills the last bit of faith he could have in a benevolent creator.

2/ Sutekh

Appearances/ Pyramids of Mars

Doctors/ Tom Baker

Sutekh was the last of an ancient race of God like aliens known as the Osirians. Though the Osirians were generally peaceful, Sutekh was a twisted megalomaniac. He was terrified that somewhere in the universe there would be something out there that would grow to rival him in power.

So he began to exterminate all other life forms wherever he found them. The Doctor would later state that his name was abominated in every civilised world across the universe. He even destroyed his own planet and nearly wiped out his own people, before the few surviving Osirians, led by his brother Horus, managed to imprison Sutekh beneath a pyramid on earth where he would remain for many centuries.

Sutekh was held in place by a device called the Eye of Horus, which was located on the Pyramid of Mars.

Unfortunately at the start of the 20th century an archeologist named Marcus Scarman accidentally stumbled upon Sutekh’s tomb. Sutekh was able to kill him and reanimate his corpse which he used to try and build a rocket to fire at the Pyramid of Mars.

The Doctor attempted to intervene and though he was successful in destroying the rocket, Sutekh was able to briefly take control of him and force the Time Lord to take his minions to Mars where they were able to destroy the Eye of Horus.

Fortunately the Doctor was able to foil Sutekh by extending the time corridor he needed to use to escape to become so long that he would be dead by the time he reached the end.

Sutekh is probably the best example of less is more I can think of. In terms of appearance he isn’t that intimidating. He also doesn’t do much throughout the story but just sit down, and though he is powerful, we barely get to see his awesome powers in action.

Still he is one of the most sinister villains in television history, due to the backstory of the character, the atmosphere the script generates and Gabriel Woof’s chilling, eerie performance.

A lot of Doctor Who villains I’ve noticed tend to rely on their voice. Davros, Morbius, Sutekh. It makes sense in a way, as often the actors are limited by the masks they wear.

Sutekh also I think demonstrates why you don’t need to make a villain sympathetic or even 3 dimensional to be effective.

Sutekh is just evil. There’s nothing else to him, but that’s what makes him so scary. This is an enemy that the Doctor cannot reason with, can’t get through to, and who not only frightens, but utterly disgusts him to his very core. The fact that Sutekh is also not insane either like say the John Simm Master just makes him more effective.

These types of villains often present the hero with the biggest challenge to overcome, as there really is nothing a villain like this won’t do. I think this is why the Joker who is a similarly totally evil villain has been so successful too. Take for instance The Dark Knight. In that movie we never even find out what it is that made the Joker into the monster he was, but he’s still one of the most effective villains, because unlike Ra’s Al Ghul in the previous movie, he has no redeeming features. His evil is all consuming, and pushes Batman to his limits.

The same applies to Sutekh.

Sutekh murders even his most loyal servants in brutal and sadistic ways. 

Probably the most terrifying aspect of Sutekh’s power that we see on screen is the way he takes control of Marcus Scarman and forces him to murder his friends and family.

A scene that always stuck with me was when Marcus, under Sutekh’s control is forced to torture his own brother Lawrence to death. The first time you watch it, you do think Lawrence might get through to him as we see Marcus begin to remember his former life. Sadly however in a flash Marcus snaps again and begins mercilessly attack his brother.

We get an idea of how all consuming the evil of Sutekh is the way that any humanity Marcus had is quickly beaten down, and Marcus literally does not even flinch as he tortures his pleading brother slowly to death.

When Sutekh finally disposes of Marcus after destroying the Eye of Horus, Marcus’ last words are “I AM FREE AT LAST!” I always wondered if it was Sutekh saying this through Marcus, or perhaps it was Marcus being released from Sutekh?

The Doctor claims that Marcus is dead, but the fact that Lawrence was able to briefly make him remember who he had once been suggests that he was still alive under there after all, which is even more disturbing.

Sutekh is an old trope in sci fi of what if the Gods from mythology were really aliens? In Sutekh’s case however we obviously see a much darker take on the idea with Sutekh being a “what if the myths about evil creatures were all real, and they are still out there, waiting to get free?”

Pyramids of Mars is often regarded as one of the greatest Doctor Who stories ever made and really its not hard to see why. Its one of the best ancient astronaut/haunted house stories ever told, and Sutekh is definitely one of the most nightmarish and frightening villains the show ever devised.

Most Memorable Moment

Sutekh Tortures The Doctor

One of writer Robert Holmes best scenes. The dialogue and the interaction between the characters is perfect.

Sutekh is the only enemy who has actually managed to bring the Doctor to his knees. We’ve seen other villains torture him, even kill him, but the Doctor never breaks.

Here however the pain Sutekh inflicts on him is so great that the Doctor is forced to actually bow to the monster.

1/ The Daleks

Appearances/ The Daleks, The Dalek Invasion of Earth, The Chase, Mission to the Unknown, The Daleks Masterplan, The Power of the Daleks, The Evil of the Daleks, The Day of the Daleks, Frontier in Space, Planet of the Daleks, Death to the Daleks, Genesis of the Daleks, Destiny of the Daleks, Resurrection of the Daleks, Revelation of the Daleks, Remembrance of the Daleks, Dalek, Bad Wolf/The Parting of the Ways, Army of Ghosts/Doomsday, Daleks in Manhattan/Evolution of the Daleks, The Stolen Earth/Journey’s End, Victory of the Daleks, The Pandorica Opens/The Big Bang, Asylum of the Daleks, The Day of the Doctor, The Time of the Doctor, Into the Dalek, The Magicians Apprentice/The Witch’s Familiar

Doctors/ William Hartnell, Patrick Troughton, Jon Pertwee, Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, John Hurt, Christopher Eccelston, David Tennant, Matt Smith, Peter Capaldi

The Daleks were the most evil and feared creatures in all of creation. Created by the twisted scientist Davros on the planet Skaro. The Daleks were a race of slimy mutants housed within a nearly indestructable tank like robot.

They believed that all other non Dalek life forms in the universe must be exterminated and over the years have destroyed a countless number of planets and star systems. Utterly devoid of compassion, pity or remorse, the Daleks are not only the Doctors greatest enemy, but also the biggest threat to his people, the Time Lords.

The Doctor first encountered the Daleks on their home planet Skaro. Here he prevented a group of primitive Daleks from wiping out the last of their old enemies, the Thals.

The Doctor would next encounter them on earth in the 22nd century. To his horror the Doctor discovered that the Daleks had virtually wiped out humanity and conquered the planet. Fortunately the Doctor was able to drive them off with the help of the few surviving earthlings.

The Daleks however would next take the fight to the Doctor and build a time machine that could chase him anywhere throughout all of time and space.

The Doctor would next encounter them on the planet Kembel where the Daleks were planning to construct a weapon called the Time Destructor, which was powerful enough to age an entire planet into dust. Though the Doctor was able to foil the Daleks plans to build the weapon and conquer the Galaxy, it was at a heavy cost as two of his companions, Katarina and Sara Kingdom were both killed.

The Doctor would go on to encounter the Daleks on a far flung earth colony on Vulcan, start a civil war between two Dalek factions, stop them from changing history so that their invasion of earth was never foiled, prevent them and their ally, the Master from starting a war between earth and Draconia, and prevent the monsters from stealing the only known cure to a space plague that threatened to wipe out humanity.

The Time Lords would later grow scared at the development of the Daleks, and after discovering a possible future where the monsters will have destroyed all of reality, sent the Doctor back to erase the Daleks from history.

Sadly the Doctor failed in his mission. He was unsure despite all of the horrors the Daleks would commit, if he could bring himself to exterminate an entire species.

I bet he came to regret this after the Time War.

The Doctor was still able to tamper with Dalek history to the point that he slowed down their development which allowed other races a chance to catch up with them, and prevent the Time Lords’ vision of the future from coming true.

Davros the evil creator of the Daleks would later return when the Daleks revived him to help them against another, evil race known as the Movellans. The Daleks and the Movellans both relied on logic and had become locked in an empass as a result. The Daleks hoped that Davros could help them break the stalemate, but his attempts failed, and the Movellans would later defeat the Daleks by creating a virus that attacked the Daleks.

Their battlefleet was destroyed, and their forces would be further divided by Davros’ attempts to seize power. Eventually the Daleks would split into two factions, those loyal to the Dalek supreme and those loyal to Davors. This Dalek civil war eventually resulted in the destruction of Skaro.

Despite these setbacks however, the Daleks would eventually recover and become strong enough to take on the Time Lords. The Daleks and the Time Lords fought one another for thousands of years.

The Daleks eventually won however when they managed to breach Gallifrey’s defences.

Fortunately before the Daleks could exterminate the Time Lords, all 13 incarnations of the Doctor working together were able to teleport Gallifrey to safety, which also destroyed most of the Daleks, though sadly the Doctor would believe for many years that he had destroyed Gallifrey too.

Whilst the Doctor initially believed that the last of the Daleks were wiped out in the Time War, he would later discover that many of them had survived, including a lone soldier, the Emperor, and the Cult of Skaro. The last of the Cult of Skaro, Dalek Caan would manage to rescue Davros who created a new race of Daleks, that along with their creator attempted to destroy ever single universe using a superweapon called the reality bomb.

Though the Doctor was able to foil this plan, some of these Daleks managed to escape and later discovered a progenitor device which allowed them to create the first of a new race of Daleks.

This Dalek race has continued to plague the Doctor ever since, including most notably stopping the Doctor from freeing the Time Lords from the place he sent them to at the end of the Time War, and causing the death of his 11th incarnation too.

The Daleks have always been my favourite villains, but from an objective point of view I feel they are most well developed, interesting and well realised villains in the shows history.

To start with the Daleks are obviously the most iconic villains of the series. In fact Doctor Who only became the success it was thanks to the Daleks. As soon as they appeared the show became a massive sensation. Dalekmania gripped the United Kingdom and ensured Doctor Who’s success for decades to come. The Daleks themselves have since remained an icon of science fiction around the world.

The Daleks and the Doctor are as iconic a pairing as Batman and the Joker, Sherlock Holmes and Moriarty, and Superman and Lex Luthor.

Like those characters whenever they share the screen it feels special because the hero has such a long and vicious combination history with this villain more than any other.

In terms of development I think that the Daleks have also changed the most over the decades, but in a good way.

There have been 4 writers who have brought their own take on the Daleks. Whilst each one is different, unlike in the difference between say Missy and the Master, they have always kept the Daleks core characterisation. All interpretations of the Daleks despise all non Dalek life forms, and all are still utterly pitiless too.

Terry Nation the creator of the Daleks tended to use them as frightening metaphors for the very worst of humanity. Its no secret that Nation based the Daleks on the Nazis and many Dalek stories can be seen to parallel things such as Chamberlains policy of appeasement and the Nazi occupation of France.

At the same time however the Daleks can also be seen to represent man’s inhumanity to man in general. Parallels can be drawn between the Daleks and many other evil men throughout history such as General Chivington.

At the same time however Nation also perhaps paradoxically made the Daleks act more genuinely inhuman than anyone else. Whilst their heinous actions were eerily similar to those of real life monsters, their behaviour was still completely alien.

Nations Daleks had no concept of pity. They didn’t just view it as a weakness and suppress it like the Cybermen. They never knew what it was in the first place, and they couldn’t no matter how hard they tried to understand what it was, as their brains just weren’t wired that way.

Furthermore there was nothing about their society we could relate too either. No culture, no art, no literature, and there were also no Daleks with individual personalities or desires either.

They were all single minded in their desire to conquer the universe, yet they weren’t just machine creatures either. They were still ultimately flesh and blood, and highly emotional creatures as they were driven by an irrational hatred and fear of all other life forms.

David Whittaker meanwhile, Doctor Who’s first script editor, would bring something new to the Daleks in the mid 60s.

He portrayed the monsters as more sneaky and manipulative in stories like The Power of the Daleks and the Evil of the Daleks. Whilst Terry Nation’s Daleks struggled to understand human concepts and ideas like mercy, or even children, Whittakers monsters were able to play on every human weakness and strength they could.

Russell T Davies, Doctor Who’s showrunner from 2005-2010 would make the Daleks more powerful and dangerous than any writer before him. His Daleks were like the Old Ones. They had once been the most powerful and dangerous monsters in all of existence, but thankfully they had all vanished years ago, but now there is the possibility that they will return, and if they do then we are all dead.

Davies also had the Daleks be more directly responsible for all of the tragedies in the Doctors life too, from the loss of his people, to the loss of his companions, Rose and Donna. Naturally as a result of this, the Daleks and the Doctors relationship became more bitter and hateful than ever before during the Davies era.

Finally Steven Moffat I feel added a more sadistic element to the Daleks. Whilst the Daleks were always shown to be driven by hatred, Moffat’s Daleks seemed to go out of their way to torture their victims, even when it was detrimental to their plans, such as when they capture Tasha Lem. The Daleks could have just scanned her mind (which they later did anyway) but instead they decided to torture her to death and then revive her, and then torture her to death over and over again, possibly for centuries for their own amusement!

The Daleks in Moffat stories will often inflict far worse fates on their victims than just simply shooting them.

The Daleks also have a much more interesting relationship with the Doctor than his other enemies too. In many ways the Daleks, much like their creator Davros help to define who the Doctor is.

The First Doctor for instance we can see go from being a selfish, lying, callous, coward to a noble hero through his interactions with the Daleks. Obviously its not just because of the Daleks that we see these changes, but they do play a big part in it, as its the heinous actions and beliefs of the Daleks, that convince the Doctor that some things in the universe must be fought.

With the Second Doctor meanwhile we get an idea of how crafty and manipulative he is when he goes up against the Daleks who are the only villains that are truly a match for him.

Also the Doctors hatred of the Daleks naturally makes for many memorable confrontations. The Daleks are the only enemies the Doctor has ever shown to take an actual delight in destroying!

Finally the Daleks also have been in the best stories of any monster.

Really I don’t think there is a single Dalek story I actively hate. Almost every Dalek story from the Classic and New era is a classic, and the very best Dalek stories are some of the all time greatest stories ever made such as The Daleks, The Power of the Daleks, Day of the Daleks, Genesis of the Daleks, Revelation of the Daleks, Remembrance of the Daleks, Dalek, Army of Ghosts/Doomsday and Day of the Doctor.

Whilst there have been many interesting and frightening monsters to plague the Doctor over the years. None have even come close to embedding themselves in both the fans and the general public’s minds the same way the Daleks have.

They are the Doctors greatest enemies, true sci fi icons, and among the greatest monsters of all time.

Most Memorable Moment

The Daleks Kill Davros

From the end of Genesis of the Daleks. This scene really to me demonstrates how utterly pitiless the Daleks are.

Its a brilliant twist the way that even Davros of all people is genuinely shocked by what they are capable of.

Davros had removed pity from the Daleks as he believed it was a weakness that he lacked. Ironically he ends up begging the Daleks to show pity to the scientists who have remained loyal to him.

He even tries to appeal to them from a logical point of view telling the Daleks that these men are scientists who can help them, but the Daleks still can’t spare them. Trying to get a Dalek to understand pity is like trying to get a cat to understand astro physics.

In spite of their intelligence its something that they will never comprehend, and Davros realises just what a monster he has created too late as he is the next to be gunned down by the Daleks.

Thanks for reading.

Doctor Who And Comic Books

Fan drawing by user Gaugex from Deviant Art. 

Over the years Doctor Who has been compared to many things. Some say its more like a fairy tale, others see it as being like Sherlock Holmes, but personally I’d say that first and foremost Doctor Who is a comic book.

It has all of the same tropes and features of a comic book, and over the years I’d say that comic books as a whole have been among the biggest and most consistent influences on Doctor Who.

In this article I am going to run through all of the ways in which Doctor Who is like a comic book, the massive overlap between Doctor Who and comic book fans, the ways they have inspired one another, and why they appeal to people in similar ways.

Similarities Between Doctor Who And Comic Books

Image result for Doctor Who dc comics

Fan drawing. Sadly I don’t know who it was that drew this originally, but whoever it was well done. It’s brilliant!

Now when I say comic books I obviously primarily mean American comic books, specifically DC and Marvel, though I will also be looking at some British comic books too, such as Dan Dare.

Overall the comic book style for want of a better term that Doctor Who follows was one that was really popularised by American comic books.

Comic books are obviously not a genre. They are a medium, but I do think at the same time there are some tropes that are more common at least to comic book stories than those from other mediums.

Comic books are a visual medium and unlike film, television or theatre there are really no limits to their visuals, except for the artists imagination. As a result everything in them tends to be a bit more exaggerated simply because it can. As a form of art, comic book illustrations almost lean towards caricature.

Male heroes like Batman and Superman for instance will often have the most square jaws, big bulging muscles, and ripped physique, whilst the female characters will similarly all be striking, statuesque beauties.

Of course its not just the drawings that are over the top. The stories are accordingly more extreme than in other mediums as again there are no limits.

Characters origin stories tend to be more melodramatic in comic books. Heroes can start from watching their parents die, to having their entire home planet being destroyed, to being the reason their uncle died tragically, to being a hero sculpted by the Gods themselves.

Similarly the hero is often a superhero. Wonder Woman can’t just be someone who is brave, and resourceful. She has to be someone who is stronger, faster, and better at everything than every person around her. Even Batman a character who doesn’t have any actual super powers is still a top athlete, a scientific genius and the worlds greatest detective rolled into one.

Comic books also often have to develop a rogues gallery for a particular hero for a number of reasons.

First and foremost every hero needs a memorable villain. However in other mediums having a rogues gallery can actually be quite detrimental.

Take for instance a book series like Sherlock Holmes or Harry Potter. There are only 7 books in the Harry Potter because it obviously takes more time and effort to write a book, and each new entry in a book series like Harry Potter is seen as a big deal when its released too.

You can’t really afford therefore to bring a villain back simply because you or even the audience want to see them again in a book series. Unless they are important to the story, the villain has to stay gone as you have so much less time to just mess about with supporting characters.

This is why Sherlock Holmes’ two most famous villains, Moriarty and Irene Adler were only used fleetingly in the original Sherlock Holmes series by Sir Arthur Conan Doyle, with Moriarty being in a grand total of two Doyle stories, and Irene Adler only being in one.

Similarly in a film series, there is obviously only a limited amount of time to tell the stories you want, so again there isn’t really space to bring a villain back unless you need too.

Look at James Bond. James Bond’s villains are obviously as iconic as any other heroes. Everyone knows Oddjob, Blofeld, Jaws and Nik Nak. However only two of James Bonds many colourful enemies have actually appeared in more than one film. Blofeld and Jaws.

I wouldn’t really say that Bond has a rogues gallery as a result of this the same way that Batman does. Batman faces a multitude of villains like The Joker, the Riddler, The Penguin, Two Face, Catwoman, Poison Ivy, Harley Quinn, Mr Freeze, Scarecrow even more minor characters like Lock Up, Clay Face and Killer Croc many times, whilst with Bond he usually apart from two exceptions, faces a villain and either defeats, or usually kills them in their first battle and then that’s that they aren’t even mentioned again.

In a television series meanwhile there is depending on the show often more time to reuse old characters, hence why television is the medium that features rogues galleries the most often after comic books.

Still even then tv shows can be limited in what villains they can bring back in a number of ways. For instance if the actor or actress who played the villain is unavailable or even if they have just grown tired of the role then their character obviously can not return.

Similarly there is a limited amount of time to tell a story even on tv, as obviously most television series have an ending in sight, and as most television series tend to focus on story arcs these days, then there is even less time to fit a villain or character in unless they are vital.

In comic books however the story goes on for decades with no end in sight (if its a big character like Batman, Superman, Spider-Man, Wonder Woman or even Dan Dare.)

Added to that they often churn out stories on a far more regular basis. In some instances such as with the Eagle or the old Batman newspaper strips there could be a new story every week!

So naturally not only is there more time to explore an individual villains story, but a recurring and popular villain can also be useful if the writers are on a tight schedule and need something to spice up a particular story.

Also recurring villains and characters can help to give a comic some much needed familiarity.

If a comic is a big mega hit like Batman, Superman, or even Dan Dare then it could go on for centuries! The same is not true for any other form of entertainment.

Sure someone else might come along and write their own Sherlock Holmes sequel novel after Sir Arthur Conan Doyle’s death, and similarly a popular character that appears in dozens of films like James Bond can still continue to appear even after one particular film series has ended, via a reboot. But its not the same.

All of the unofficial sequel novels to Holmes are their own separate stories. There’s not one definitive canon for Sherlock Holmes after Sir Arthur Conan Doyle’s books come to an end. Similarly all of the different film and tv versions of the great detective, from Basil Rathbone to Jeremy Brett are not connected to each other either. Indeed there are often multiple versions of Holmes on tv, film and the stage at any given time.

With a comic character like say Spider-Man however, it is actually the same story now that it was in the 1960’s. Sure there have been other versions of Spider-Man across other mediums, but the original versions official story is still going strong in the Amazing Spider-Man series.

This can end up being a double edged sword for the publishers when Spider-Man ultimately has to change.

All characters have to change to some extent, as the world changes around them, but because Spider-Man is the same character, then this can lead to fans having more of a problem with major changes. If Jeremy Brett’s Sherlock Holmes is nothing like Basil Rathbone’s or even the original novels meanwhile, fans or those versions won’t care as its ultimately not the same character they love.

Thus iconic recurring villains and other characters in general, as well even iconic symbols, gadgets and locations such as the Fortress of Solitude, the Batcave, the Batmobile, the Utility Belt, can often help to reassure longtime readers that its the same character and story that they are following, no matter how much it may have changed in the intervening years.

Now Doctor Who despite being a tv show shares many strong similarities to comic books.

To start with its very over the top. Even more so than most other science fiction television series.

Lets compare it to Star Trek. The aliens in Star Trek tend to be a bit more toned down, a bit more human, and more relatable.

The aliens in Doctor Who however are the most over the top creatures you can imagine. Look at the Daleks, the main monsters in Doctor Who.

The Daleks are slimy little mutants, housed in ridiculous looking robots, with electronic, screaming voices. They want to kill every single other life form in the entire universe as they were conditioned to by the deranged scientist Davros. They are utterly devoid of any compassion, pity, or remorse and will gun people down in cold blood without a seconds thought.

The Daleks are a far more extreme form of alien invader than anything in Star Trek or Babylon 5 or even Star Wars. All or most of the aliens in those franchises look human, and act in reasonably human ways, and at least have some redeeming features as well. The Daleks however really are the most extreme villains you can imagine.

Similarly look at the Cybermen compared to the Borg. Though both are similar ideas, (cybernetic races who convert organic life forms into members of their own kind.)

The Cybermen are somewhat more cartoony in that they have no physical human features left and are just gigantic, towering robots.

Similarly the TARDIS is also far more over the top than say the USS Enterprise or the Millennium Falcon. It has a surrealist twist to it the way its bigger on the inside than the outside.

Even the Doctor himself is also something of super hero. His intelligence is far beyond that of almost any other character you can name, even other super geniuses like Sherlock Holmes, Batman, Reed Richards etc.

The Doctor is someone who can speak over 1 billion languages, can rewire the most complex alien equipment in seconds, and can pilot a machine that is beyond even the most intelligent person’s comprehension.

Compare him to Spock who is still intelligent, but less cartoonish in that he doesn’t know absolutely everything.

However perhaps the greatest similarity between Doctor Who and comic books is that Doctor Who can run for decades.

There are two reasons for this. First of all the Doctors machine the TARDIS can travel anywhere in time and space allowing there to be no limit to the types of adventures the Doctor can go on.

Second the Doctor can change his appearance, allowing a different actor to play him.

The Doctor we are watching in 2017, as different as he may seem on the surface, is the same character people were watching in 1963, just as its the same Spider-Man we are reading now that people were reading in 1962.

As a result of this Doctor Who just like any long running comic book series, has a large rogues gallery, and iconic cast of supporting characters and objects like the TARDIS, sonic screwdriver all of which help to reassure people that its the same show.

Also what’s interesting is that the villains in Doctor Who can go on and on for decades too just like a comic book villain. None of the iconic Doctor Who villains are linked to any one actor. The Daleks, the Cybermen, the Ice Warriors, can all obviously be played by multiple actors, but even the individual villains like the Master, Davros, and the Rani can all be played by different actors too. The Master and the Rani are time lords so they can simply regenerate into a different actor, whilst Davros is a monster whose face is covered by a mask, and so therefore a different actor can simply wear the mask and become Davros.

The Doctors rogues gallery is so large that just as with many comic book heroes like Batman, Superman, Spider-Man, The Flash and Wonder Woman its hard to decide who the Doctors archenemy actually is.

You wont get this with literary heroes like Sherlock Holmes and Harry Potter. The original authors won’t have time to accumulate as many villains over just a few stories, so there will often only be one villain that will stand out as the heroes main enemy like Voldemort or Moriarty.

Any sequel novel by another writer, or film or tv adaptation will either have to feature this villain, or at least pay lip service to them. Even if they do decide to introduce a new villain, then that character will never usurp the classic archenemy of the hero. No enemy of Sherlock Holmes introduced in the non Sir Arthur Conan Doyle stories has rivalled Moriarty, whilst when Harry Potter falls into public domain decades from now and other writers take a crack at it. Its doubtful that anyone will come up with an archenemy for Harry that could possibly rival Voldemort.

Similarly with tv heroes as they have a shorter run, and are not always able to bring any villain they want back, then they tend to settle on one villain as the main one, or might not even establish an archenemy for the hero. Buffy for instance though having a large and exciting collection of villains never really had any kind of archenemy.

With the Doctor, Batman, Superman, and Spider-Man however there are so many to choose from, that I’d say it goes like this.

They all had one villain who was introduced early in their careers who became their archenemy, simply because that villain was so beloved by the public, and obviously such an effective villain overall.

The Joker in Batman’s case, Lex Luthor in Superman’s, The Green Goblin in Spider-Mans and of course the Daleks in the Doctors. None of these villains are what you would call traditional archenemies. For instance Bats and Clowns aren’t a thing people have tended to put together, neither are Spiders and Goblins, but it doesn’t matter because the likes of the Joker and the Green Goblin and the Daleks are such brilliant characters.

Often these villains due to their popularity will be used in the biggest story lines and be made responsible for the greatest tragedies in the heroes life which just further cements their archenemy status.

For instance in the comics the Joker killed the second Robin Jason Todd and crippled Barbara Gordon. In the 1989 movie meanwhile the villain was also revealed to be responsible for the death of Bruce Wayne’s parents, whilst in The Dark Knight, the Ledger Joker not only created Two Face, but murdered the love of Bruce Wayne’s life Rachel Dawes.

The many ways in which the Joker has made Batman more broody over the decades and mediums.

The Green Goblin meanwhile famously murdered Spider-Man’s girlfriend, Gwen Stacy.

Finally the Daleks in New Who are responsible for just about every tragedy in the Doctors life. They were responsible for the destruction of his home planet Gallifrey (before it was undone in the 50th.) They were also responsible for the departure of his companions Rose and Donna Noble under tragic circumstances, and they have also been responsible for the deaths of more Doctors than any other villain.

Naturally all of these villains become the most important to the hero as well as the audience.

At the same time however there was another villain in all cases introduced fairly early on who many fans considered to be the heroes archenemy, and who was a villain that the general public would recognise just as much, but was never really made as prominent in the same way.

In Batman’s case this is the Penguin, in Superman’s case this is Brainiac, in Spider-Man’s this is Doc Ock, in the Doctors this is the Cybermen.

Sometimes this villain can be made more prominent in later adaptations. Maybe the author of that particular adaptation will prefer them and be sick of the likes of the Joker, the Goblin and the Daleks constantly hogging the spotlight, or maybe the producer might want a change, but still want a villain that the public will recognise to sell their version.

Examples of this include the tv series Gotham, which makes the Penguin the main character, the Peter Capaldi era of Doctor Who which gives the Cybermen far greater prominence than any other era of New Who (and even has the monsters be the enemy who finally kills the Doctor though not for good obviously.) And finally Spider-Man the animated series which makes Doc Ock Spidey’s most recurring foe.

Many years later however there is yet another contender for the archenemy title. This character in all three cases is more of a classical nemesis to the hero, IE someone who is like them, but has obviously gone down a very different path.

In Batman’s case this is Ra’s Al Ghul. Ghul just like Batman wants to rid the world of crime and corruption, but he intends to do that by destroying all of civilisation and then rebuilding it from the ground up. Ghul is also a great detective, scientist and highly skilled fighter like Batman too.

In Superman’s case it is Darkseid. Darkseid is like Superman, a God like alien with nearly limitless power, but where as Superman believes in truth and justice, Darkseid seeks to cause chaos and misery across the entire universe as he feeds on fear.

In Spider-Man’s case this is Venom. Venom has all of the same powers and abilities as Spider-Man, and he even believes in protecting innocents too. Ultimately however Venom is consumed with hatred and is prepared to sacrifice innocents for his own selfish desires.

In the Doctors case this is the Master. The Master just like the Doctor is a time lord. He too defied the society of the Time Lords, but where as the Doctor is compassionate and uses his great intellect to help those in need, the Master is a power hungry sociopath.

These villains usually physically resemble an evil version of the main hero too. Ra’s Al Ghul has a long flowing cape like Batman, the Master has his own TARDIS like the Doctor, except it is black on the inside (whilst the Doctors was always white in Classic Who) whilst Venom resembles an evil Spider-Man.

As this villain is like a dark mirror of the main hero, they are often the most dangerous, as they can do anything they can only better!

Finally all 4 heroes have another archenemy who emerged later and became so prominent simply because they were the most evil and destructive of all the heroes enemies.

In Batman’s case this is Bane. Bane fucked with Batman more than any other villain. He figured out his identity on his own, easily pummelled the caped crusader and eventually put him in a wheelchair.

In Superman’s case this is Doomsday a villain who managed to actually kill the man of steel (he got better.)

In Spider-Man’s this is Carnage, Venom’s twisted son who actually forced Spider-Man and Venom to team up to bring him down.

Finally in the Doctors case this would be Davros, the evil creator of the Daleks who is more twisted than even the Master and in the 2008 story The Stolen Earth/Journey’s End actually tried to destroy every universe.

In addition to this different enemies are more prominent during certain periods of Doctor Who and long running comic book characters like Batman and Spider-Man’s existence too.

Take Batman for instance. In the 30s-40s The Joker and the Penquin are unquestionably Batman’s main enemies. In the 70s however it is Ra’s Al Ghul. In the 90s however its Bane. Also in terms of adaptations I see it like this.

In the Adam West series its the Joker, Penguin, The Riddler and Catwoman who are Batman’s most prominent villains. Of all 4 the Penguin and Catwoman are actually the two most prominent. The Penguin appears the most, whilst Catwoman is obviously the most famous and has the greater personal link with Batman.

In the DCAU the Joker and Ra’s Al Ghul are obviously Batman’s two archenemies (the Joker is more prominent,, recurring and personal, but Ghul is more dangerous). Catwoman and The Penguin aren’t really important at all in this continuity, whilst the Riddler is a very, very minor villain. Two Face is also more prominent in Batman TAS, though not in other DCAU adaptations

In the Burton film series its once again the Joker who is Batman’s archenemy (as he murdered his parents.)

In the Nolan film series it is Ra’s Al Ghul, Bane and of course The Joker. Ghul is the grand mastermind behind the League of Assassins, and responsible for the creation of most of the other villains in the series like the Scarecrow, Talia and Bane. The Joker however inflicts the worst tragedy on Batman, the murder of Rachel, whilst Bane is the most dangerous and much like his comic book counterpart brings the caped crusader to his knees.

Finally in Gotham the Penguin, the Riddler and Doctor Hugo Strange are the most prominent villains.

In The Flash’s case meanwhile in the 1990s series The Trickster played by Mark Hamill was The Flash’s archenemy, whilst in the DCAU it was Gorilla Grodd and Shade. Finally in the 2010s series, the Flash’s archenemy is Eobard Thawne.

With Wonder Woman on the other hand Ares was her archenemy during the 30s and the 40s but he was later replaced during the 60s by Cheetah, who was in turn replaced by Circe in the 90s.

With Spider-Man, the Green Goblin and Doc Ock were obviously the wall crawlers main enemies in the 60s, whilst in the 70s it was the Kingpin, and in the 80s through to the 90s it was Venom and later Carnage.

In Doctor Who’s case it seems to be a different archenemy for every Doctor.

With the First Doctor its the Daleks, who are the most recurring enemies in his era, cause the deaths of two of his companions and also cause him to develop as a character more than any other enemy.

With the Second Doctor it is the Cybermen (who appeared the most) and the Great Intelligence.

With the Third Doctor it is the Master and the Daleks, who are his two most recurring enemies and just about the only villains the normally extremely moral Third Doctor takes a pleasure in killing (or attempting to kill!)

With the Fourth Doctor meanwhile it is obviously Davros, The Black Guardian (who is the main villain of the Key to Time season) and the Master who finally kills him off.

With the Fifth Doctor it is the Cybermen (who caused the death of his companion Adric), the Master (his most recurring enemy) and the Black Guardian once again.

With the Sixth Doctor on television it was the Valeyard and Sil, whilst in audios it is Davros.

With the Seventh it is Fenric on tv and the Timewyrm in spin off material.

With the Eighth Doctor it is the Master and the Daleks.

War obviously its the Daleks and Rassilon.

With the Ninth Doctor its the Daleks.

With the Tenth it is the Daleks and the Harold Saxon Master.

With the Eleventh Doctor it is the Daleks (who are his most recurring enemies, cause his regeneration, and are technically responsible for everything that happened to him as they are the ones who kick off the war on Trenzalore), the Silence, the Weeping Angels (who cost him Amy and Rory) and The Great Intelligence.

Finally with the Twelfth Doctor it is the Cybermen ( who are among his most recurring enemies both on tv and in spin off material, convert his companion Bill, and ultimately cause his death) Missy and Rassilon.

Personally I think its more interesting to give the hero multiple choices for their archenemy.

It can certainly allow for more variation among different adaptations. With Sherlock Holmes for instance you always know that Moriarty is going to be Holmes main villain.. Unless its just a one off version of course, but if its a film or tv series, then you know Moriarty is going to have be the main villain. Sure they can change Moriarty about a bit, but ultimately you know no villain will truly match him in terms of importance.

With comic book heroes and Doctor Who however its interesting watching how in some versions a villain can be the main rival of the hero, whilst in others they might not even appear! You absolutely can not predict which of a hero like Batman, The Flash or the Doctors iconic villains, never mind archenemies is going to be the most important in a particular adaptation or era.

The Penguin for instance is the main character overall almost in Gotham, yet he isn’t even in the Nolan movies.

Similarly look at the Flash. Eobard Thawne, the Flash’s archenemy in the 2010s series is not in either the DCAU or the 90s Flash series, whilst the Trickster his archfoe in the 90s series is a completely harmless frenemy in the DCAU and a very minor villain in the 2010’s series.

You couldn’t get two more different villains than Thawne or the Trickster, and you can see how as a result both versions of the Flash couldn’t be more different either. 

Finally in Doctor Who itself when you watch the Second Doctors era then the Cybermen are the biggest threat to the Doctor, whilst if you watch the Third Doctors era they don’t even appear!

Similarly when you watch the William Hartnell era its hard to imagine the Doctor having any major enemy other than the Daleks, but when you watch the Davison era then they are nothing. They only appear in one story right at the very end and have 0 impact on any major storylines involving 5.

With all of this in mind, I don’t think you can say that any other television series quite follows the comic book formula quite as much as Doctor Who.

Star Trek for instance though a long runner isn’t really the same as Doctor Who and Spider-Man, as all of the different Star Treks are ultimately different series with different characters, actors etc.

Added to that Star Trek whilst having many iconic aspects such as the Enterprise, and iconic alien races like the Klingons, doesn’t really have a rogues gallery in the way that Doctor Who and comic books do.

In the original series there were actually only two recurring alien races, the Klingons and the Romulans, whilst in later series the Klingons, and other races like the Cardassians, and the Borg felt more like other actual races, rather than simply “Captain Picard’s enemies”.

They don’t shout “YOU ARE THE ENEMY OF THE KLINGONS!” whenever they encountered Picard for instance. They were treated as simply another race that he and humanity had to try and find a way to peacefully co-exist with.

Other series meanwhile like Buffy and Xena, though undoubtedly drawing from comic books as their main source of inspiration; are still limited by the natural constrictions of television. They have a limited time to tell a story, they have to end when their leading actors get too old to do an action series, or simply don’t want to appear anymore. Take for instance Callisto, Xena’s archenemy who was written out of the show when her actress Hudson Leick stopped wanting to play her, and then compare her to the Master who was still able to appear after his original actor Roger Delgado was tragically killed.

Doctor Who I think is the only television series that can be said to follow pretty much the entire comic book formula from everything being exaggerated, to the fact that it can run indefinitely as the same canon as it isn’t dependent on its cast, to finally its large set of iconic villains and supporting characters that will always reappear in order to reassure viewers and long term fans that it is still the same story they are following.

Fan Overlap

Not surprisingly there seems to be quite a large overlap between Doctor Who fans and comic book geeks.

One of the most famous examples is Ian Levine. For those of you who aren’t familiar with him, Levine is a famous and influential record producer from the 70s and 80s. Whilst a respected and prominent figure in Northern Soul (with his record sales totalling over 40 million.) Levine is still better known in some circles for his life long love of Doctor Who and DC Comics.

Levine played an important role in stopping the BBC from destroying old Doctor Who tapes in the 1970s. Throughout the 70s the BBC destroyed many old tapes from all of their most popular television series. This was before the advent of home video and DVD, and there were only two channels back then as well, so even repeat showings were a rarity.

As a result old recordings were destroyed to make way for new tapes and sadly many Doctor Who stories were lost this way. Levine however played a big part in getting the BBC to stop junking old programmes altogether and even personally saved many Doctor Who stories from destruction, including the very first Dalek adventure.

Levine would also find many other lost Doctor Who stories overseas in the ensuing decades.

Ian Levine also served as the shows unofficial continuity adviser during most of the 80’s as well and even supplied clips from old episodes to producer John Nathan Turner.

As for DC comics, well Levine has possibly the only complete collection of DC Comics in the world with Levine owning at least one copy of each DC Comic book sold at retail from the 1930s to present.

Levine also played a key role in helping DC celebrate their 75th anniversary. His collection served as the basis for the massive 75th anniversary book.

DC Marks 75 Anniversary With Huge Tome

Despite the many good things he has done for Doctor Who and DC Comics, Levine is a very controversial figure among both fandoms (and not just because he produced the awful Doctor in Distress single in the 80s.)

By his own admission he can be a somewhat prickly individual, and has had major feuds with many prominent members of both fandoms. His most recent controversy was when he openly declared that he wouldn’t watch Doctor Who anymore due to the casting of Jodie Whitaker as the 13th Doctor.

I’m actually one hundred percent with Ian here.

Still regardless of whatever you may think of Ian it cannot be denied that without him a huge chunk of Doctor Who history would be lost forever and thus all fans owe him a debt of gratitude.

You also got to respect that collection too.

Another influential figure in both fandoms is Paul Cornell. Now its no secret that I am not too keen on Paul Cornell’s contributions to Doctor Who. I did not like either of the stories he wrote for tv. Still it doesn’t matter what I think as both of those stories are very popular and Paul regardless of whatever else you may think of him did play an important role in keeping the show afloat during the wilderness years.

Cornell has also become a celebrated writer for Action Comics too, though he has written for various other characters over the years from Wolverine, to Captain Britain, to Vampirella.

Russell T Davies, the man who revived Doctor Who in 2005 was a big comic book fan as well. He even named the iconic Doctor Who character Captain Jack Harkness after the Marvel character Agatha Harkness.

David Tennant meanwhile who most famously played the Tenth Doctor for 4 years is also a huge fan of comic books too (and obviously was a Doctor Who fan growing up.)

From One David Tennant Fan To Another

Finally Grant Morrison is another major figure in both fandoms. Grant Morrison is definitely more famous for his contributions to DC and Marvel comics, but he actually began his career writing Doctor Who comic books as well.

Doctor Who and Marvel and DC comic books appeal to people in similar ways. There’s the colourful rogues gallery, charismatic hero who can do anything, decades worth of stories, and rich, full universes full of strange creatures.

Specific Examples of Comic Books Influence on Doctor Who

60s Who/ The Dan Dare Years

Main Article The Roots of Doctor Who 7/ Dan Dare

Now I have written extensively about Dan Dare’s influence on Doctor Who before, so I won’t go into too much detail here.

However at the same time I can’t not mention how Dan Dare helped to shape the time lords adventures when talking about comic book influences on the show.

I’d say that Dan Dare was the main influence on Doctor Who throughout the 60’s. Many of its key writers during that decade were big fans of Dan Dare, including Terry Nation the creator of the Daleks, and Kit Pedler the co-creator of the Cybermen.

Dan Dare for those of you who are unfamiliar with it, was a British comic book series that initially ran from the early 50s right the way through to the late 60s, though there have been many revivals since. During its heyday, it was the most popular comic in Britain, regularly outselling any American comics like Batman, Superman and Wonder Woman.

It was set in the then future of the 90s which was depicted as a golden age where all the nations of the earth now lived together in peace, the technology was incredibly advanced, and mankind had begun to explore space. The main character was obviously Space pilot Dan Dare, whose main enemy was the evil Mekon, former ruler of Venus.

Terry Nations first two Dalek stories are similar to two Dan Dare adventures, Voyage to Venus and The Reign of the Robots. Voyage to Venus and the first Dalek story both revolve around a war between a race of ruthless, xenophobic monsters who live in a cold metallic city, surrounded by a lake of monsters, (the Daleks and the Treens) and a race of blonde haired pacifistic humanoids who don’t want to fight due to memories of a previous conflict, but are ultimately convinced to by the main hero.

Reign of the Robots and The Dalek Invasion of Earth meanwhile both see the main heroes return to earth after a long absence only to discover that the Treens and the Daleks have conquered it and wiped out most of humanity. Both stories also feature the Daleks and the Treens using robot servants to help rule humanity, which Dan and the Doctor are able to turn on the Daleks and the Treens at the end.

The Tenth Planet, the first story to ever feature the Cybermen, also follows a similar plot to the second Dan Dare adventure, The Red Moon Mystery. Both feature a planet that falls out of its orbit, and later becomes a kind of giant spaceship. Its inhabitants also become hideous monsters, who are forced to conquer other races in order to survive

The Daleks and the Cybermen were closely inspired by the Treens too. The Daleks and the Treens were both cold and logical monsters who sought to conquer other races in the universe. Both were based on the Nazis, with The Dalek Invasion of Earth and The Reign of the Robots both representing a what if the Nazis had won the war scenario too.

The Cybermen meanwhile and the Treens both lose their planet in their first story. Mondas the Cybermen’s home planet is destroyed, whilst the Treens are merely driven off of Venus by the Therons and humanity. Still all of their subsequent stories portray them as desperate and show them trying to reclaim their former power and influence.

The Mekon, the leader of the Treens and Dan Dare’s archenemy also inspired a number of villains in Doctor Who.

First and foremost, Davros the evil creator of the Daleks was inspired by the Mekon in terms of personality and design. Both Terry Nation and Philip Hinchcliff, the producer of Genesis of the Daleks admitted to this.

Davros also fulfilled a similar role to the Daleks and the Doctor as the Mekon did to the Treens and Dan Dare. The Daleks and the Treens are all basically drones who think the same. Thus Davros and the Mekon were designed to give the main hero a single adversary that they could interact with in a one on one basis.

Both Davros and the Mekon would also later attempt to destroy the Treens and the Daleks so that they could build in a new super race of Daleks and Treens, as seen in the stories All Treens Must Die and Resurrection, Revelation and Remembrance of the Daleks.

The Cybermen would also gain a Mekon like figure in the Cyber controller. The Cyber Controller was originally intended to be a small, withered creature with an enlarged braincase like the Mekon. They even intended for the Controller to fly as well. Sadly however the budget would not allow for it and so the Cyber Controller merely had an enlarged brain which still came from the Mekon.

The Ice Warriors leader, the Ice Lord, first appearing in The Seeds of Death was also inspired by the Mekon visually. Like the Mekon he had green skin, was weaker physically than his servants, but had an enlarged brain.

There were also a number of more minor aliens whose look at least was inspired by the Mekon too including Sixth Doctor adversary Sil, and the Moxx of Balhoon.

You can definitely see how all of these guys are just kind of variations on the Mekon’s look.

Dan Dare and Doctor Who together shaped popular sci fi in the United Kingdom and though Dan Dare has sadly fallen from mainstream attention, there is still quite a lot of overlap between Classic Who fans and Dan Dare fans (particularly the original Frank Hampson era Dan.)

70s Era Who/ DC and Marvel Comics Take Hold

The Jon Pertwee era borrowed a bit from DC and Marvel comics. It makes sense in a way. During the 60s Doctor Who was all about exploring other planets, so many of the writers of the show would naturally turn to Dan Dare for inspiration.

During the early part of the 70s however, the Doctor was exiled to earth and so I think we see the writers of the show, start to turn to old American comics about earth bound heroes (among other things) like Batman, Superman and the Fantastic Four instead.

Over the years the Third Doctor has been compared to many characters from James Bond, to Bernard Quatermass, to Sherlock Holmes to Jason King, yet surprisingly hardly, if ever Batman.

Now to be fair there are elements of all those characters in the Third Doctor. The great thing about the Third Doctors era is that its just pure escapism. Terrance Dicks and Barry Letts, the script editor and producer respectively combined elements from so many great adventure stories together, from old Errol Flynn movies to Star Trek episodes, to Sherlock Holmes stories, to make what was one of the best era’s of Doctor Who in my opinion.

Still there is definitely a bit of American comic books in there too which sadly is almost never commented on.

The Third Doctor is kind of like Batman in a number of ways. He is a big dashing hero in a cape, who uses gadgets, is a great scientific genius, yet also an incredibly skilled hand to hand combatant too.

His relationship with Brigadier Alistair Gordon Lethbridge Stewart is also very similar to that between Batman and Commissioner Gordon. The Brig and Gordon are both figures of authority who though competent at their jobs are sadly not able to deal with the more colourful and crazy villains they regularly face. So they often call in their somewhat unusual friend in a big cape who technically operates outside the law to help deal with them.

The Brig and Gordon also have ways of summoning the Doctor and Batman when they need them too, the Bat signal, and the space time telegraph respectively.

The Doctor during his time with UNIT also has two trademark special cars like Batman’s famous Batmobile (one of which was actually called the Whomobile.)

Not quite as iconic as the Batmobile, but it served Jon Pertwee well.

Also more importantly the Doctors archenemy introduced during this period, The Master is really an amalgamation of comic book villains.

The initial inspiration for the Master was Moriarty, but I think that when shaping the character, Terrance Dicks and Barry Letts actually drew more from comic book villains instead.

You can draw quite strong comparisons between the Master and many of the most iconic Marvel and DC comic book villains like the Joker, Lex Luthor and Doctor Doom.

The Master much like the Joker is a villain whose real name and identity we don’t know.. They both simply go by an alias, and their origins even after all of this time, are still shrouded in mystery.

Both also have a gruesome way of killing their victims which serves as a calling card, letting the hero know they are in town.

In the Jokers case this is smilex, a lethal form of laughing gas which causes its victims to laugh themselves to death, and leaves their corpses with a hideous grin similar to his own.

In the Masters its his tissue compression eliminator which shrinks his victims.

The Master much like the Joker is also a master of disguise too. Many old Joker stories including his first appearance will feature the villain wearing a disguise that seemingly makes him look like a totally different person, but it will later be revealed to simply be a latex mask and wig leaving you to wonder how Batman didn’t know it was him.

Similarly the Master during the Delgado years would often wear a disguise so perfect that another actor would actually play the role whilst he was in that disguise, but when he revealed himself, Roger Delgado would just pull a crappy latex mask off.

The Master also much like the Joker is utterly obsessed with not just destroying the Doctor but in proving that he is superior in every way. In the story called the Mind of Evil the Masters is exposed to a machine that reveals his true fear, which is revealed to be a giant Doctor laughing at him relentlessly. This is also replicated in Trial of a Time Lord where an evil version of the Doctor is created called the Valeyard who taunts the Master, calling him a second rate adversary and even outright laughs in his face, all of which deeply disturbs the Master.

The Joker meanwhile has been shown to be deeply insecure whenever Batman taunts him. Its even hinted that the reason he is so fixated on Batman is because Batman is utterly humourless and therefore in his twisted mind won’t “upstage him”.

The best example of this is in the classic animated movie Batman Beyond Return of the Joker, where the second Batman Terry McGuiness battles a resurrected Joker 50 years on. This Batman unlike the original outright mocks the villain to his face and laughs at him and the Joker even by his standards completely loses it!

The Master and the Joker are the classic examples of being able to dish it out, but not take it. 

Whilst the Master does bare many similarities to the Joker, at the same time there are also shades of both Lex Luthor and Doctor Doom in his characterisation too.

During the Delgado era the Masters main aim was to rule the galaxy because he believed, genuinely that under his rule he could make it a better place. He believed that he could advance societies like earth, protect them alien threats and help them achieve their true potential.

Of course none of this was motivated by genuine altruism, just simply his own ego.

Lex Luthor and Doctor Doom similarly are great geniuses who believe that when they rule the earth it will be a better place. In Doctor Dooms case he is actually right in some ways as the few alternate, what if scenario’s that do show him successfully rule the world, actually depict him as being capable of solving many of its problems such as hunger, disease, crime, and poverty, albeit at the expense of its people’s freedom.

Take a look at these quotes from The Master and Doctor Doom that both show the villains have essentially the same goal (with the Masters usually merely being on a grander scale.)

MASTER: Doctor, why don’t you come in with me? We’re both Time Lords, we’re both renegades. We could be masters of the galaxy! Think of it, Doctor, absolute power! Power for good. Why, you could reign benevolently, you could end wars, suffering, disease. We could save the universe. 

Doctor Doom: I now possess the power to end hunger, to abolish disease, to eliminate crime, to establish a perfectly content, perfectly ordered world. All under the benevolence of MY IRON WILL!

Much like Lex Luthor and Doom the Master is also a charming, affable, gentlemanly, cultured villain on the surface, but will erupt into fits of psychotic rage when his plans are foiled.

The Master also much like Lex Luthor often makes dodgy alliances with villains and aliens much more powerful than he is, which will almost always end with one of them double crossing the other.

This can be both a strength and a drawback to the two villains however. Sometimes it can make them look a bit stupid the way they team up with villains who are obviously going to stab them in the back. At other times however the reverse is true and we can see just how devious and cunning the two villains are the way they are able to manipulate and turn the tables on villains so much more powerful than they are.

The Master is also established as having been the Doctors friend when the two were growing up. The idea of the villain having once been the heroes friend is a very popular trope in comic books.

Lex Luthor and Superman were established as having been friends when they were younger very early in their development. This would later resurface most famously in Smallville which revolved almost entirely around Lex and Clark’s friendship slowly breaking down as they go down different paths.

Doctor Doom and Reed Richards were also shown to be close friends during their days at University before they became the bitterest of enemies.

Batman and Two Face are another classic example of this. Harvey Dent was once Bruce’s best friend for many years, but sadly after Harvey’s accident drove him insane he became one of Batman’s deadliest enemies, Two Face.

Harry Osborne who later becomes the second Green Goblin also is initially Peter Parkers best friend too.

Even Sabretooth and Wolverine were once friends before their bitter rivalry, and then of course there is Magneto and Professor X, probably the most famous example of the villain and the hero having once been friends.

The Master and the Doctors relationship I’d say is the most comparable to Doctor Doom and Reed Richards during Delgado’s time.

The two were friends because they viewed the other as their intellectual equal and enjoyed exchanging ideas with the other. Both also in their own way want to help other people, but its ultimately their approach that turns them into the bitterest of enemies.

Doom and the Master believe that in order to make a difference they need to rule. The Doctor and Richards meanwhile believe in simply offering their help to people, but do not wish to force their way of life on anyone.

The Master and Doom are happy to sacrifice any number of innocent lives meanwhile for the sake of their greater good, and as time goes on this just leads to them becoming more corrupt and ironically viewing all life as expendable.

The Doctor and Richards in contrast come to view all life as being precious (though to be fair the Doctor is more willing to kill his enemies.)

The Master and Doom also grow to develop a petty obsession with proving their superiority to the Doctor and Reed Richards, the only person that ever truly challenged their intellect. Naturally the more times they are foiled, the more their hatred grows until eventually they lose all traces of their former friendship with the Doctor and Reed Richards.

Of course at the same time whilst Reed and the Doctor always manage to prevent the Master and Doom from taking over the world, they are never able to truly defeat them either. Doom and the Master are among the very few villains who never receive any kind of punishment for their crimes. At least the likes of the Joker and Doc Ock go to prison (for all the good it does.)

The Master apart from one instance is always free to roam the universe causing more havoc, whilst Doom still remains the head of Latveria.

Thus Doom and Richards, and the Doctor and the Master are locked in a horrible never ending cycle, ironically for the same reason that they were initially friends. They are each others intellectual equals, and so initially they bonded as they believed the other was the only other person on their wavelength, but now that they have become enemies they will never be able to overcome the other.

Later versions of the Master would expand on he and the Doctors friendship to the point where it would bare more similarities to other characters. For instance later episodes established that they were actually childhood friends like Superman and Lex Luthor. Also in the Tenth Doctors era, his relationship with the Master actually resembles Batman and Two Face and Peter Parker and Harry Osborne more.

Here the Master is re-imagined as a total psychopath who was driven mad by a constant drumming in his head, and the Doctor just like Batman and Spider-Man in their dealings with Two Face and Harry wants to try and cure his former friend, knowing that deep down he isn’t really evil, just damaged.

Still during the Delgado era, then the Master and the Doctor definitely have more of a Reed Richards and Doctor Doom dynamic than anything else and this would continue to throughout pretty much all of the Classic era.

Doctor Doom can also be seen as a possible influence on the next incarnation of the Master after Roger Delgado as well. Visually both are hideously disfigured, hooded villains.

The Master is really just every great comic book villain, the Joker, Lex Luthor, Harry Osborne and Doctor Doom all rolled into one which is what undoubtedly helped to make him such as instant fan favourite along with of course Roger Delgado’s stellar performance.

(Its also worth noting that the Masters weapon, the Keller Machine in The Mind of Evil is exactly like the Scarecrow from Batman’s fear gas in that it kills its victims by making them experience hallucinations of their worst fears.)

Another major character from 70’s era Doctor Who that has their roots in American comic books is arguably the most popular of all the Doctors companions. Sarah Jane Smith.

The biggest inspiration on Sarah (by her creators Terrance Dicks and Barry Letts own admission) was Superman’s love interest Lois Lane. Sarah was a feisty investigative journalist just like Lois who often got herself into trouble.

Physically Sarah resembled Lois too. She dressed in a similar fashion, her hair was also in a bob cut, which Lois was famous for having too at that time.

Throughout the Fourth Doctor, Tom Bakers era, Sarah Jane’s Lois Lane characteristics were slowly phased out, but they would make a return in her own spin off, the Sarah Jane adventures in the late 00’s, early 10’s.

Overall I think the comic book influence began to fade during Tom’s time. Though there were still a few notable examples.

As I have already mentioned Davros was inspired by the Mekon, and in the classic story The Seeds of Doom the main antagonist Harrison Chase was completely inspired by the Batman villain Poison Ivy.

Poison Ivy is one of Batman’s most iconic enemies. She loves plants and is happy to sacrifice any number of innocent people to protect them. In some stories she even attempts to wipe humanity out to protect all plant life, or convert humanity in plant creatures. She also later becomes a plant human hybrid too.

Harrison Chase meanwhile similarly prefers plants to people (at one point he is shown to grind up a helpless UNIT soldier and then feeds his remains to his plants. )

He also plans to aid a group of alien plant monsters called the Krynoids take over the earth and later becomes converted by them too just like Poison Ivy.

The Krynoids visually are not too dissimilar from the giant plant monsters that Poison Ivy regularly keeps as pets as well.

Its just such a shame that Harrison Chase and Poison Ivy were never able to meet. He’d have been her perfect man!

Whilst there were a few comic book influences throughout the Hinchcliff/Holmes era, ultimately throughout the later part of the 70’s I think horror movies, old myths and legends, and Sherlock Holmes stories began to play a greater role in helping to shape the Fourth Doctors era and character.

Russell T Davies Era/ Doctor Who Does Marvel

When Doctor Who was revived in 2005 by Russell T Davies, the show began to draw more from American sci fi and fantasy than ever before.

Whilst there had always been examples of the original Star Trek series and as we have seen Marvel and DC comics influence on 70s Doctor Who, ultimately most of the influences on Doctor Who were British forms of entertainment from Dan Dare to James Bond, to British Horror Films, to Sherlock Holmes, to Quatermass.

When RTD took over the show however he tended to draw more from American series like Buffy, Xena, Smallville and Charmed. As a result of this Doctor Who in some ways came to resemble an American sci fi or fantasy series more in Christopher Eccelston and David Tennant’s time with its story arcs, focus on the characters relationships, flashy effects and season long antagonists.

Once again comic books as well as some of their most famous adaptations would be among the influences Davies and other writers of the 21st century Doctor Who would draw from. Arguably to an even greater extent than Barry Letts and Terrance Dicks.

I think that Russell T Davies was definitely more of a Marvel guy than a DC guy. There are some examples of DC comics influence in his time sure, but overall I find that it owes more to Marvel.

Russell T Davies had actually set out to be a cartoonist first, but sadly the fact that he was colour blind meant that he was forced to abandon these ambitions.

The character of Captain Jack Harkness was named after Marvel character Agatha Harkness, by Davies own admission, but the parallels obviously run deeper than that.

The main storyline throughout the Tenth Doctors era is really the Cult of Skaro arc. Not only does it span seasons 2 to 4, but it also is responsible for most of the big developments in 10’s character such as the loss of Rose, meeting Donna, losing Donna etc.

Now the Cult of Skaro story arc bares some strong similarities to the Madame Web arc which runs throughout most of John Sempers excellent 90’s Spider-Man animated series.

Both revolve initially around the misuse of technology that can allow travel between universes.

In both instances the heroes deadliest enemies, Venom, Carnage, the Green Goblin and the Daleks and the Cybermen, are all lost through portals leading to another universe, but unfortunately so is the heroes one true love, Mary Jane and Rose Tyler.

Two seasons later meanwhile one of the villains lost through a portal to another universe returns (the Daleks and the Carnage symbiote which bonds to an alternate version of Peter Parker who becomes Spider-Carnage) and creates a super weapon that can destroy every single universe.

The weapon is activated and all universes are destroyed, but a few people are able to travel backwards in time just before the blast hits their universe, Rose Tyler, Mickey Smith, and Jackie Tyler in Doctor Who’s case, Madame Web and the Beyonder in Spidey’s.

These people try and warn the main hero, Spider-Man and the Doctor about the impending destruction of all universes. In both cases this is a story arc that runs through multiple episodes.

We see Rose Tyler pop up throughout series 4 trying to find and warn the Doctor of the death of every universe, whilst Madame Web starts appearing to Spider-Man warning him of a great battle for every universe.

Multiple versions of the hero are also needed to stop this crisis, the Doctor, his clone, Donna who gains his powers, and the alternate versions of Spider-Man.

Both stories also see an ordinary, seemingly unimportant person ironically play the key role in stopping the great danger to all universes more so than the hero. Uncle Ben who gets through to Spider-Carnage in Spider-Man’s case and obviously Donna Noble in the Doctors.

Also finally in both cases the next story (or planned story) sees the hero travel backwards to Victorian England to battle an old enemy who travelled backwards in time after being lost through a portal to another universe.

In Doctor Who’s case this is the Cybermen who were sucked through the portal to another universe two years earlier in the story Doomsday. In Spider-Man’s case meanwhile John Semper Jr revealed that he intended to have the 6th season of Spider-Man open with Madame Web taking Spider-Man to Victorian England where he would discover that Mary Jane and the real Carnage had both ended up there after falling through the portal to another universe two years ago, with Carnage being revealed to be the real Jack the Ripper. (It can be assumed with this in mind that the Carnage symbiote who bonded to Peter Parker was therefore an alternate universe version.)

Sadly Semper’s storyline was never realised, but in a way it was through the Next Doctor, as both ultimately revolve around a hero who has just saved every universe travelling to Victorian England to fight another old enemy that they had previously sent hurling into another universe two series earlier, who is creeping about in the dark picking people off.

Of course this is not to say that Davies ripped off Spider-Man tas. Ultimately the Reality Bomb story arc does stand up as its own story, (and its one of my absolute favourite story arcs in anything. I love the way RTD is able to weave so many different strands together for the finale, from Tennant losing his hand, to Mr Copper being left on earth, to Jack being made an immortal.)

Still you can see how RTD a noted Marvel fan obviously had Semper’s classic adaptation of Spider-Man in mind when writing Doctor Who.

Whilst Marvel might have been the main influence on Davies era Who, his version of the Master I do think did draw inspiration primarily from the DC villain the Joker.

The Simm version of the Master was rewritten to be a complete cackling psychopath like the Joker. Take a look at this moment where he gasses a group of people for no reason other than kicks, and tell me you couldn’t imagine the Joker here?

Whilst there were similarities between the Master and the Joker from day one, as you can see Davies went one step further and made the character almost completely the same.

The Simm Master also much like the Joker is someone who went mad because of one bad day.

In the Jokers case he went insane (allegedly) when his pregnant wife Jeannie was killed in an accident, and he then fell into a vat of chemicals during a botched robbery of a chemical plant, with the chemicals bleaching his skin white and deforming him into having a clown like appearance.

The Master meanwhile was driven mad when he was forced to stare into the vortex as a young boy. From that day on he heard a constant drumming in his head. (It was later revealed that the Time Lord President Rassilon implanted a signal into his head to help him escape, which took the form of the drumming in his head.)

Both of the Davies era Master stories also take inspiration from two major Joker storylines.

In Emperor Joker the villain gains cosmic powers which he uses to rule the universe. He naturally tortures Batman over and over again, but the end of the story sees Batman reinvigorated and loom over a weakened, cowering Joker who is ultimately overthrown.

In The Last of the Time Lords the Master finally takes over the earth and tortures the Doctor for a year, until eventually the Doctor is reinvigorated after which a giant, God like Doctor looms over the Master who is subsequently overthrown.

In both cases the Master and the Joker are not only overthrown, but their reigns over the earth are completely erased too, with only the main heroes having any memory of it. Sadly in both cases though it never happened, some of the people who lived through it are still broken, namely Francine Jones and Batman.

In The End of Time meanwhile the Master turns everyone on earth into copies of himself, which is exactly the same as the Jokers plan in the crossover comic event The Last Laugh where he turns people into clones of himself.

Doctor, Batman admit it. You’ve both had this exact nightmare!

When Steven Moffat took over I think the comic book influence began to fade somewhat.

Steven Moffat tended to see Doctor Who as more of a fairy tale, but that’s not to say that he didn’t draw some inspiration from comics.

The 11th Doctors era often explores the effect the Doctor has on his enemies such as the Daleks. As a result of the Doctors influence, the Daleks discover time travel, and become far more powerful and dangerous than they ever would have otherwise.

This same theme is explored in many adaptations of Batman, including the Nolan trilogy, that in response to Batman, a more elaborate crime fighter, the criminals start to become more insane and over the top too.

The Heath Ledger version of the Joker in particular sees himself as a response to Batman, and Commisioner Gordon’s apparent widow at one point even blames Batman for the rise of the Joker declaring that he brought this madness down upon Gotham.

In the season 9 two parter, The Magicians Apprentice and The Witch’s Familiar, there is also ascene where Davros and the Doctor, two bitter archenemies, share a joke with each other and laugh, which Steven Moffat openly admitted was inspired by the famous ending of The Killing Joke.

See here.

Finally Steven Moffat also actually had a full blown superhero in the most recent Doctor Who Christmas Special. The episode was seen by many as a love letter to superhero movies (and by others as a cynical attempt to cash in on the superhero craze.)

As you can see whilst they haven’t been its only influence, Doctor Who has taken quite a bit from comic books over the years.

Of course its not been all the one way. There have been many examples of comic books, and their adaptations taking inspiration from Doctor Who as well.

Doctor Who’s Influence on Comic Books

Day of the Daleks vs Days of Future Past

Days of Future Past is arguably one of the most influential comic books of all time.

Its premise sees the mutant Kitty Pryde travel backwards in time to prevent the assassination of Senator Robert Kelly by Mystique’s brotherhood of mutants.

The murder of Kelly will kick off widespread anti mutant feeling that will lead to the creation of Sentinels who in the future will virtually exterminate most of mutant kind and eventually overrun humanity too.

In the future Kitty Pryde comes from what’s left of humanity is rounded up into internment camps by Sentinels.

Though Kitty is successful in stopping the assassination, it is left open as to whether or not she has truly erased the future she came from.

Days of Future Past has been adapted by various X-Men animated series over the years and was later adapted as the 2014 film X-Men Days of Future Past where Wolverine took the place of Kitty Pryde (though it was still Kitty who sent Wolverine back in time.)

Day of the Daleks meanwhile sees a group of rebels travel into the past to assassinate Sir Reginald Styles.

Styles is an influential politician who will soon be gathering all of the worlds leaders together to try and negotiate peace (with the earth being on the brink of a Third World War.)

According to these future soldiers however Styles is really a psychopath, who will blow all of the world leaders, and himself up in a kamikaze attack.

This will kick off a Third World War which lead to the near extinction of mankind. The Daleks will then invade the earth and take over what little is left of humanity.

Just like the Sentinels the Daleks round the unfortunate humans up into concentration camps, though a few humans are able to resist and even steal Dalek time travel technology which they use to travel backwards in time and try and kill Styles before he can cause the war.

It turns out however in a twist that it wasn’t Styles who killed the other delegates. It was in fact one of the rebels from the future who blew up the house in an effort to kill Styles (whilst being unaware that the peace conference was going ahead.)

The Doctor is able to stop Styles and the other Delegates from being killed, despite the Daleks efforts to make sure their version of history isn’t changed.

The ending however still leaves it open that this terrifying version of the future may still happen.

As you can see there are a lot of very strong similarities between the two stories. Both revolve around a political assassination creating a war that wipes out most of humanity. In both cases the people carrying out the assassination ironically believe that they are doing the right thing. Mystique believes she is standing up for mutants rights, whilst the rebels from Day of the Daleks think they are changing history for the better.

After both world wars, horrifying machine creatures take over and round up the few unlucky survivors into concentration camps and turn them into a slave labour force.

Whilst the main heroes are able to change history so that this never happens, in both cases there is still a question mark hanging over the story’s conclusion about whether or not they have actually averted or perhaps just postponed this nightmarish vision of the future.

John Byrne was a massive Doctor Who fan and even admitted that he took inspiration from Day of the Daleks. In fact he joked that he was lucky not to get sued.

In all fairness to Byrne though I wouldn’t call Days of Future Past a rip off. It covers the same beats as Day of the Daleks but ultimately it does establish its own identity.

Interestingly enough, both Day of the Daleks and the film version of Days of Future Past both show the horrible future being averted at first, but ultimately a different horrible future take its place.

Now this similarity I think was completely unintentional, but still according to Doctor Who lore, the Daleks will still invade and conquer the earth in the 22nd Century (as seen in the earlier story The Dalek Invasion of Earth.) Ultimately however it will be repelled eventually and humanity will rebuild, and survive to the end of time!

Still billions will be slaughtered in the 22nd century invasion, and many thousands more will have to spend decades under the rule of the Daleks and sadly there is nothing the Doctor can do about it. All he could do was make sure the version in Day of the Daleks where the monsters never lost was erased.

Similarly in the X-Men film series, whilst Wolverine is successful in erasing the time line where sentinels wiped out mutantkind, sadly in the new timeline, the humans are still able to create a drug which nearly exterminates all mutants anyway.

Its sad that in both cases the happy ending didn’t work out, nevertheless this does still tie into a big theme with both Doctor Who and the X-Men film series that certain events have to happen. Beast explains that time is like a river, and that you can throw a pepple into it and disrupt it, but it will always correct itself.

Similarly Doctor Who explores the idea of fixed points in time and space too.

With this in mind all the Doctor and the X-Men could ever do was just lessen the horrors of the Dalek Invasion and the war between mutants and humanity.

Still at least in the version where they invade in the 22nd century, the Daleks lose, whilst in the Logan version of events whilst most mutants may have been killed, some do survive, and the public’s reaction to mutants is still positive, as demonstrated by the fact that the government had to create the drug in secret, and the fact that the X-Men comic is still popular. So perhaps one day when the mutants have recovered there will be a positive reconciliation.

The 5 Doctors vs The Secret Wars

The Secret Wars and the 5 Doctors are fairly similar stories. Both are not only big crossover events that bring together almost everybody whose important in either universe, but both also follow the same basic premise.

In the Secret Wars an all powerful being called the Beyonder whisks all of Marvels greatest heroes and villains away to a planet that he creates called Battleworld. He promises whichever side wins ultimate power over the galaxy forever, though Doctor Doom later steals his power and uses it to destroy the heroes before everything is undone and restored to how it once was.

The 5 Doctors meanwhile sees Borusa, the president of the Time Lords abduct all then incarnations of the Doctor, as well as many of his companions and place them in the Death Zone.

The Death Zone is an area of Gallifrey where the Time Lords would send monsters and aliens that they had abducted from all over time and space to fight to the death for their own amusement.

The Doctors are placed there in order to play the game of Rassilon for Borusa so that he can win immortal life. In the end Borusa gets it, but it turns out to be a trap, set by Rassilon to catch power hungry dictators, and Borusa gains immortal life as a statue.

As you can see both stories follow a similar premise. Basically a big all powerful being abducts all of the main heroes and forces them to fight their worst enemies as part of a twisted game. In both cases one of the villains involved in the game, the Master and Doctor Doom (two already comparable characters.) Plan to steal the person who has brought them there’s power, though it doesn’t work out quite as well for the Master. I suppose though that’s just as well considering that whilst Doom became a god after stealing the Beyonder’s powers, the Master would have been turned into a statue.

Weird Happenings Organisation vs UNIT

In the Excalibur comic series there was a brilliant tribute to UNIT and the popular recurring character of Brigadier Alistair Gordon Lethbridge Stewart.

UNIT were an organisation set up to combat alien threats. They first appeared in the 1968 story The Invasion. The Doctor would primarily work with them when he was exiled to earth, but has continued to be associated with UNIT in the ensuing decades.

Brigadier Alistair Gordon Lethbridge Stewart was the head of UNIT and would continue to work with the Doctor long after he had left it, becoming the Doctors best friend.

Now in Exacalibur the Weird Happenings Organisation much like UNIT is a military, government organisation designed to track down paranormal threats.

Now not only does this organisation’s initial’s spell out W.H.O. but it was founded and headed by a woman named Aylsande Stuart and her twin brother Doctor Alistair Stuart!

Furthermore, Alistair is a mutant who regularly changes his appearance. His current form looks remarkably similar to Scottish actor David Tennant who played the Tenth Doctor, (the character of Alistair is also said to come from Scotland.)

Dr Who In Excalibur

Is that David Tennant or is that David Tennant?

This wasn’t the first time that Marvel has referenced the Brigadier to be fair. In an issue of Uncanny X-Men a character called Brigadier Alistair Gordon Lethbridge Stewart shows up to help battle the Juggernaut in Edinburgh.

Other Media Adaptations 

There have been various bits and pieces of Doctor Who’s influence across adaptations of Marvel and DC characters.

The Elf army in Thor: The Dark World resembled the Cybus Cybermen from Doctor Who (its worth noting that the main villain was played by Christopher Eccelston a former Doctor Who, though ironically his Doctor never met the Cybermen.)

The makers of the Arrowverse are big Doctor Who fans too and have included quite a few references to it, and cast various actors from the new Doctor Who in prominent roles. Alex Kingston best known as River Song plays Dinah Lance on Arrow, whilst John Barrowman aka Captain Jack famously plays arch villain Malcolm Merlyn.

Finally Arthur Darvill who played former Doctor Who companion Rory Williams plays Rip Hunter in the series Legends of Tomorrow.

Rip Hunter is also re-imagined as a more Doctor like character for Legends of Tomorrow as well. Here he is a renegade from a group of people called Time Masters, whose mission is to preserve the time line and not interfere, but are later revealed to have more shady motives.

In the original comics Rip was just a scientist who had invented a time machine, and though a similar organisation called the Linear Men were introduced in the 90’s, the original Rip did not originate from them (though he did join them briefly before leaving them), and they were less significant, and more colourful in appearance.

You can tell the writers intended to create a Doctor/Time Lord dynamic between Rip and the Time Masters.

Rip was re-imagined as being a renegade who stole a time ship from them, just like the Doctor did with the Time Lords and the TARDIS. Also the Time Masters are portrayed as being more uptight, custodians, who claim to be working for a greater good, but are actually responsible for a catastrophe in earth’s future, just like the Time Lords in Trial of a Time Lord when they sent the earth through space.

The original Linear Men.

The version from Legends of Tomorrow who as you can see have more of a Time Lord look to them. IE dusty, pompous robed old conservatives whose hands aren’t nearly as clean as they’d like you to believe.

Finally Rip’s costume was also based somewhat on the Tenth Doctors look as well.

doctor who rip hunter coats Doctor Who vs. Rip Hunter: Theyre not the same!

Conclusion

As you can see there is quite a bit of overlap between Doctor Who and Comic Books in terms of ideas and fans.

Whilst Doctor Who may be a television series, he is a comic book character in terms of having an incredibly long life, a colourful rogues gallery, and fantastic powers.

With this in mind its not so surprising that he has enjoyed such incredible success as a comic book character too.

Thanks for reading.

 

 

What I Would Have Liked To Have Seen In The Peter Capaldi Era

Its hard to believe that the Peter Capaldi era has come and gone. It only feels like yesterday that the former “Thick of It” star wandered onto our screens after being announced as the 12th Doctor. Holding his lapels in a Hartnellesque fashion with the promise of a new and wonderful era ahead of him.

Sadly however as I am sure all of my regular readers know, I wasn’t that keen on his era.

In this article I am going to run through things I would have liked to have seen happen during his era. I’m not saying that all of these ideas would have been better objectively of course.

These are just things that I personally would have been interested in. Let me know what you think in the comments below. PS its also worth noting that not all of these ideas are mine. A lot of them are actually fan theories and ideas, as well as pieces of spin of material too.

Lets get started then.

1/ The 12th Doctor

Peter Capaldi’s Doctor as he stands now is probably the best thing about his era. Sure there were some terrible moments with his Doctor like the Tank bit, but overall Peter Capaldi did always give a brilliant performance, and there were some interesting aspects to his characterisation.

Still there were many huge problems with the 12th Doctor, though none of them can be attributed to Peter Capaldi.

First and foremost I would not have had the 12th Doctor be doubtful of himself. I didn’t like the “Am I a good man” story arc. It made no sense.

The previous Doctor had discovered that he had saved Gallifrey. Furthermore the war on Trenzalore, though long and protracted, still surely laid any doubt to rest about the Doctor being a hero?

He wore down his final life to protect a small village for over 1000 years and was given a new lease of life by the Time Lords because they, the people he thought he had burned, believed he was a hero.

So really why would the Doctor go back to doubting if he was a good man after that?

Also I really don’t think it was a good idea to have 12 be in love with Clara either as not only was it not a good fit for Capaldi and Jenna, but by this stage the whole Doctor/companion romance was really quite tired and boring too.

With 12 and Clara they basically repeated all of the previous Doctor/companion love stories from New Who.

We had the tedious love triangle between the Doctor, his female companion and her clingy, jealous boyfriend with Danny, Clara, and Capaldi.

We also had a mad woman who starts out as an evil psychopath that wants to kill or harm the Doctor but then he makes her a better person and she falls in love with him (River Song, Missy.)

We had the Doctor and his female companion get too attached to each other to the point where she becomes reckless and arrogant which leads to bad consequences for her (Rose and 10 in season 2, with it being their actions that create Torchwood that separates them, Clara and 12 in season’s 8 and 9, with it being Clara’s arrogance that leads to her own demise in Face the Raven.)

Then there was the Doctor being unable to accept his lovers death and doing something that allowed her to live just a bit longer as an immortal. (River Song in the Library, Clara in the TARDIS with Me.)

And finally we had a male character go through an unimaginably long hard time just to save the woman he loves. (Rory and the box for Amy, the Doctor and smashing his way through the wall for Clara.)

Be honest you could replace 12 and Clara with 10 and Rose in this scene and it wouldn’t be any different.

I think it would have been better if they had made 12’s story arc be about finding Gallifrey. That was basically what we were promised at the end of the 50th when the Curator tells 11 “oh you’ve got so much work to do.”

Turns out he didn’t. Gallifrey was back and it wasn’t even mentioned how! The search for Gallifrey story arc could have opened the door for many interesting story options.

For one thing the Doctor could be torn about bringing them back. On the one hand he would want to see his home in the sky, and his people happy and prosperous again. On the other the fear of the Time War returning would obviously still be on his mind too.

Yet perhaps the Doctor would want the Time War to start a new. Look at it this way, the Daleks are still free to roam the universe, destroying all other life forms. Whilst the Time War was a terrible thing it did severely limit the Daleks power across the universe.

Its kind of like World War 2 in a way. Yes World War 2 was a terrible thing, but in the end it was for the good of humanity. Would you have rather that the Nazi’s continued to march all over Europe unopposed?

So perhaps the Doctor might think after seeing more atrocities being carried out by the Daleks that he had a duty to bring the Time Lords back and lead them this time so that they don’t become corrupt, to finally destroy the Daleks once and for all.

Or perhaps he would be determined to wipe the Daleks out himself because he knew that when they were around he could never stand among his people.

These could all be serious moral dilemma’s for the 12th Doctor that could develop over time. Also his feud with the Daleks could have become more intense as the Daleks would naturally now view the Doctor as the only chance of the Time Lords returning and become even more determined to destroy him.

I also think that 12 should have been utterly ruthless to his enemies too. Again think back to what we were promised with his Doctor. We were told he would be the angry kick up the arse Doctor and this was how he made his entrance.

Yet we never really saw anything to demonstrate this on screen apart from a few moments of him being rude to people for no reason.

Take his dealings with the Daleks. He just threatens them a couple of times and that’s it. Okay he clearly hates them, but so what. Pretty much every Doctor hates them. I might add he was made to feel guilty by Clara for daring to think that the Daleks are beyond redemption.

Also his Doctor was fooled by Davros being unbelievably mopey too (well okay he knew there was a chance that Davros was tricking him, and so he had a back up plan.) Still 12 arguably showed more compassion to Davros than any other Doctor.

Then of course there was his relationship with the Master. 12 was the most lenient on the villain there has ever been. At certain points 12 even outright helped her to escape such as lying to Clara, Kate and UNIT about her still being alive (which put all of their lives in danger) or saving her from a public execution.

Also look at how he dealt with Bonnie the mass murdering terrorist Zygon. He forgave her and gave her a bloody job at UNIT! Bonnie is ironically going to be working alongside the friends of the people she slaughtered in cold blood like Jac!

Are there any examples of 12 being really vicious, and ruthless in dealing with any of his enemies?

The nearest is when he may have pushed the Half face man off of the edge of a building, but even then we have no idea if he did push him or not?

Now you might be thinking “well okay maybe they wanted 12 to be a lighter Doctor”, but that’s certainly not how they advertised him.

Steven Moffat Its Time For A Kick Up The Arse Doctor

Also more importantly look at the way the 11th Doctor was portrayed in his last few stories. You can clearly see that they are heading towards a darker and more mature Doctor.

We didn’t see many instances of this with Matt, but it’s obvious during 11’s final year that he was not only becoming more willing to kill (as seen with Solomon the Trader.) But that he was also getting more than fed up of dealing with the same enemies over and over again.

Take a look at this quote from A Town Called Mercy.

“But they keep coming back, don’t you see? Every time I negotiate, I try to understand. Well, not today. No. Today, I honour the victims first. His, the Master’s, the Dalek’s, all the people who died because of my mercy!” 

In addition to this 11 near the end of his time finally says goodbye to River too, showing that he has grown up and accepted that he needs to move on from her. His final action is also to dedicate himself to protecting Trenzalore until he becomes an old man, and after that he finally accepts his death.

Then of course there is the War Doctor, a more old school type of Doctor telling 11 that he (and 10) basically needed to grow up and act their age, and he wonders if he is having a mid life crisis when he sees them.

 “Oh, we might as well get started. Help to pass the timey-wimey. Do you have to talk like children? What is it that makes you so ashamed of being a grown up?”

The 12th Doctor as a more old school, serious Doctor, played by an older actor, who finally wants to dispose of his most dangerous enemies, fix mistakes he had made in the past (like sparing the Daleks in Genesis) and find his home would have been the natural progression from where 11 was headed in his last few stories.

Sadly however by the end of Capaldi’s first series this is all tossed in the bin. The 12th Doctor reverted back to being a cuddly hipster like 11 was, is still in love with his 20 something female companion like 10 and 11 would have been, and is ridiculously merciful to all of his enemies.

It could be argued that perhaps they wanted to go in a 1st Doctor, 6th Doctor, 9th Doctor direction, of making 12 start out as more ruthless and then get softer as time went on.

I wouldn’t have minded that at all, but my problem was just that they never really showed him being dark to begin with, and then just instantly reverted to making him more like Smith and Tennant.

So much for growing up eh? So much for no longer acting like a child jumping about, lusting after women not much older than Susan. So much for honouring the victims. Yeah you really honoured Osgood (and Kate) by snogging their killer and later covering for her when she escaped, or outright saving her when she was kidnapped. All that development from 10 and 11 realising that they were too easy on their worst foes. and 11 in his last few stories realising that he needed to grow up and be “the Doctor” again is just tossed in the bin so we can get more Master/Doctor slash fan fic bullshit, and more Doctor crying over his 20 something, latest one true love.

The 12th Doctor was not only written to be more of a zany, younger Doctor, but he was also I feel made into quite an ineffective and weak hero too.

In his first two season finale’s for instance he doesn’t save the day. Missy hands him victory (and even then its Danny Pink who blows the Cybermen up. Seriously what does the Doctor actually DO in that entire finale?)

In Hellbent meanwhile he creates the problem. Similarly in the Zygon Inversion though does stop the war, he created the problem in the first place! He was the idiot who thought it was a good idea to let 20 million hostile aliens live on earth. (I might add the only reason they came here was to fucking invade! Bit much to ask humanity be kind to their invaders!)

Why did 12 not you know use his TARDIS to take them to an uninhabited planet like he promised to do for Dalek Sec and his new Dalek people?

Does he really think a race so advanced that they fought in the Time War would be happy with pretending to be humans, working a dismal 9-5 job, signing on the dole, watching youtube videos, and downloading shit on Netflix?

Yeah cause the Doctor loved being trapped on earth didn’t he? And he LOVES humans, unlike the Zygons who wanted to destroy them, and took a delight in hurting them (see Osgood’s Zygon double.)

12 really suffered from also having no real big enemies to play off of. His villains were either dreadful versions of past glories like Missy, or they were crappy one off foes like the Lion man, or the Monks, or the eye boggie monsters from Sleep No More.

His biggest heroic moment is obviously enduring the torture for Clara’s sake in Heaven Sent. I got to give him that, it is pretty badass to endure 4 billion years worth of torture for your one true love.

Sadly however even this is ultimately undermined in Hell Bent as ultimately we find out that the Doctors plan for saving Clara would have risked destroying all of time and space! So actually 12 just ends up looking like an emo adolescent that can’t cope with loss, and is willing to put his own happiness over the rest of the universe, rather than the ancient, wise alien he should be.

I think the main problems with the Capaldi era can be summed up with the production team simply not having enough faith in Capaldi to carry the series ironically.

To start with they clearly got a bit scared at making the Doctor older in his first series. Clearly they were worried at losing their young audience, so they ultimately went back to making him act like the younger Doctors.

Take a look at this scene.

This clearly shows that they were more unsure of Capaldi right from the start, as the previous actor has to come in and basically beg Clara (and through her the audience) into accepting Capaldi!

Its very insulting and to be honest I don’t think Matt Smith should have agreed to do it. It was kind of stepping on Peter Capaldi’s toes.

Also more importantly I think that the PC pandering during Capaldi’s era made the team lose faith in him as well simply because he was another white male.

Now I’m not going to go too much into the SJW pandering again as obviously its a subject that I have covered extensively. Still it does need to be mentioned as its certainly a large part of why Peter didn’t get a fair crack at the role.

Capaldi was cast after the feminist backlash against Steven Moffat had begun, but before the push for a female Doctor really became all consuming. That only really happened after Matt announced he was leaving.

As a result of this I think Moff who clearly wanted to win favour with the feminist critics that had ruined his reputation over the past few years actually came to regret not casting a woman instead of Peter.

How these people treated Steven Moffat circa 2012-14

University Study on How Sexist Steven Moffat Is

Steven Moffat Tweets Against Accusations of Misogyny

The Terrible Problem Of Steven Moffat’s Doctor Who

Of Dice and Pen Sexism in Moffat Who

Steven Moffat’s Women: Amy and her skirt

Consent in Moffat Era Who

Steven Moffat Sexism

Sexual Assault in Doctor Who

Doctor Who Thunderingly

Whovian Feminism Reviews Time of the Doctor

How they reacted to Peter Capaldi’s casting

Something An Actual Person Said About The Doctor

Whovian Feminism We Need To Talk About Peter Capaldi’s Casting

Doctor Who’s Dude Preference Is Lazy

Examples of Moffat ADMITTING to pandering to them (as well as proof that the sexist accusations bothered him)

Steven Moffat: Doctor Who Needs More Women Writers

Steven Moffat Denies He Has Made Show More Sexist

Steven Moffat Slams Sexist Claims

As a result of this Moffat cared more about setting things up for a female Doctor to atone for casting another cis white het dude, than in actually focusing on Capaldi himself.

You can see that when Missy first prances onto screen in Deep Breath. Right there in Capaldi’s first episode Moff is thinking more about setting up the next female Doctor, than in giving Capaldi a nemesis that is right for him (which most certainly is not Missy.)

Similarly in this scene Moff has the Doctor shoot an innocent Time Lord in cold blood, simply so that he can shoe horn in yet another gender bending regeneration.

This scene is utterly disasterous to the 12th Doctors character in so many ways.

To start with he’s a huge fucking hypocrite. What he is unable to kill Missy, a sadistic, mass murdering psychopath, even when she murders his friends and the daughter of his oldest friend right in front of him and gloats about it, but he’ll happily shoot an unarmed man in cold blood?

Also the General risked his life to defend the Doctor from Rassilon and this is how the Doctor repays him?

You might be saying that “well he didn’t kill him as its just a regeneration” but even then each incarnation lasts for 1100 years, so the Doctor just shed a good chunk of the guys life off.

Again though Moff doesn’t care about how this negatively impacts the 12th Doctors character, as his main priority is in setting up a female Doctor. To hell with the current white dude. He’s just there to fill time.

Furthermore I think Moff, whilst not wanting to undermine Capaldi intentionally, actually became scared at the thought of just making Capaldi the strong, central heroic figure that previous Doctors like Jon Pertwee or Tom Baker had been, as that would appear sexist in his feminist critics eyes.

So naturally in order to overcompensate for this type of criticism, Moffat put too much focus on Clara to a ridiculous degree, and regularly had her actively undermine the Doctor by slapping him back into place and later finish the series by basically becoming a better Doctor than him.

All this silly backstage politics coupled with the fact that in many ways the production team wanted him gone so they could virtue signal with a female Doctor meant that Peter Capaldi really wasn’t given the attention or frankly the respect an actor of his calibre deserved in the role.

It would have been better if they had allowed Capaldi to play the role more the way he wanted. If they had given his Doctor a chance to show how dark he was in really vicious confrontations with his enemies like the Master. If they had given him a consistent character. And finally if they had made him a strong figure, NOT always doubting whether or not he was a good man and being slapped into place by his companion.

It seems to me like Capaldi wanted his Doctor to be kind of a cross between 1 and 3. Those seem to be his two favourite era’s. He’s always talking about them after all, and just about everything he wanted to see come back comes from those two era’s, like Susan, Mondasian Cybermen, Axons, Daemons etc.

You can see how these two Doctors and era’s are on his mind more than any other.

So I think ideally his Doctor would have been a dashing, physical Doctor who was incredibly brave, and serious about everything like Jon Pertwee, yet also at times somewhat ruthless, more alien and at times even distant like William Hartnell.

Sadly however whilst there were shades of this in his characterisation such as in this scene.

Most of the time he was just another modern, whiney, emo Doctor complaining about his girlfriend.

A final thing to mention is that I would have given Capaldi the original TARDIS interior.

Nothing can top the original white, roundrels, look. The proof of that is that that look stayed more or less with very few changes for close to 26 years, whilst all the others, 9 and 10’s TARDIS, 11’s TARDIS with the upstairs, the wooden TARDIS, the steampunk TARDIS in the movie and 12’s library TARDIS have all come and gone in a few years each.

It would have been so much better if they had just gone back to this. It would also have tied into 12 returning to his roots better as well.

2/ Captain Jack Harkness

Its hard to believe that its been 7 years since he last appeared in Doctor Who. Captain Jack Harkness was in my opinion one of the best things in all of New Who.

He was an interesting character overall, but it was really John Barrowman, one of sci fi’s greatest leading men of the past 30 years that elevated the character to being a legend.

I was really hoping that Captain Jack would become like the new series version of the Brigadier.

The Brig met all the classic era Doctors, and it became a rite of passage for the Doctor to meet him. It would always be such a wonderful moment when the Doctor would bump into the Brig who’d comment on him changing his face yet again.

I miss having a character like that in Doctor Who and Jack I think would be a great choice to fill that role after Nick Courtney’s passing.

Like the Brig, Jack is a man of action which serves in brilliant contrast to the Doctor. The Doctor as we know will use a weapon and kill if need be, but he is ultimately a more cerebral hero, and more willing to try and find a peaceful solution.

The Brig and Jack are very much shoot first, ask questions later type of characters. Both Jack and the Brig also run organisations designed to track down extraterrestrial threats and know the Doctor through multiple lives too.

Sadly however they stopped Jack meeting the Doctor after 10 which now just kind of makes him a Russell T Davies thing.

The first thing I’d have done would have been to bring Jack back and make him a recurring character throughout 12’s time.

Okay so he missed 11 which I think was a great pity, but you could always have him meet 11 in the 60th anniversary special.

He really needed to come back for 12’s era in order to be a rite of passage for the new Doctors. You can miss one Doctor, like the Cybermen missed the Third Doctor (until the 5 Doctors) but once a characters missed two in a row, then I think they end up becoming more like the Sontarans instead, IE a fan favourite, but not something that every Doctor has to meet.

The great thing about Jack is that much like the Brig he’s a character you can bring back at any point. He doesn’t have to take over a story, his relationship with the Doctor, though it changes, is still always relatively stable. You can just bring him back and have him help the Doctor, shoot some badguys and that’s that.

I think you could continue to bring Jack back to encounter future Doctors after 12, despite the fact that the character is an immortal. For one thing John Barrowman is ageing well (he looks at least 20 years younger than he actually is.) Also Jack is still meant to age. He just does it very slowly. You could simply have set Jack’s stories set in the very far future when John looks far too old.

There would be a lot of value in bringing Jack back besides simply creating a wonderful new tradition for the show.

To start with he has a massive fanbase. In fact John Barrowman himself has a huge fanbase among mainstream audiences and genre fans outside of Doctor Who thanks to his roles in shows like Arrow and Desperate Housewives.

Even those who didn’t grow up with Jack might be interested in seeing Barrowman in the show.

Also I think Jack and 12 would have a great dynamic with each other. The thing about Jack is much like the Doctor he is an old soul trapped in a young man’s body. He has lived for thousands of years, endured unimaginable hardship and loss. Everything from his brother, to his soul mate, to his grandson!

Just like the 10th and 11th Doctors, Jack often puts on a cheery, youthful facade to cover up his pain. When he met 12 however who was no longer trying to cover up the fact that he was so old, Jack I feel could actually be himself more, and I think he and the Doctor would develop a much closer relationship than ever before as a result.

I would also like to see Jack meet other 12 era characters like Osgood for instance (John Barrowman and Ingrid Oliver were good friends in real life, so I think they would have a good dynamic.)

Overall I think they definitely missed a trick in not making Jack the new Brig of the show.

3/ Clara Oswald

Now we all know that I am not the biggest fan of Clara. For the record I do like Jenna Coleman, and I liked her with Matt. She just wasn’t a good fit for Capaldi.

I would have kept Clara for one year with Peter to ease the transition and then dumped her.

I would have had Missy be revealed to be the Time Lord version of Clara that we saw in Name of the Doctor.

In The Name of the Doctor, Clara throws herself into the Doctors timestream which creates splinters of her all over time and space that save the Doctor from the Great Intelligence.

One of them is shown to live on Gallifrey and even tells the Doctor which TARDIS to steal.

I would have revealed that this version of Clara later regenerated into a new incarnation, (played by Michelle Gomez.) This version of Clara would then have been the woman in the shop who would have brought 11 and Clara together so that she could have been born.

Missy/Clara would later decide that she would still help the Doctor by downloading the minds of all the people the Doctor had failed to save on his journeys into a virtual heaven.

In order to power this matrix she would drain energy from a nearby star. The matrix on Gallifrey remember draws energy from the eye of harmony, a compacted star. Doing so however would have eventually caused the star that she was draining to eventually die, leading to the destruction of all the planets in its solar system.

Clara/Missy would have destroyed many solar systems this way, but she would view it as being worth it as all of the lives she destroyed in each solar system would be downloaded into her matrix.

Clara/Missy though having simply started out as wanting to help the Doctor would now see her cause as the greatest in the universe.

She would also create a virtual hell where she would download the minds of the most evil humans who ever lived. We could see plenty of past evil people like Solomon the Trader and Madame Kovarian being tortured in Missy’s hell.

The Doctor would find this out in the season 8 finale. The promised land would be the planet Missy had her Matrix on and therefore would have been the place the aliens in previous season 8 episodes would have been heading too.

The Doctor would be forced to work with aliens whose sun was being drained by Missy to shut down Missy’s matrix in order to save the countless worlds she would destroy to power it.

In a further twist, Danny Pink who would still die’s soul would be sent to Missy’s hell for the murder of the child he carried out in battle.

After the Matrix had been shut down and the souls released, Clara would decide to leave the Doctor, feeling that after seeing Missy she wanted to reconnect with her human side back on earth.

You could still have her pop up now and again as a recurring character like Martha. You could also have the Missy/Clara escape and be a foe for the Doctor. She would at first be furious that he had shattered her dreams, (particularly when she had done so much for him.) Later however she would forgive him and could work alongside him now and again.

I wouldn’t play up a romance between them, but you could have her slowly become his friend.

In my opinion this would have been the best option for many reasons. To start with I think the Time Lord Clara would have been a better role for Michelle Gomez. I’ve often said that Gomez would have been good as the Rani, and she would, but I think Clara would have been an even better role for her. It would have been more of a going against type part for Michelle.

Gomez is often cast as villains and over the top lunatics. The Time Lord version of Clara however would be a genuinely good character who believed that what she was doing was right and would later become a hero. Gomez would get a chance to do more than just “IIIII’MMMM CRAAAZZZZYYY!!!!”

Gomez said that her favourite year in the role was series 10 because she got to show more sides to Missy, such as her guilt and remorse. It was an all around excellent performance from Michelle, but I feel that it would have been better if they did that with Time Lord Clara than the Master.

4/ Other Companions

As regular readers of mine will know I really like Ingrid Oliver who plays Osgood and I had hoped for her to become the next companion after Clara. Having said that Bill played by Pearl Mackie turned out to be a perfectly charming companion in her own right, but more on that later.

Osgood I think would have been good choice for a number of reasons. Ingrid Oliver who plays her is a brilliant actress who really loves the show, and would really I think throw herself into the role (well she pretty much already did in the limited time she was given.)

Peter Capaldi and Ingrid Oliver also had brilliant chemistry with each other. It was more natural because they could adopt a traditional father/daughter dynamic. As I’ve said before the problem with Clara and Capaldi was that they didn’t really have anywhere to go. They couldn’t go down the romance route as clearly as they did with Clara and 11, or 10 and Rose

They also couldn’t go down the classic father/daughter route, due to 11’s feelings for her. Finally Capaldi and Clara also couldn’t be just friends like say 11 and Amy, or 2 and Jamie as they didn’t really have anything in common with each other.

With Capaldi and Ingrid however you can see shades of Jo and Jon Pertwee, William Hartnell and Maureen O’Brien, and Sylvester McCoy and Ace even just in this little still. You have the bright young female companion in many ways being a surrogate figure for Susan to the Doctor.

Also I think the fact that Osgood admires the Doctor could be interesting if handled right.

I would tone down the cosplaying aspects. In fact I’d ditch them completely as soon as she boarded the TARDIS. I don’t like the meta aspects to Osgood’s character. Its never a good idea to have a character represent the fans.

I would however reveal that Osgood’s mother was the character called Laird from the 5th Doctor story Resurrection of the Daleks. Laird was a mousey, cute, scientist who worked for the military. Much like Osgood she was overly anxious and prone to panic and scream in tight situations but she was still brave when it mattered.

She is brutally gunned down by the Dalek agents when trying to flee from them. Now Laird to me looks exactly like Osgood and has the same personality too.

You can see the resemblance. In my opinion Laird is Osgood’s mother and it was Laird’s tragic death that inspired Osgood to follow in her footsteps. Osgood wanted to find out what it was that really happened to her mother (having not bought the cover up story) and eventually came to work for UNIT.

There she found out about the Daleks and the Doctor and came to admire the Doctor because he had done more than anyone else to fight the monsters that killed her mother.

I think this would be a good link to the classic era and it would also flesh out Osgood’s character. Think of what her reaction would be when she comes face to face with a Dalek!

Also you could later have Osgood learn that the Doctor spared the Daleks in Genesis and lose her faith in him somewhat as technically her mothers death would be his fault.

The other companion for 12 I would have accompany Osgood would be Journey Blue. Journey Blue was played by Zawe Ashton. She was a soldier who fought the Daleks in the far future as seen in the story Into the Dalek.

Now we didn’t see much of her character, but I’ve always thought she would have been a good candidate for a companion for a number of reasons.

First of all, Zawe Ashton is a brilliant actress. Also I’ve always wanted a companion who had lived under the Daleks. It would help increase their menace as here we would have someone who’s family had been killed by them, who had spent years maybe in a Dalek camp, and never known a life that wasn’t constant fighting, misery and pain because of them.

Also I think that Journey’s more aggressive, gun ho nature could put her at odds with 12, in a Brig, Jack kind of a way.

Finally I think that Journey would be a good choice opposite Osgood. At first glance both are totally different characters.

Osgood physically is a total wimp. She is also someone who believes in finding non violent solutions, and shows compassion to even her former tormentors like her Zygon sister.

Furthermore Osgood is also a scientist who relies on her brains and resourcefulness to get out of tight situations.

Journey in contrast physically is very strong, fearless, uses weapons as a first option and having spent her life fighting against the Daleks, is much more willing to kill.

Also in terms of their relationships to the Doctor they’re polar opposites. Osgood adores the Doctor, he also is very fond of her, and she’d be more willing to do what she was told, and build up his ego too, kind of like Jo Grant and Vicki.

Journey however would definitely clash with him, question his authority more and might even do things her own way, much like the Brig sometimes did (such as at the end of the Silurians when he goes behind the Doctors back and slaughters the titular creatures.)

Also finally in terms of what they wanted to get out of travelling with the Doctor they’d be complete opposites.

Journey would be desperate to escape the horrible life she had fighting the Daleks, whilst Osgood would be desperate to explore other planets and times.

Things could be quite tense in the TARDIS with Journey and Osgood at first not liking each other. Osgood could disapprove of Journey’s violent methods, Journey could view Osgood as being a liability for being too weak and scared.

Still you could later have the two bond over losing their loved ones to the Daleks. I think you could have quite a good scene where Osgood shares with Journey the pain of losing her mother at such a young age, whilst Journey would tell of how the planet she and her brother lived on was overrun by the Daleks.

She would tell Osgood of how her parents were killed, and how she and her brother were among the few survivors of the Dalek invasion who were taken to live in the Dalek camps for years. They both would have suffered greatly, with Journey doing all she could to protect him, until they were eventually rescued when the Dalek camps were liberated, after which the two joined the resistance against the Daleks, before her brother was finally killed.

You’d then have the two bond over their suffering at the monsters hands, with Osgood coming to understand why Journey is the way she is, and Journey in turn coming to respect Osgood.

You also have Journey and 12’s relationship similarly improve too, with Journey by the end of her travels with the Time Lord coming to appreciate all of the great things she was able to see because of him.

For 12’s next companion after these two meanwhile, I’d have a character who came from the year 100 trillion. In Doctor Who it is established that humanity survives to the year 100 trillion and possibly becomes the last species left in the universe in the story Utopia.

I think it would be great to have a companion come from that time. Here we would have a companion who was eager to see a universe when it was young and healthy. Who could see planets like the earth that she had only heard about in ancient legends.

Imagine what her reaction would be at just seeing the earth during the day, having always scraped a living on a barren rock near the end of a universe that was slowly burning away into nothing!

I did not come up with this idea. I saw it on a forum (sadly I can’t remember who came up with it.) And I always thought it would have been a brilliant idea for a companion.

As for who could play this companion, well there are many actresses that I’d love to see in Doctor Who.

Jenny Hulse is a Scottish actress who I think is very underrated and would make a good choice for the companion to the Doctor.

(I am aware I have suggested a number of Scottish actors like Dawn Steele, Robert Carlyle and Jenny Hulse, but that’s not because I give two fucks about Scots representation. I simply know more obscure Scottish actors because I live here and I am exposed to Scottish forms of entertainment more. If I lived in England I’d know more local, obscure and underrated English actors too.)

Jenny Hulse, a very underrated actress who would have made an amazing companion to the Doctor.

Alison King is also a great actress too and would make a good companion. It might be more interesting to give the Doctor an older female companion like Alison. Barbara, Donna, Liz Shaw, and Romana 1 all represent a female companion who isn’t in awe of the Doctor as they are all much more mature.

Some people would say that these companions don’t work as well, as the younger audience prefers a younger companion they can identify with, but Barbara, Liz, Donna and Romana 1 were all very popular companions with both fans and the public.

To be honest though I’d be happy with Pearl Mackie. I suppose that’s one good thing about the Capaldi era is that it did give a number of lesser known actresses like Ingrid Oliver and Pearl Mackie a larger boost.

Pearl Mackie was a perfectly lovely companion. She was charming, funny, and had great chemistry with Capaldi. Also refreshingly whilst she was a strong and capable character in her own right, she didn’t undermine him like Clara.

I did have some problems with how Bill was written however. I would have wanted Pearl Mackie to play the companion from the future and NOT Bill.

Bill though a likable character was ultimately yet another sassy, 21st century girl who works a boring job and wants to get away from it with the Doctor.

I really would have liked something new, like an alien, or at least someone from another time.

Also like many other fans I felt Bill’s sexuality and race was handled in quite a clumsy way. Now I obviously have no problem with a gay character on tv. Furthermore I have no problem with a character constantly mentioning that they are gay either.

We get plenty of straight characters talking about their sexuality after all like say Joey on Friends, so why not have a gay character be unbelievably promiscuous like Joey?

It was more the way it was done. It felt like an obnoxious “I’m going to teach you plebs at home that gay people and black people matter too!” attitude from the writers.

The reason I think this was because, first of all Steven Moffat openly said that he cast Pearl Mackie for representation.

Steven Moffat Diversity

I really don’t think you need to cast anyone for the sake of representation anymore. Yes back in the 60’s when our society was racist, homophobic and sexist then it was important, but now I think the free market is the only fair way to judge it, though I 100 percent acknowledge that I did not always feel that way.

For the record I actually went through a tiny bit of an SJW phase in 2015. I always hated the idea of a female Doctor its true, but I felt after having been so hostile to the idea, and to the SJW’s criticism of Moffat that maybe I was being too harsh on them (added to that I was also more ignorant too and so I didn’t know that a lot of their complaints like the gender wage gap were bogus.)

So in 2015 I was open to things like representation, and women in refrigerators (I hypocritically said that Osgood’s death was sexist whilst praising the murder of Perdicus in Xena, even though they are both exactly the same. Steven Moffat should have kept her dead, much as I like Osgood just to piss people like me back then off!)

I also complained about sexualized images of female characters being harmful, and whilst I mostly defended him I did still think some of Steven Moffat’s work was a bit sexist too.

It was only during 2016 that I finally came to the conclusion that actually my initial reaction was right and the SJW’s complaints against Moffat (and in general) were completely bogus.

So with this in mind I think Moff might very well just be misguided and could actually come to regret some of the decisions he made with the show, RE pandering to the SJW’s, in years to come. Still whatever his reasons I think Moffat ultimately had the wrong attitude when casting Pearl Mackie.

Furthermore the character of Bill constantly went on about how she suffers bigotry and persecution too, which is ridiculous. Okay there are still individual racists and homophobes, but come on here. What are the chances that a young, black, gay woman who works at a university, and hangs around with other 20 something young women would constantly endure racism and homophobia?

Whenever Bill would say she was gay, it wasn’t like it was just a natural fact of her character. It wasn’t like she’d just hit on a woman she thought was cute, or even mention a woman she had a crush on, or even just be in a relationship with another woman.

Instead she would always have to sit down and explain to another character how she was gay and it would be presented as this big shocking thing of”OH MY GOD DO YOU PEOPLE AT HOME REALISE BILL IS GAY! I BET YOU’RE ALL SHOCKED AT THAT!”

Ultimately I think Bill reeked of being nothing but more SJW pandering which was a shame as Pearl Mackie was definitely one of the better companions in the series.

5/ The Master

The Doctors archenemy was probably the character who suffered the most after the Doctor himself during the Capaldi era (though he/she has some stiff competition from the Brigadier.)

Its a shame as I think that the Capaldi era could have marked a really good come back for the character.

We hadn’t seen him at that point for an entire Doctors era, so his return could have been a huge Earthshock style surprise.

Sadly by turning the Master into a woman they kind of ruined this. Everybody guessed that Missy (Mistress) was the Master from her first episode because of all the ridiculous hype about a female Doctor.

Missy is the Master According To Radio Times

If they had kept the character a man and brought him back at a later date however then they could have made his return a genuine surprise.

Worse however as I have been over before many times, was the way that Steven Moffat threw everything about the character that made him interesting away.

His hatred of the Doctor, his insane lust for power and control, and his miserable cowardice, All gone and in its place was basically just a third rate River Song.

I think that during the Capaldi era, they should have first and foremost played up the Masters desire for power and control as his main motivation, rather than wanting to renew his “friendship” with the Doctor.

To me that’s always been the most fascinating aspect of his character. In those early Roger Delgado stories, the Master could almost justify himself to the Doctor, as he believed that when he ruled things would be better.

He argued that all the evil he was committing now actually was for the greater good, and that the Doctor and the Time Lords were the real villains.

From his perspective the Doctor and the Time Lords had the power to help planets like the earth. They could with their advanced technology end all of their problems like disease, famine, poverty, and with their knowledge of the future they could avert catastrophic disasters like the Dalek Invasion and protect them from alien races such as the Cybermen by making sure they were advanced enough.

Yet the Time Lords just sit back and do nothing. The Doctor meanwhile helps out where he can, and so the Master at first has a bit more respect for him, and even initially sees the Doctor as a potential ally. You can also see why the Doctor and the Master were friends back on Gallifrey with this in mind. Both were among the few members of their kind not content with just sitting back and doing nothing.

Ultimately however the Doctor does not believe in imposing his will on others. He will help those in need, but he will still let them choose their own destiny.

As a result of this the Doctor and the Master both come to view the other with even more contempt than either view the High Council.

Take a look at these quotes from spin off material and television stories with the Delgado Master to see what I mean. It amazes me that people often miss this great aspect of the character.

MASTER: Well? You waste time. I order you to kill him, Azal! 
AZAL: I command. I do not obey. 
MASTER: But I called you here and you came? 
AZAL: I answered your call because the time was come for my awakening. The time has come for the completion of the experiment or its destruction. 
MASTER: Then fulfill your mission by granting the ultimate power to me. Who else is there strong enough to give these humans the leadership they need? 
DOCTOR: I seem to remember somebody else speaking like that. What was the bounder’s name? Hitler. Yes, that’s right, Adolf Hitler. Or was it Genghis Khan? 
MASTER: Azal, I have the will. You yourself said so. 
AZAL: I am still not convinced. 
DOCTOR: I’m very pleased to hear it. 
AZAL: You wish to see this planet destroyed? 
DOCTOR: By no means. You see, I have an alternative. 
AZAL: State it. 
DOCTOR: Leave humanity alone. Just go. You’ve done enough harm. 
AZAL: We gave knowledge to man. 
DOCTOR: You certainly did. Thanks to you man can now blow up the world and he probably will. He can poison the water and the very air he breathes. He’s already started. He can 
AZAL: Enough! Is man such a failure then? Shall I destroy him? 
MASTER: No! A strong leader can force him to learn. 
AZAL: You are right. I have decided. I shall pass on my power. 
MASTER: O mighty Azal, I thank you. 
AZAL: But not to you. To him. 
DOCTOR: No! No, I don’t want it!

MASTER: That’s absolutely fascinating. The whole story is here. 
DOCTOR: Is it? Well, perhaps you’d be kind enough to explain it to me? 
MASTER: Well, this city was once the center of a great civilisation. 
DOCTOR: Yes, I had rather gathered that. 
MASTER: By genetic engineering, they developed a super-race. That priest we saw must be a remnant of it. 
DOCTOR: You deduced all that from these pictures? 
MASTER: Well, not exactly. I knew it already. The files of the Time Lords are very comprehensive. 
DOCTOR: Oh, so that’s more like it. You mean that you stole the information? 
MASTER: Well, it seemed an awful pity not to make use of it, you know? But of course that’s typical of the High Council of the Time Lords. Know everything, do nothing. 
DOCTOR: Tell me, why are you so interested in the history of this planet? 
MASTER: Well, this super-race developed a Doomsday Weapon. it was never used. 
DOCTOR: Why not? Super-weapons usually are eventually. 
MASTER: Who knows? Maybe it was due to a degeneration of the life strain. 
DOCTOR: I see. And so the super race became priests of a lunatic religion worshipping machines instead of gods. 
MASTER: So it would seem. 

DOCTOR: You’re going to use this weapon? 

MASTER: Not unless it’s absolutely necessary. Well, don’t you see, Doctor? The very threat of its use could hold the galaxy to ransom. 
MASTER: Doctor, why don’t you come in with me? We’re both Time Lords, we’re both renegades. We could be masters of the galaxy! Think of it, Doctor, absolute power! Power for good. Why, you could reign benevolently, you could end wars, suffering, disease. We could save the universe. 

JUDGE: Counsel for the defence may now cross examine the witness

THE MASTER: Thank you, your honour.

THE DOCTOR: Of all the infernal… You don’t mean to tell me he’s defending himself?

THE MASTER: Sadly, yes. Sir Roderick met with a most unfortunate accident.

THE DOCTOR: Yes… I’m quite sure that he did.

THE MASTER: Would the court please make note of the witness’s hostile attitude. The Doctor is a very old, and, may I say, a very dear aquaintance, but sometimes a little incautious and hot headed in his choice of language.

THE DOCTOR: I’m not hot headed, you scoundrel. 

THE MASTER: Do make a note of that.

THE DOCTOR: Now see here…

THE MASTER: I really think, Doctor, it may be best if you take a nice deep breath. I say this, speaking as a friend.

THE DOCTOR: I am no friend of yours!

THE MASTER: Indeed? The whole court has heard you give an impassioned speech asking for me to be shown clemency. Who but a friend would do that?

THE DOCTOR: A merciful man.

THE MASTER: A humane one?

THE DOCTOR: Yes.

THE MASTER: But it is these very humane humans of yours that wish to put me to death.

THE DOCTOR: Well… you’ve killed hundreds and tried destroy their planet half a dozen times.

THE MASTER: I dispute that last statement. I really must protest. I have not tried to destroy this planet. I will admit I have, perhaps encouraged regime change on several occasions.

THE DOCTOR: You admit it!

THE MASTER: The human race is not very advanced is it Doctor? They still, for example practise the death penalty.

THE DOCTOR: Yes…

THE MASTER: They regard all alien life as hostile and frequently wipe it out in their encounters with it.

THE DOCTOR: That is regrettable.

THE MASTER: You see, ladies and gentlemen of the court, please don’t take this amiss, but as a species you’re not experienced enough. You are likely to misconstrue the actions of other species simply because you cannot yet comprehend them. You may perceive our actions as a threat when really they are a benevolent attempt to bring you advancement. Would you not agree, Doctor?

THE DOCTOR: I would not!

THE MASTER: So, when you brokered a peace treaty with the Silurians, what was the reaction of the human race?

THE DOCTOR: They, er, well, they blew them up.

THE MASTER: They destroyed an ancient civilisation? Dear me, hardly the action of an advanced species. Is it, Doctor?

THE DOCTOR: No. No, on that I must agree. But humanity is… well… I mean, for a level 2 civilisation, they’re doing remarkably well.

THE MASTER: A level 2 civilisation! Would you care to define a level 2 civilisation?

THE DOCTOR: I’m not really sure I should.

THE MASTER: Come now, Doctor. You introduced it into evidence?

THE DOCTOR: Very well. A level 2 civilisation is one that has discovered elementary space travel, hydrocarbons, antibiotics and the principles of nuclear fission.

THE MASTER: A capital definition. And what do most level 2 civilisations do with the discovery of nuclear fission?

THE DOCTOR: They build power stations.

THE MASTER: But what, would you say, is the principal use made of it by humanity?

THE DOCTOR: Oh, that’s hardly fair. Its how humanity learns, they find a thing and their first use is always.

THE MASTER: Yes Doctor?

THE DOCTOR: In weapons. They make nuclear weapons.

THE MASTER: And how would such a development be viewed by, say, a level 3 civilisation?

THE DOCTOR: As barbaric. But..

THE MASTER: Barbaric! And tell me Doctor. What level is our own race?

THE DOCTOR: Ah, ah, well, a level 12 civilisation.

THE MASTER: So would you say you are more qualified to judge humanity’s actions than they are?

THE DOCTOR: Er…

THE MASTER: I’ll rephrase the question. Are they qualified to judge your actions?

THE DOCTOR: Certainly not.

THE MASTER: So are they qualified to judge me? All right let me put it to you. I stand here accused of being now what is it, ah yes under article 18B of the Emergency Powers Act of being of hostile origin or association, and of committing acts prejudicial to public safety. Doctor I dispute these allegations, and you are going to help me prove them false.

THE DOCTOR: I have absolutely no intention of helping you.

THE MASTER: Since arriving on this planet, would you not agree that I have revolutionised the efficiency of the plastics manufacturing industry?

THE DOCTOR: Yes, but

THE MASTER: Thank you. I’ll admit my methods were aggressive, but oh so human. And have I not also had remarkable results with the elimination of psychopathic tendencies in the criminal mind.

THE DOCTOR: Only by

THE MASTER: I’m afraid its a yes or no question.

THE DOCTOR: Yes, but

THE MASTER: And finally, did I not offer humanity a remarkable solution to its energy crisis?

THE DOCTOR: Fine, yes fine. But in every case

THE MASTER: I know, I know. My good intentions were rebuffed and misconstructed. Surely, however even you can agree with my actions in Devils End.

THE DOCTOR: Not in the slightest.

THE MASTER: Come now. Who better to sit in judgement on a level 2 civilisation than its creator, Azal of the Daemons. We can both see the mess this species is in. You can choose to do nothing. I tried, oh how I tried, and then when that failed, I appealed to Azal, hoping he could shape and reform it. Instead regrettably, he wrote the experiment off. Wasn’t that what happened, Doctor?

THE DOCTOR: Well… yes. If it hadn’t been for Miss Grant. You’re leaving out your actions on Uxarieus, where you tried to take control of.

THE MASTER: Where I attempted peacefully to adjudicate on a dispute between worthy pioneers and a legitimate mining concern. But I’m fairly certain Doctor that events on ther planets are outside the jurisdiction of this court, and should not be brought into play. 

THE DOCTOR: They prove that you want to play God.

THE MASTER: Merely to improve the existence of the common lot, I assure you. I am on this planet for its own good.

THE DOCTOR: If not the good of its population.

THE MASTER: Now, that is unfair, Doctor. I try my best. What more can anyone say? 

Later versions of the Master after Delgado would be portrayed as more vicious however.

I don’t think this was inconsistent. There was always a vicious side to Delgado, such as when he karate chops a man from the top of a tower in Terror of the Autons, and you can see this side slowly emerge towards the end of Delgado’s time too. Its also obvious that despite what he says about bringing order to the universe, he still regards all other life forms as lesser than him, hence why he is happy to sacrifice as many humans as possible in a petty feud with the Doctor.

The later Masters from Pratt to Simm simply represent this twisted side becoming more dominant due to other factors, such as whatever it is that leaves him more emaciated in The Deadly Assassin, and the Time War.

All post Delgado Masters are still always desperate for power over the galaxy, but they’ve dropped the supposedly altruistic reasons that the Delgado incarnation claimed.

Take a look at these quotes from all of the later Masters from the emaciated incarnation to Simm.

MASTER: Rassilon’s discovery, all mine. I shall have supreme power over the universe. 

MASTER: A turbulent time, Doctor, in Earth’s history. 
DOCTOR: Not one of its most tranquil, I agree. 
MASTER: A critical period. 
DOCTOR: You could say that. 
MASTER: Oh, I do. The beginning of a new era. 
PERI: Doctor, do you get his drift? 
DOCTOR: I’m afraid I do, Peri. 
PERI: He wants to pervert history. 
DOCTOR: Not that the Prince of Darkness here would see it as perversion. 
MASTER: Maudlin claptrap. The talents of these geniuses should be harnessed to a superior vision. With their help, I could turn this insignificant planet into a power base unique in the universe.
DOCTOR: And where will you take your toy next? 
MASTER: Does it matter? You’ll not be there to greet me. 
DOCTOR: I may not need to. You forget, Kamelion does have a mind of his own. 
MASTER: He obeys only my will. 
DOCTOR: Yes, but for how much longer? 
MASTER: For as long as I command it. Kamelion will not turn on me. 
DOCTOR: No? 
(The Doctor tries to change Kamelion, and fails. The Master laughs.) 
MASTER: You’re getting old, Doctor. Your will is weak. It’s time you regenerated. 
DOCTOR: You won’t win, not ultimately. 
MASTER: You’re mistaken. With Kamelion’s unique ability at my command, it’s only a matter of time before I undermine the key civilisations of the universe. Chaos will reign, and I shall be its emperor. 
DOCTOR: Earth is a primitive planet. You won’t succeed so easily elsewhere. 
MASTER: Where I cannot win by stealth, I shall destroy. That way I cannot fail to win. 

MASTER: Tomorrow, they launch. We’re opening up a rift in the Braccatolian space. They won’t see us coming. It kind of scary. 
DOCTOR: Then stop. 
MASTER: Once the Empire is established, and there’s a new Gallifrey in the heavens, maybe then it stops.

MASTER: My masterpiece, Doctor. A living Tardis, strong enough to hold the paradox in place, allowing the past and the future to collide in infinite majesty. 
DOCTOR: But you’re changing history. Not just Earth, the entire universe. 
MASTER: I’m a Time Lord. I have that right. 

Really it isn’t until Missy that the Masters desire for power is completely dropped with Missy giving up the chance for ultimate power (an indestructable army of Cybermen) outright saying that she doesn’t need an army. “Armies are for people that think they’re right dear”. That’s the opposite of Delgado actually being able to make Pertwee doubt that he is in the right!

I would have returned to the Master thinking that his evil is for a greater good in Capaldi’s time which would make more sense after Simm’s incarnation.

When we last saw the Master he came to realise just how evil he had become when he faced down Rassilon who had implanted the drums in his head (which in Davies time at least contributed to his madness.)

Now it can be debated as to whether or not the Master wanted to help the Doctor or just get revenge on Rassilon, but at the very least it cannot be denied that the villain for the first time demonstrated some self awareness here.

Look at what he says “You did this to me. All of my life. YOU MADE ME!” So clearly even he regrets what a monster he has become, and wishes that his entire life would have gone differently.

It would have been interesting if they continued this in the next Masters characterisation.

The next Master having realised how far he had fallen would have been desperate to redeem himself. Sadly however as we have seen, being a good guy in the Masters mind would be trying to bring order to the universe.

The Masters relationship with the Doctor would also change as a result too. The Master would now view the Doctor as an obstacle he had to get rid of, but didn’t care as much about, as he felt he had wasted too much time in his previous lives feuding with him.

The Doctor ironically would be more desperate than ever to destroy the Master meanwhile.

To start with this would make most sense for 12. As we have been over, just before the end of 11 the Doctor was nearing a stage where he wanted to finally be rid of his oldest enemies.

I can imagine 12 would be the most devastated of all to find out that the Master had survived and was still out there after having been rid of him for over 1100 years!

Also as the rest of the Time Lords are now back he would feel no desire to help the Master anymore.

Finally as the Doctor had last seen the Master seemingly give up his life to stop Rassilon then he would be even more disgusted with the Master for reverting back to being the villain.

He’d have the attitude of “Okay you had your chance to change. You saw just how far you’d fallen, I’d shown you ridiculous mercy that you didn’t deserve as David Tennant, and even then you’re still an asshole. Enough’s enough“.

People always go on about how the Doctor would never kill the Master because he loves him, but that is bullshit.

Thing is in Classic Who the Doctor was almost always willing to kill the Master. There were a few instances where the Doctor didn’t want to kill the Master because he was unarmed, simply because he never kills enemies when they are unarmed.

The same was true of Davros in Resurrection, but it doesn’t mean he had any affection for him.

I feel that so many fans (including Steven Moffat) often get the Doctor and the Master’s relationship completely wrong.

Steven Moffat goes as far as to say that Delgado and Pertwee NEVER played it as enemies, and that they were always friends.

He seems to have been watching a different show to me?

DOCTOR: I still don’t see why you want to help them. What can you possibly gain? 
MASTER: The pleasure of seeing the human race exterminated, Doctor. The human race of which you are so fond. Believe me, that’ll be a reward in itself. 

JO: But I don’t see why you’re so upset. If you give him (the Master) back the circuit and he hands over the missile 
DOCTOR: You just don’t understand, do you, Jo? Once he gets that circuit back he’s free to roam through time and space. We’d never catch him. 
JO: Then you’ll just have to give in. The Master’s got the missile and all we’ve got is this wretched machine. 
DOCTOR: Jo, will you stop stating the obvious. What did you say? 
JO: I said all we’ve got is this machine. 
DOCTOR: Well, that’s it. That’s the answer. We’ve got the machine and we’ve got our friend, Barnham. 
JO: I don’t understand. 
DOCTOR: With a little help from you, old chap, we can destroy this machine and the Master at the same time.

MASTER: (After the Doctor attempted to trap him in a place that was about to blow up) Ah Doctor I was afraid you’d be worried about me, so I thought I’d let you know that I’m alive and well.

DOCTOR: I’m extremely sorry to hear that!

DOCTOR: Well, I didn’t actually see him fall, you know. I was quite busy. 
ENGIN: Oh, but if by some miracle he survived the fall into that chasm, he was dying anyway. 
DOCTOR: There was a good deal of power coming out of that monolith, and the Sash would have helped him to convert it. 
SPANDRELL: Are you suggesting he survived? 
DOCTOR: No, no, I hope not, Spandrell. And there’s no one else in all the galaxies I’d say that about. The quintessence of evil.

I’m not saying that the Doctor and the Master were never friends. They had once been friends, but now they were the bitterest of enemies as their ideologies had driven them apart.

Colony in Space really marks the final end of their friendship. Here it becomes obvious that the two will never be on the same wavelength as one seeks total control, whilst the other simply wants to explore.

From then on the Master sees the Doctor as a threat and wants rid of him, but the more the Doctor foils him, and the more his killing genuinely is for nothing, the further the Master is pushed down a dark path until he becomes a total monster consumed with hatred for the Doctor.

They were never friends who wanted to reconnect. The closest they came to that was in New Who with Tennant. Even then however this can be attributed to the fact that the Doctor simply wants to save the only other existing Time Lord. (I might add as well that Simm NEVER wanted to reconnect with Tennant. He always wanted to torture and kill him. He actually died just to spite him!)

So I definitely don’t think that its ever a good idea to make the Doctor and the Master still want to be friends as it ends up undermining both characters. The Master is undermined as before as seen in stories like The Mind of Evil the Doctor wanted to kill him, but he escaped. A big problem with any recurring villain is that they have to lose, but in the Masters case I don’t think that applies quite as much.

Yes the Master fails in his plan to take over the earth, but at the same time the Doctor is never able to finish him off either, despite wanting to most of the time.

Furthermore the Doctor isn’t even ever able to imprison him or stop him from causing more death and destruction. So neither really wins completely.

That of course is all thrown out the window when the Doctor never wants to kill the Master. Now the Master only survives because the Doctor goes easy on him and this in turn greatly undermines the Doctor as a hero as he wants to be friends with someone that has killed trillions of innocent people, and hurt his friends.

CLARA: Doctor. You sent Missy your confession dial.
DOCTOR: Well, we’ve known each other a long time. She’s one of my own people.
CLARA: My point is, we both saw her die on Earth, ages ago. And obviously you knew that wasn’t real. Or worse, hoped it wasn’t. Either way, I think you’ve been lying.
DOCTOR: I’m sorry.

How can anybody not view that as a come down for the Doctor and the Master from The Mind of Evil where the Doctor wanted to kill the Master to stop him from hurting anyone else, and the Master not only survived his attempt on his life, but phoned him up to rub it in!

The explanation they gave as to why the Doctor went out of his way to help Missy was the Doctor felt she was the only person who was like him.

DOCTOR: I pick a scenario, we drop her down into it, and we see how she does. 
BILL: How does that work? 
DOCTOR: Ah. We just take the Tardis for a spin and we graze for distress calls. We pick a good one. Our usual Saturday. 
(Bill drops the potatoes into the deep fat fryer pan.) 
BILL: And what if she just walks out and slaughters everyone just for a laugh? 
DOCTOR: Well, I will be monitoring you the whole time. 
BILL: Me? 
DOCTOR: Yes. You and Nardole. You can be her companions. See? 
BILL: Ah, nah! Forget it. Absolutely no way. 
DOCTOR: Nardole agreed. 
NARDOLE: No, I didn’t. 
DOCTOR: You did in my head, which is good enough for me. 
BILL: Why do you want to do this? 
DOCTOR: She’s my friend. She’s my oldest friend in the universe. 
BILL: Well, you’ve got lots of friends. Better ones. What’s so special about her? 
DOCTOR: She’s different. 
BILL: Different how? 
DOCTOR: I don’t know. 
BILL: Yes, you do. 
DOCTOR: She’s the only person that I’ve ever met who’s even remotely like me. 
BILL: So more than anything you want her to be good? 

But that’s shit. Hey Doctor what about this woman?

I don’t know she was a friend who was like you Doctor? And she wasn’t a sadistic, mass murdering genocidal psychopath either!

I’m not saying you can never explore the friendship aspect of the Doctor and the Masters relationship, but I think it needs to be from a, its sad that they were once so close angle.

Like Lex Luthor and Clark Kent in Smallville. They start out like brothers, but once Lex crosses a certain line and you know, starts killing people, and harming his friends like Chloe, and Lana, then that’s that!

Ironically this line from Death in Heaven I think sums up the two’s relationship really well.

I had a friend once. We ran together when I was little. And I thought we were the same. But when we grew up, we weren’t. Now, she’s trying to tear the world apart, and I can’t run fast enough to hold it together.”

That’s really the angle they should have gone down. Its okay to give the Doctor feelings of regret for how the Master turned out, but I don’t think that you should ever have the Doctor want to reconnect with the villain.

I think it would have been great if the Master had actually underestimated the Doctor. Thinking he had gone soft after 10 showed such mercy to him, and then being quite shocked when after he did something horrible, 12 shoved him up against a wall, choked him and said that he would never put him before humanity.

Another aspect of the Masters character that I think should always be portrayed is his manipulative streak.

That’s another part of what makes him so fascinating is the way he is able to twist the minds of those around him. Whilst the Master would often play on people’s greed such as Goth and Kassia, he was also capable of tricking decent people too and turning them into monsters. Hell there were times where he was even able to make the Doctor help him unknowingly he was so crafty.

TRENCHARD: You’ve attacked a government employee, and tried to harm a prisoner under my care and protection. 
DOCTOR: I’ve done no such thing. The Master knocked that guard out himself, as you very well know. 
TRENCHARD: And as for this UNIT pass of yours, I believe it’s a forgery. 
(Trenchard rips up the UNIT 10 pass.) 
DOCTOR: That’s absolute rubbish. Anybody at UNIT headquarters will vouch for me, if you’ll permit me to use the telephone. 
TRENCHARD: Prisoners are not allowed to make telephone calls. 
DOCTOR: Colonel Trenchard, why are you allowing the Master to use you like this? 
TRENCHARD: All right, take him away. 
DOCTOR: Look, you’re jeopardising your entire career. 
TRENCHARD: I have nothing further to say to you. The interview is over. 
DOCTOR: Didn’t anybody else warn you about the Master?

TRENCHARD: I can’t keep it up, you know. The lies I’ve told. How long before that device of yours is ready? 
MASTER: Oh, just a few hours now. 
TRENCHARD: What is exactly is it? 
MASTER: It’s a perfect replica of the communications device used by the enemy agents. We are going to use it to lure them into a trap. 
TRENCHARD: I only hope it works. If it doesn’t, I’m for it, you know? 
MASTER: Oh, it’ll work. Don’t you worry about that. Just think of it, Trenchard. You will be responsible for exposing some of the most dangerous saboteurs this country has ever known. I think you’ll find that a grateful government will give you anything that you ask for. 
TRENCHARD: Oh, don’t want any reward, of course. Just doing my duty. 
MASTER: Yes, of course. I’d better get back to my quarters. 

HART: Doctor! 
(He has spotted Trenchard’s body.) 
HART: I don’t understand why. 
DOCTOR: The Master had no further use for him, that’s why. 
HART: But why did he help the Master in the first place? 
DOCTOR: What would you say was Trenchard’s strongest characteristic? 
HART: Oh, I don’t know. Patriotism, I suppose. 
DOCTOR: Exactly. And the Master used that patriotism as a weapon.

MASTER: You there. You were in the lane smashing machinery. 
JACK: Right, never mind the machinery, what’s thou doing here? 
GREEN: That’s easy. He’s one of brainy ones arrived early for this meeting. 
JACK: Aye, come to rob us of our jobs. 
MASTER: Hold hard. I intend you no harm. 
RUDGE: Talks funny, don’t he? Hold hard? This hard enough? 
(He threatens the Master with a large stone.) 
MASTER: Imbeciles. Are you incapable of using your brains? What advantage do you think that’d bring you? You let the man you should have destroyed go free. 
JACK: I did? What’s tha on about? 
MASTER: In the lane. He pretended to help you. Help? He’s a friend of Stephenson’s, an inventor. He’s here to mechanise the mine. 
GREEN: Does tha know what he’s getting at, Jack? 
JACK: Aye, he’s just trying to save his own skin. 
MASTER: Ask him. Ask him why he’s trying to take the bread out of your mouths. 
LAD: We’ll do more than that! Where is he, dost tha know? 
MASTER: He’s gone into the pit. 
(The young man rushes the barred gate.) 
MASTER: Let me. You can’t mistake him, he’s mean looking. 
(The Master uses a sonic lance to burn the iron bar on the inside of the gate.) 
MASTER: Wears yellow trousers and a vulgarly coloured coat. But go carefully, he’s treacherous. 
(The men run into the pit. The Master stays outside.)

LUCY: How should I know? 
VIVIEN: But I’ve got plenty of research on you. Yes, good family, Roedean, not especially bright but essentially harmless. And that’s why I’m asking you, Lucy. I am begging you. If you have seen anything, heard anything, even the slightest thing that would give you cause to doubt him? 
LUCY: I think 
VIVIEN: Yes? 
LUCY: There was a time when we first met, I wondered. But he was so good to my father, and he said. 
VIVIEN: What? Just tell me, sweetheart. 
LUCY: The thing is, I made my choice. 
VIVIEN: I’m sorry? 
LUCY: For better or for worse. Isn’t that right, Harry? 
MASTER: My faithful companion. 

GALLEIA: You’re a man who knows what he wants, Lord Master. 
MASTER: And takes it. 
GALLEIA: You want the crystal? 
MASTER: I am going to possess it. 
GALLEIA: Not without my consent. 
MASTER: Of course not. But I am confident that you will give it. 
GALLEIA: Why should I help you? 
MASTER: For the sake of Atlantis, Lady. Would you not see her restored to her former glory? Rich, powerful, magnificent among the nations of the world? Who would not be ruler of such a country? 
GALLEIA: Nothing must happen to Dalios. 
MASTER: Why should it? He will rule for many years, the beloved sovereign of a beloved prosperous people. 
GALLEIA: But surely you would want to 
MASTER: Well, purely because of Lord Dalios’ great age, it might be well if he were relieved of some of the more onerous duties of kingship. But the reins of power, Lady Queen, should be in stronger hands. Hands such as yours. 
GALLEIA: And yours? 
MASTER: It would be a pleasure to serve you. And then, when the end comes for Dalios, as it must come for all men, then perhaps? 
GALLEIA: The crystal shall be yours.

DOCTOR: Then satisfy my curiosity now. Are they indeed alive, or are they dead like King Dalios? 
GALLEIA: The King is unharmed. 
DOCTOR: The King is dead, Madame. 
JO: It’s true. We were there when he died this morning. 
GALLEIA: You were there? You saw him? Is this true? Is this true? Is the lord Dalios, your King, no longer alive? Answer me. 
MASTER: He died this morning. He was an old man. 
DOCTOR: And you were responsible for his death! 
GUARD: Quiet! 
GALLEIA: You promised                                                                                                        MASTER: I promised you power, and you shall have it. Power to realise your most ambitious dreams!
GALLEIA: You promised he should not be harmed!
MASTER: He was an old man. And he was stubborn!

THE DOCTOR: You intend to escape.

THE MASTER: Oh why bother? Someone will come for me. After the last war, both the Russians and the Americans snapped up Hitlers rocket designers. You have made me famous. I owe you a great debt, Doctor. The finest criminal mind on the planet. Didn’t your friend the Brigadier have trouble avoiding my extradition to… well, lets start with Geneva, New York, Moscow. Correct?

THE DOCTOR: Yes.

THE MASTER: In fact, that’s why this fine example of British justice is being beamed into the offices of every state leader around the world. Isn’t it?

THE DOCTOR: You’ve certainly brought a lot of attention to yourself. You always were a conceited show-off.

THE MASTER: Thank you, Doctor. Tell me — when you find a piece of alien weaponry lying about, what do you do with it? Do you hand it over to the Brigadier?

THE DOCTOR: Certainly not. I deactivated those fusion mines you left for me. They could have blown up an entire country.

THE MASTER: Indeed. An amusing little toy. I can rig up something similar in a trice. I really must thank you for proving my point so neatly, Doctor. You really should have arranged for my deactivation when you had the chance. You’ve just reminded everyone watching that I am the most valuable weapon in the world. And I very much look forward to doing business with all of you.No further questions.

THE DOCTOR: Now see here!

THE MASTER: No further questions! 

Personally I’m not keen on the Master just being a shouting, screaming lunatic. He’s at his best when he is turning people against the Doctor or sitting like a spider on someone’s shoulder spitting poison in their ear.

Finally as for who I would have liked to see play the Master in the Capaldi era, well as I have said before, Robert Carlyle I think would have been the best choice opposite Peter Capaldi.

Carlyle is a similar type of actor to Peter. Both are older, Scottish, known for playing angry, violent, often villainous characters and so you could continue the idea of the Master being like a dark twin of the Doctor that they had explored in Tennant’s time with Simm.

Also Carlyle I can see perfectly capturing the villains sneaky, manipulative, yet affably evil side as seen in this clip here.

You can see shades of the Classic era Master there. The magnificent bastard that’s able to dupe everyone around him, even the main hero and always manages to get scott free away with all the heinous things he has done.

At the same time however Carlyle is also brilliant at playing psychopaths too. Most of his career has been spent playing crazy bastards!

Carlyle thus I think could every now and again show us how the twisted crazy side of the villain as seen with the Simm Master and Ainley Master wasn’t completely away. Deep down despite the new, more charming facade he was still a hateful, vicious sociopath.

Its sad that Peter Capaldi ironically despite being in more stories with the Master than any other Doctor never actually got a chance to face the Master. A sneaky manipulative, power mad villain who could turn anybody (including even the Doctors companions loved ones) against him.

The closest Capaldi got to a proper Master confrontation where his few moments with John Simm at the start of The Doctor Falls. If you ignore Missy or pretend she’s just the latest person he’s duped like Galia, then that’s actually a brilliant Master/Doctor confrontation when the two are on the rooftop.

Simm’s Master is completely in character with the others. There’s his petty hatred of the Doctor (to the point where he spent 10 years with Bill just to fuck her over to hurt the Doctor.) His insane lust for power over the Mondasians, and even his love of disguises.

Also Capaldi gets a chance to be more heroic as he is genuinely enraged at the Master after he’s hurt his friend and not you know snogging him! Sadly however Simm and Capaldi didn’t get enough scenes together, and Missy also weighed the episode down.

Not because of Michelle Gomez whose performance in The Doctor Falls was fine (though it still was NOT the Master in any way shape or form), but the idea of the Master wanting to shag himself turned it into a total comedy.

Still at least this episode gave us a glimpse of what a proper Capaldi/Master confrontation could have been like.

6/ The Daleks

My favourite villains. The Daleks have been used less frequently in the Capaldi era than in those of previous New Who Doctors like Matt Smith and David Tennant.

Now I do understand why Moffat did this. A lot of fans were complaining that the Daleks had been horribly overused in New Who and were actually glad that they were given a rest.

Now this is just personal taste I freely admit. Its not like the Master where I feel objectively they made a mistake, as they threw out his entire characterisation and only cast a woman for PC posturing.

Still I do think that the Daleks actually should have been the main villains of Capaldi’s time. Not only did they play off of him arguably better than any other villain, but there was also a lot of scope for interesting stories with the monsters in his time due to the search for Gallifrey story arc (well that is if they had gone down that route.)

First of all I think they should have tried to give the monsters a story arc in the Capaldi era. In my opinion its always better when the monsters have a story arc, as that justifies them returning in the eyes of the viewer.

Like take a look at the Davies era. People wanted to see the Daleks show up because every year, because each Dalek story would end with a tease for the next one, where one or more of the monsters had clearly escaped; leaving viewers eager to find out what happened to it.

Similarly from 1975 on there was the Davros story arc too, which sometimes ended with a tease for the next story, such as Davros being frozen at the end of Destiny of the Daleks.

To me the Daleks are at their worst when they are just brought back for the sake of it. You can see this in the Matt Smith and Jon Pertwee era’s. Now I am not saying I dislike the Dalek stories from those eras. Day of the Daleks in particular is a classic, but still you can tell how the Daleks are kind of aimless in 3 and 11’s time.

Its not like the 60’s where there was no story arc, but the monsters were so fresh it didn’t matter. In the 60’s ideas that are cliches and staples of Doctor Who nowadays like the monsters invading earth, or travelling in time were exciting new ideas.

In later era’s I feel that its better to develop a story arc with them, or else it does just feel like “hey lets have the Daleks again”. That doesn’t mean you can’t have a good story with them of course like Asylum or Day, a story arc gives them more of a purpose.

Now in 12’s time there was a potential for 3 great story arcs with the Daleks. I would have liked to have seen more with the Daleks war with the alliance of planets in the future as seen in Into the Dalek, the Daleks trying to stop the Doctor from finding Gallifrey, and finally Rusty the Dalek who hates other Daleks.

All 3 of these story arcs could have been woven together in quite an interesting way. You could have had the horrors the Doctor witnesses with the Alliance’s war against the Daleks perhaps convince him that the Time Lords should return to destroy the Daleks, with Rusty obviously being the Doctor and humanity’s ally in the war against the Daleks too.

Incredibly enough we have never actually had a story that focuses solely on a war with the Daleks, apart from Into the Dalek (even then the focus was really on can you have a good Dalek or not?).

Most Dalek stories involve the Doctor trying to stop the Daleks from waging a war like Frontier in Space, or Planet of the Daleks, or they will deal with the after effects of a full scale war like in The Dalek Invasion of Earth, and Day of the Daleks where humanity has already been conquered, or they’ll be little low key events set on some remote location like Death to the Daleks, The Chase, Asylum of the Daleks, Resurrection of the Daleks or Dalek.

Sure we’ll see plenty of invasions like The Parting of the Ways, Doomsday and Journey’s End, but even then I wouldn’t really call those Dalek wars. The humans (and the Cybermen) have absolutely no chance against them. Its really just a massacre.

I suppose the closest we see to this is in the 50th anniversary story, which revolved around the Time War. Even then however the Daleks are barely in the story.

Really I’d like to see an adventure that’s set in the middle of a huge conflict with the Daleks that has been going on for years, maybe even centuries, and that has seemingly no end in sight.

Personally I think this would have been an interesting avenue to explore as we could see things that have only ever really been talked about before. Like how the Daleks are so destructive other races will often be forced to go to such drastic measures to bring them down, like the Time Lords who ended up becoming monsters during the Time War.

Also a story arc around a Dalek war could get round another one of the monsters problems that they always have to lose.

You could have one story where humanity loses many planets to the Daleks in the war, with even the Doctor failing to stop them. At the end things would look bleak, but humanity would still have a fighting chance against the monsters which could be continued in the next story.

You could even have the Doctor and humanity lose in several stories in a row, before finally pushing the Daleks back, and even then they wouldn’t wipe the Daleks out, just drive them back from completely destroying humanity, and there would still be hundreds of planets under their rule with there being nothing that could be done to help those worlds.

You’d play up what’s really scary about the Daleks that they are a swarm across the universe. You can stop them taking over one planet, but all you’ve done is set them back a bit. There are still hundreds, thousands of planets across the universe that are suffering under their rule.

Planets who have with rich histories, advanced cultures, who could have gone on to do great things, who’ve now been extinguished forever and the Doctor will never know anything of them never mind be able to save them.

Also a story line about a war with the Daleks could allow you to explore all of the main 4 interpretations of the Daleks.

As I have written about extensively before, there have really been 4 writers who have created their own interpretation of the Daleks, Terry Nation, David Whitaker, Steven Moffat and Russell T Davies.

Terry Nation tended to use the monsters as metaphors for the very worst of humanity. His main inspiration was primarily the Nazis but as I have pointed out in the past you can draw disturbing parallels between the Daleks actions in Nation’s stories and those of other real life monsters like General Chivington.

At the same time however somewhat paradoxically, Nation also made the monsters more genuinely alien than anyone else. His Daleks had no human qualities whatsoever. They didn’t understand what pity was, they were unable to comprehend basic human concepts and ideas like compassion, or love. They were not only totally alien, but completely malevolent as well.

David Whitaker meanwhile made the monsters more manipulative. In contrast to Nation’s Daleks who couldn’t understand any human emotions, Whitaker’s Daleks knew human beings inside out and were able to play on their every strength and weakness to their own advantage.

Russell T Davies meanwhile made the Daleks far more badass than ever before. His Daleks were practically gods. They had fought in a war with the Time Lords beyond our comprehension, and they were a thing absolutely everyone was terrified of returning as they knew no one could ever hope to stand against them.

Davies’ Daleks also were responsible for the greatest tragedies in the Doctors life too. From the loss of his people, to the loss of Ross and Donna, to the 9th Doctors death, the Daleks are behind them all. RTD loved the Daleks and so during his time no enemy could match them in terms of power, hurting the Doctor, and being the enemy that the Doctor hated. It was a golden age for the monsters.

Finally Moffat I feel added a somewhat more sadistic element to the Daleks. Its true that the Daleks were always hateful little monsters, but in the Moffat era they seemed to go out of their way to torture their victims, and the fates they inflicted on them were often far worse than ever before.

Like take a look at Tasha Lem. Its established that they could have just drained all of the knowledge they needed out of her mind no problem, but instead they decided to torture her to death, and then revive her, and then torture her to death again for fun, possibly for centuries!

The Dalek puppets though quite cartoony on the surface are actually among the most horrific ideas ever introduced into Doctor Who. They are people who have been gutted out and then turned into the living dead, doomed to serve the Daleks forever.

What’s worse however is that the Daleks can bring the puppets back to life again, and wipe their memory of being killed, before killing them again! We see this with the red haired woman used to lure 11 into a trap in Asylum, who actually thinks the Doctor can help her daughter, who has probably been dead for years, maybe even centuries. Even more disturbing however is that the Dalek Puppets memories of their previous death is restored just before they die again too.

Also finally Moffat would often have the Daleks win against the Doctor too.

Although its not intentional this 2013 recreation of a classic scene from the Hartnell era, actually represents the 4 different takes on the Daleks there have been over the years. The first Dalek is from Evil of the Daleks a David Whitaker story, the grey Daleks were featured in many Nation stories like Genesis, Planet and Destiny of the Daleks. The bronze Daleks were obviously the main model introduced in RTD’s time, and finally the Yellow Eternal Dalek was part of the new Dalek paradigm introduced in the Moffat era.

Now in the war of the Daleks story arc I feel you could incorporate all of these brilliant interpretations of the Daleks.

To start with you could draw parallels between the war with the Daleks and other wars in human history like Nation used to do. I think it would be interesting if you showed other alien races that normally despised humanity, actually become humanity’s allies  because they realised that the Daleks were worse.

Throughout history we have seen many warring nations and people be brought together for this very reason.

In World War 2 the USA and Russia, two great powers who would spend the next 50 years in conflict with each other, still came together because they realised that the Nazis were a greater threat. The Nazis planned to take over the entire world and to exterminate entire sections of humanity. If you were gay, Jewish, disabled etc. You couldn’t just live under the Nazis as a slave or a second class citizen. You’d be killed right away.

Similarly in the middle east right now we have seen various groups who normally dislike one another band together to stop ISIS and Al-Qaeda.

Christians, secular Muslims, even homosexual men have willingly fought for President Assad against ISIS despite the fact that he has outlawed homosexuality (and is in his own right a brutal dictator.) At the very least homosexuals, Christians and secular Muslims can actually live under Assad, where as ISIS and the other Islamic extremists would butcher them all.

We Don’t Have Rights But We Are Alive

I would play up a similar dilemma with the Daleks. You’d have humanity be forced to work with many old enemies, ruthless, pitiless conquerors, genuinely evil monstrous aliens who would normally be the villain in any other Doctor Who story.

I think this story arc would continue the way that Nation often used the Daleks and the struggle against them as real life metaphors for people’s battles against fascism and hatred,

The first Dalek story represents why you should never try and appease people like the Daleks who hate you simply for who you are.

The second Dalek story The Dalek Invasion of Earth represents how people react when being forced to live under fascism, with some simply giving up and only looking out for themselves, others using it to their advantage, others collaborating with the fascists, and others simply do not give up and keep on fighting regardless of how much the odds are against them.

This story arc meanwhile would represent the drastic measures people have to go to to stop an evil like the Nazis and ISIS. Its not always just a simple case of black and white even when dealing with the likes of the Nazis. We had to ally with Joseph Stalin, one of the most evil men in history to bring down Hitler.

The story arc would also represent why an evil like ISIS or the Nazis or the Daleks that seeks to exterminate everyone that doesn’t fit in with their idea of the master race will always fail, because it will bring everyone together against it.

Finally this would also tie into part of why the 4th Doctor spared the Daleks in Genesis. He says that many races will become allies due to their mutual hatred of the Daleks, and even says that out of the Daleks evil will come something good.

You could finally show that here. Many races including humanity, who may have been on the verge of wiping each other out will now work together to try and maintain the peaceful collaboration that ironically the Daleks had created the foundations for.

I’d love to see a scene when the Daleks were finally pushed out of the Milky Way Galaxy and all the different races celebrated. It would be like the recent victory over Aleppo or VE day. Even though none of the problems the allies had before would have gone away, and things would be far from fine, they still couldn’t contain their joy at the absolute worst enemy any of them had ever faced finally being destroyed.

Whilst the evil of the Daleks would be used as a metaphor for the evil of humanity, at the same time however just as Nation did, I’d have liked to have actually seen them act in a  totally alien way.

I think a problem with the Daleks in New Who is that they are far too human. We’ve had Daleks become religious fanatics, Daleks with names and a sense of humour, crazy Daleks, Daleks with a parliament and a concept of beauty and many good guy Daleks too.

It would have been nice if I think the Daleks went back to being more alien like Nation had envisioned them. You could highlight that in their dealings with their human enemies by showing how humanity are unable to understand the Daleks, predict what their next move is, and also how the Daleks are unlike anything they have ever faced before.

I also feel that the war story arc could give you scope to show a more manipulative side to the Daleks too just like in the David Whitaker era.

You could do a story where the Daleks are able to cut a deal with one of humanity’s allies, a truly ruthless race who were always the most reluctant and who would think that they could play the Daleks and the humans against one another and emerge in the aftermath, only for the Daleks to play them and split the alliance into pieces.

I also think it would be interesting to do a story where when humanity was on the verge of defeat, the Daleks use them to lay a trap for the Doctor (who they would be even more determined to destroy because he was the only hope for the Time Lords.)

The Daleks and the desperate humans deal would be that the Daleks would spare certain colonies if the humans called on the Doctor (who would be working with the humans regularly to the point where he had given them something to summon him like he did with UNIT.)

The humans would then be desperate to do the Daleks dirty work for them, and the Doctor would have to fight both humans and Daleks working together to escape.

Having the Daleks manipulate the humans I don’t think would contradict making them alien. It could actually add to the fear factor as here the Daleks though completely different would know everything about us, whilst we knew nothing about them.

At the same time the you could also have Russell T Davies style Dalek moments as well that showed how unstoppable the Daleks were. One story could end with the Doctor and humanity failing to save one of the alien races they had allied with. These aliens home world would be closer to the Daleks area of space and therefore harder to defend. The Doctor and humanity however would make one last ditch effort to help them, only to fail miserably.

The story would end with the Daleks invading and completely and utterly destroying the aliens home world. We’d see hordes of them as we regularly did in the Davies era flying through the air, killing everything in sight.

Those were always the best moments in the Davies era Dalek stories like in The Parting of the Ways and Doomsday. We’d see the Daleks slowly march their way towards their enemies who would throw absolutely everything they had at them only for it not to make the slightest bit of difference. They literally wouldn’t even kill one Dalek. At most they’d slow them down a bit.

When the Daleks attacked the aliens homeworld you’d definitely try and emulate scenes like these, and have all of the aliens weaponry not even make a dent in one Dalek as the monsters mowed down everything in sight.

The end of the story would see humanity and the rest of her allies mourn an entire race that had been wiped out in a day by the Daleks, which would really highlight how they are the most dangerous monsters in the entire universe as only they could destroy and entire planet, history, culture and race in an instant.

Finally you could also have the Daleks be more sadistic like in Moffat’s stories. I always thought it would have been a great idea to do a story about the Dalek camps.

You could have the Doctor be forced to go on a rescue mission deep into the heart of the camps (with Rusty helping them get in there.)

You would see thousands of different aliens locked up, suffering unimaginable torment. Just like they did with Tasha Lem, the Daleks would torture their victims to death and then revive them, over and over.

Some victims you could reveal had been in the camps for centuries with the Daleks still keeping them alive, torturing them to the point where they had forgotten who they were!

I’d also use this story to introduce Dalek X. Dalek X is a character from spin off material. He is a Dalek that enjoys torturing his victims and is feared, even by Dalek bounty hunters throughout the galaxy. The worst nightmare of people who slaughter Daleks for a living is to end up in Dalek X’s torture chambers.

I’d love to have seen a scene where 12 is captured and tortured by Dalek X. Capaldi really captured the Doctors rage and hatred against the Daleks as well as Christopher Eccelston in my opinion, so it would have been great if he had got a really dramatic showdown with them.

I’d also reveal that a Dalek death ray stimulates every single pain receptor in its victims bodies to the maximum amount of pain they can feel. Thus being shot by a Dalek would literally be the most painful way to die!

I think its vital to have the Daleks do more than just kill their victims. One of the reasons I don’t think the Daleks seem scary is because all they do is just shoot you.

Look at the Cybermen in comparison. They’ve always been scarier because they capture you and slowly rip your flesh away until its all replaced by metallic components, turning you into an emotionless machine monster.

Steven Moffat regardless of whatever else you may say about his Dalek stories understood that and came up with more grissly things for the Daleks to do to their victims, like the Dalek puppets and their ability to bring people they had killed back from the dead.

Imagine being cornered by a Steven Moffat era Dalek. Its a far more terrifying prospect than being cornered by an RTD one.

Yes the RTD one is an utterly unstoppable badass, but all it will do to you is shoot you and then that’s it. With a Moff Dalek however it will keep you alive possibly for centuries in a state of agony. You can’t even kill yourself to escape it, as it will still find a way to bring you back like they did with Tasha Lem.

I’d definitely continue this aspect of the Moff era and the introduction of Dalek X would be a great way of doing that.

Of course at the same time it would be important to show the Daleks killing as many people as possible. Whilst Moff had them do nastier things to their victims, its true that the monsters seemed less formidable as they only kill two people on screen in the entire 11th Doctors era.

Of course again that’s not to say that there weren’t problems with previous writers portrayals of the Daleks, but that’s the point you’d blend everything that had worked about previous writers portrayals together.

You’d use the Daleks as powerful metaphors for race hatred, and portray them as a totally alien race like Terry Nation always did.

At the same time you’d also give them plenty of opportunities to be sly and manipulative just like in Whitakers stories.

You’d also capture the power and unstoppable nature of Russell T Davies’ portrayal, and finally the sadism and the “you REALLY don’t want to be at these guys mercy” aspect of Moffat’s Dalek stories.

As for who could voice the Daleks well. I’d keep Nicholas Briggs on of course. I’m a big fan of Nicholas Briggs overall, and I think he does a brilliant job as the Daleks, but at the same time I would like there to be a bit more variety among the voices.

Gary Martin is an actor who I think would be a great choice for voicing the Daleks. Martin is one of the United Kingdoms most prolific voice artists. Among his most high profile roles include as the evil Dragon and main villain of the classic British animated series The Dreamstone, and Epideme the evil virus from Red Dwarf.

I’d love to see Martin come up with a suitably scary voice for Dalek X.

There’s only so much one actor can do. In the Classic era, there were only three stories, (Power of the Daleks, Frontier in Space, and Death to the Daleks) where the monsters voices were supplied by just one actor.

Finally I would liked to have seen Davros return to 12’s era, but in a way that actually followed on from his last appearance in Journey’s End.

Now I didn’t mind 12 and Davros’ interactions with each other. There were some interesting moments, but I didn’t like that story very much. At the time I enjoyed it sure, but on re-watch I didn’t like the fact that Davros returning wasn’t actually that big a deal.

The last time we saw Davros he had almost wiped out every universe. His return should have been a real “oh shit” moment for the Doctor and for the Daleks too.

I always looked at it this way. The new Daleks in Victory that slaughter the last of the Davros Daleks from Journey’s End are actually more primitive.

The last of the Davros or Ironside Daleks defer to them sure, but still the Paradigm Daleks are actually from an earlier point in the Daleks history before the Time War.

Thus they don’t have the technology that the RTD era Daleks had. This explains why the Daleks haven’t conquered the entire universe during Matt Smith’s time.

They are a full empire now so if they were as strong as the Davies era Daleks, then they would have presumably built another reality bomb and destroyed all of creation.

Clearly they aren’t because they are more primitive. This can also explain why 11 was able to wipe them out so easily in The Time of the Doctor too. It doesn’t make sense otherwise. How could the Daleks have won a war against the Time Lords when one Time Lord regenerating can wipe out an entire invasion fleet of them.

Remember the Daleks did win, as had it not been for all the Doctors cheating at the end of the Day of the Doctor then they would have slaughtered the Time Lords. See here.

So with this in mind, when Davros showed up he would be a vital asset to the Daleks. He would have knowledge of the Time War, and of Dalek history in general that could help advance them greatly.

Of course Davros wouldn’t just be willing to hand it over to the Daleks either. Rather than just have the Daleks be his servants, or Davros be their pet, you’d have them both work together. Davros would need their power, they’d need his knowledge, and both would be happy to stab each other in the back when the time was right.

You’d have the Daleks suddenly gain new and devastating weapons the likes of which humanity and her allies had never seen before, which would alert the Doctor that something was up. The Doctor would of course then discover that Davros was supplying them with weapons which would be a big reveal of “oh no this is more dangerous than we thought”.

You could also have after the war with the Daleks was over Davros being captured by the humans, and supplying them with weapons that could allow them to destroy their former allies against the Daleks., who in some cases might go back to being their enemies again.

There have been a number of solo Davros stories for Big Finish, and I think it would have be interesting to see if the villain could hold a story on tv without the Daleks.

Personally I think that Peter played better off the Daleks than any other villain. Whilst I am not overly keen on the season 9 opening two parter, I still did absolutely love this scene.

You can see how well Peter plays against the monsters. The Daleks were always his favourites. Everyone always goes on about how the Mondasian Cybermen were his favourite monsters, but no he has regularly said that it was the Daleks.

Sadly however the monsters weren’t really anything in his era. They only made two major appearances, and they actually didn’t get that many scenes with 12 either. The above sequence is practically the only major showdown between 12 and the Daleks. Sure he talks to Rusty a lot, but that’s not quite the same thing as Rusty is a redeemed Dalek.

Added to that the Daleks seemed quite weak in his era. Apart from Into the Dalek we generally tended to see them get beaten up, outwitted or just stand in the background.

In the season 9 two parter they don’t kill or torture anybody, they get outwitted by Missy (who kills one with a brooch), 12 also takes over their entire empire as he boasts in about 2 minutes (and they have to be saved by Colony Sarff).

Davros is also the one who completely comes up with their evil plan in The Witch’s Familiar, and they literally just stand at the back, doing NOTHING (except fail to kill two people) and then when it all goes wrong they get beat up by their own sewers.

Following this we then see a tiny cameo in the finale where a Daleks has been made the servant of the Cloister Wraiths, and then the next year we have another tiny cameo where Bill ridicules everything about them, before one Dalek is unable to kill the villain of the week who then vaporises it into nothing but dust with a wave of her hand.

12’s era wasn’t exactly a golden age for the Daleks, and fair enough you might think as a Dalek fan I’m quite spoiled as 9 and 10’s era’s were such great era’s for the monsters.

Still I think since they were Capaldi’s favourites and arguably the villains he played the best off of, then it would have been good to have given them a strong story arc throughout his era, and its even more annoying when you look at Into the Dalek as that looks like it could have been the start of a truly brilliant story arc.

I think they should have given Capaldi a Dalek story every year that followed humanity’s war against the Daleks.

Ideally I would have liked Capaldi to do 5 years (he actually almost did 5 years anyway. He was the current Doctor for 4 years, and really had it not been for this silly female Doctor nonsense I am sure they could have convinced him to do a 5th year.)

During those 5 years Capaldi would have had lots of Dalek stories that could have fully developed his dynamic with them and reinvigorated the monsters like never before.

7/ The Cybermen

The Cybermen have been very misused in New Who. Its not that their stories are bad, its more just that the writers have it in their heads that the Cybermen are second rate and write them accordingly.

For instance whilst RTD turned the Daleks into virtually gods, he did the opposite for the Cybermen and reduced them to unbelievably primitive earth bound villains.

All that’s needed for the Cybermen is a little bit of love and respect from the writers. The concept is still brilliant and frightening, and furthermore as the Cybermen are known for changing their look every few years, then you don’t have to try and revamp an old 60’s or 70’s design as you will with other monsters like the Ice Warriors and the Sontarans.

Now during 12’s era we did actually see a bit of a renaissance for the Cybermen. They were 12’s main enemies alongside Missy.

Though their first story Dark Water/Death in Heaven was the worst Doctor Who story ever made, it wasn’t because of how they were treated (unless you count Cyber Brig.)

Their second big story, the season 10 finale wasn’t that great a story either, but again it wasn’t because of how the Cybermen were portrayed.

In fact the Cybermen in all fairness did have some absolutely brilliant moments.

Bill’s conversion was genuinely horrifying, and 12’s final battle against the Cybermen was a truly spectacular sequence.

So the Cybermen didn’t really fare that badly in 12’s era. In fact compared to other villains, they got off quite lightly.

Still I suppose things I’d like to see in general with the Cybermen in Doctor Who are the following.

First and foremost for them to be treated as a legitimate menace in the series. Even in 12’s time they were still kind of undermined for other villains for the most part. In Dark Water/Death in Heaven for instance they were just Missy’s mooks and had no plans or goals of their own.

The Cybermen need to get a big story where they are the main villains and aren’t either trashed or pushed to the side for the Master or the Daleks, which sadly they haven’t had yet in New Who.

They also I think need to give us a totally different design of Cybermen. I don’t like the big clunky look in New Who, and the more sleeker look they gave them in Dark Water was terrible. Those Cybermen minced as they came out of their tanks!

I’d like to see Cybermen who don’t stomp. The Cybermen are at their best when they can sneak up on you. One of the most terrifying moments is in Attack of the Cybermen when the monsters surprise Lytton as he has almost climbed to safety. You could never do that with the New Who Cybermen who stomp, stomp, stomp everywhere.

The Cybermen also work best in tight claustrophobic settings like in the sewers of London in the Invasion, or the Ice Tombs of Telos, where they could be lurking around any corner, and where if they corner you, you know there is no hope of escape.

The Cybermen also I don’t think should talk that much. As Nicholas Briggs said what made them creepier than the bombastic Daleks was the way you could never tell what they were thinking.

I’d also play up the body horror aspect of the Cybermen. I remember Lord Slarr, a youtuber making some brilliant points that the Cybermen should actually look disgusting. There should still be bits of human flesh mixed in there, like with the Mondasian Cybermen who still had human hands, or the Cybermen in Earthshock who had flesh covering their mouths.

Also I think Cyber conversion should be shown to be a very slow and agonising process. Not just a quick flash with some buzzsaws and death rays and then its over like in the Tennant era.

Also NO more people who can resist Cyber conversion. Yvonne Hartman, Danny Pink, The Brigadier. Its undermined their menace too much that as long as you are a bit strong then you can just decide to not be a Cyberman. Once someone is converted then that should be it.

I do agree with Capaldi that the Mondasian Cybermen would be a good choice to return at some point too, though personally I would have preferred a story that showed you how they survived after the destruction of Mondas. That’s a big gap in their history that might be quite interesting to explore.

We could see them slowly upgrade themselves as without Mondas as a power base they’d be dying. It would be like the old Troughton stories, more of a creepy base under siege story with the last of the Mondasian Cybermen struggling after the death of their world.

8/ The Sontarans

The Sontarans were somewhat undermined as a legitimate threat in 11’s era. Now I did like Strax a lot. He was very likable and funny, but obviously I would have liked to have seen the Sontarans at some point return to being the bad guys as that is what they were originally intended to be.

Now a story that I think would have been good to adapt for 12 is The First Sontarans. If you haven’t heard it I strongly recommend it.

It features the 6th Doctor and Peri and reveals how the Sontarans were created. The Sontarans were the creation of a race called the Kaveetch whose homeworld Sontar, had been invaded by the Rutans. Though the first Sontaran warriors successfully drove off the Rutans, they later turned on and exterminated the Kaveetch whilst they were celebrating, with only a few Kaveetch managing to escape through time.

There are so many chilling moments throughout the story, such as when the surviving Kaveetch tell of how they had to abandon their children to the monsters as their planet went up in flames, or when one of the Kaveetch returns to Sontar and sees the devastating effect the Sontarans have had on it in her absence, to the point where she can’t even recognise it anymore.

My favourite scene however is when the leader of the Kaveetch tells the Doctor that its possible that some other Kaveetch may have escaped only to be shot down instantly by a Sontaran commander that there is absolutely no possibility of any other survivors, after which he then simply dismisses the Kaveetch as an inferior species who lost their right to survive.

Its probably the darkest Sontaran story, with the Sontarans ultimately exterminating all but two of the surviving Kaveetch and effectively wiping their species out. At the end of the story the two surviving Kaveetch are forced to simply forget their vendetta against the Sontarans or else they too will end up dead.

I think you could adapt this story for television, and really all you’d need to do would be to change the name of the Doctors companion!

6 was always quite like 12 in a number of ways anyway, but this story is also a fairly straight forward action adventure that I think you could probably stick most Doctors in and it wouldn’t be that different.

In my opinion Last of the Sontarans would have been a brilliant way of restoring the Sontarns to being one of the Doctors deadliest enemies rather than just comedy sidekicks.

9/ The Valeyard

The Valeyard was a villain introduced in the 6th Doctors era for the season long story arc Trial of a Time Lord. He was revealed to be an evil version of the Doctor created in between his 12th and 13th lives.

How he was created or why has never been revealed, and at the end of Trial of a Time Lord he is shown to have escaped.

Sadly over 30 years on and the Valeyard, save a tiny mention in The Name of the Doctor has been completely forgotten about.

Personally I think it would have been great if they had brought him back as the main villain for one of Peter Capaldi’s seasons.

I would have loved it if they had used the fan theory that Handy was actually the Valeyard.

Now for those of you who don’t know who he is, Handy was the clone of the Doctor that was created in the season 4 finale The Stolen Earth/Journey’s End, who eventually went off to live with Rose Tyler in another universe.

Fans have been speculating that he was the Valeyard since the story aired, and the 2009 comic book miniseries The Forgotten got in on the idea by having the Meta Crisis Doctor seemingly return, only now going by the name of the Valeyard! Ultimately this version of the Valeyard was later revealed to be just a dream, but it still shows you how popular the theory is.

Now obviously its never good to just use every fan theory, but I do think there is a lot of potential in this one.

To start with it would be an absolutely sensational story. Think about it, the Doctor would be facing the minions of an enemy who knows him better than anyone else and also hates him more than anyone else in the universe.

Naturally viewers would think it was the Master, but then at the end of the episode David Tennant would emerge, much older looking and full of hate.

Of course you’d have to explain how the Valeyard went from looking like David Tennant to Michael Jayston, as well as what happened to Rose.

Personally I see it as going like this. The Doctor and Handy were mistaken as to how much Time Lord DNA Handy had. They both thought he would age like a human, and whilst he did only have one life,  it was ultimately the same length as an individual Time Lord incarnation’s life span and thus far longer than a human one.

As a result he outlived Rose. They still had a happy life together. You wouldn’t undo that, but after she died of old age, Handy would start to go mad. With no one to curb his darker impulses, and being left on earth, one planet, outliving everyone he loved, Handy would grow to resent the Doctor.

He’d have a point when you think about it, as what was it the Doctor exiled him for exactly? Destroying the Daleks? Kind of hypocritical when in the next story Dalek story, Victory he tried to wipe them out!

Handy would kind of be like the Doctors version of Khan from Star Trek. The villain who does have a genuine grievance against the main character, as the hero did just stick them somewhere and then forgot about them.

When he returned to make the Doctor pay (having found a way to travel between universes somehow) he would try and steal 12’s new regeneration cycle. He would manage to steal one regeneration from the Doctors new cycle during the story.

At the end of the two parter we would see Handy regenerate into a young Michael Jayston, which would be achieved the same way that the young John Hurt was in The Night of the Doctor.

The Valeyard would then reappear in the season finale, played by Michael Jayston the age he is now, (with Trial of a Time Lord having happened in between from the Valeyards perspective.) This story would then mark the final showdown between the Doctor.

I think it would be interesting to have the Valeyard use the Moment against the Doctor.

The Doctor must have put the moment somewhere safe. Its the most powerful weapon in the universe remember so he’s not likely to just leave it lying around. He wouldn’t kill it as its sentient, and he probably wouldn’t trust himself with it after he believed he burned Gallifrey, and he couldn’t give it back to the Time Lords, so it must have hid it somewhere.

The Valeyard meanwhile who has all of the Doctors memories would know where it was stashed and so he could capture it and use it as a weapon.

The Valeyard would cannibalise it and use it to create a paradox machine type weapon that could control the universe.

This could also explain how he intended to steal the 6th Doctors remaining lives in Trial of a Time Lord without wiping himself from history.

In the finale the Moment would be struggling to break free from his control whilst the Doctor would perhaps be forced to work with one of his enemies like the Rani to bring down the Valeyard.

I think it would be a great way of linking Old and New Who together. You’d bring the Time War story arc, the Doctor/Rose love story, and the Trial story arc all together.

I’m really annoyed that they didn’t take the golden opportunity to do this story arc.

10/ The Rani

A very underused villain. The Rani in some ways is just as interesting a character as the Master himself.

Unlike the Master or Davros the Rani did not seek to conquer the universe. She was a great scientist back on Gallifrey and simply seeks to further her experiments which she believes are for the greater good of the universe.

She is not above experimenting on animals however and sadly to her that’s all human beings are. She has a point in a way. Human beings are billions of years behind Time Lords, as seen with Donna a human can’t contain the knowledge of even a lowly Time Lord like the Doctor without dying!

Added to that our life spans are pitifully short compared to theirs. One Time Lord’s incarnation can last for 1100 years alone. So yeah really we’re tadpoles compared to Time Lords.

Now given the horrifying ways we mistreat animals can we really have that much of a moral high ground to the Rani. Can the Doctor?

DOCTOR: These are human beings, Rani. Living creatures that have done you no harm. 
RANI: They’re carnivores. What harm have the animals in the fields done them? The rabbits they snare, the sheep they nourish to slaughter. Do they worry about the lesser species when they sink their teeth into a lamb chop? 

The Rani also somewhat refreshingly isn’t utterly obsessed with the Doctor either. She simply regards him as a nuisance, and really tends to view both the Doctor and the Master as nothing but a pair of sad gits!

RANI: You were expecting to see the Master? 
DOCTOR: To see? Not exactly. He was burnt to a crisp the last time I saw him. 
RANI: Your smugness is misplaced. He’s here. He’s very much alive and he wants vengeance, curse the pair of you. 
DOCTOR: Well, since we’re insulting each other, I can’t say I care much for your taste in clothes. Doesn’t do a thing for you. 
RANI: Hmm, your regeneration’s not too attractive, either. But at least I can change my appearance. You’re stuck with what you’ve got. 
DOCTOR: My face is of no importance. Brain regeneration is what I need. I should have been able to pin this one down to you. Personality changes, probably due to an imbalance in body chemicals. Yes, you’re the obvious culprit. Well, you had me fooled, if that’s any consolation. 
RANI: It isn’t. 

What’s interesting about the Rani and the Master is that they balance each other out.

In some ways the Master is worse, as all he cares about is power for himself, and his own petty feud with the Doctor.

At the same time however the Rani is in some ways worse as the Master at the very least the Master still views human beings as intelligent beings.

Ironically in his own twisted way the Master loves the earth as much as humanity does, which is why he is always trying to rule us, instead of say the Ice Warriors.

The Rani however sees us as just pests insects and that’s why she experiments on us rather than (in her mind) an intelligent race.

Whilst the Master can have respect for the Doctors human allies and companions like Jo Grant and Martha Jones, the Rani will just view us as lab rats, and in some ways that makes her even more terrifying.

The Rani is also in some ways far more intelligent than the Master or the Doctor. The Doctor and the Master back on Gallifrey were miserable little nobodies. Both were failures at the Academy, (with the Doctor only scraping by with 50 percent on the second attempt.)

The Rani meanwhile was once one of the greatest scientific minds on Gallifrey, responsible for many great advances in technology, who ultimately was forced to go into exile after one of her experiments went wrong.

She is therefore capable of many great things that neither the Master or Doctor are, and her TARDIS is also vastly superior too.

At the same time however the Master is a more experience criminal, and is far more sly than the Rani. When they first meet she has nothing but contempt for him, but the Master is able to trick her and manipulate her by playing on her pride until eventually she agrees to help him.

RANI: At last you’re back, you incompetent egoist. Give me my phial. 
MASTER: This? The precious brain fluid? And I thought you were waiting for me. 
RANI: If I didn’t need that desperately, I’d have put light years between us. 
MASTER: What better reason could I have for keeping it? 
RANI: You’ll play that card once to often. With you on the scene, I might be wiser to cut my losses and go. 
MASTER: Perhaps this will make you change your mind. Read it. 
(Stephenson’s letter.) 
RANI: The meeting’s been cancelled? 
MASTER: No, it was never delivered. 
RANI: Well 
MASTER: You disappoint me. A scientist and you’re not thinking objectively. Davy, Faraday, Telford and others. Over twenty men of genius. Have you no conception of what we could achieve if we control them? Harness their genius, and this planet could become the platform for the most devastating power in the universe. 
RANI: You’re forgetting, I already rule a planet. Miasimia Goria. 
MASTER: Help me, and I promise you all the facilities you need. Instead of sneaking back here in disguise, you’ll be able to set up a laboratory and process as many humans as you choose. A hundred, a thousand, there are millions of them. 
RANI: What guarantee would I have? 
MASTER: My need. That unique box of parasites will not go far. Only you have the formula. 
RANI: The Time Lords will never permit it.                                                                        MASTER: Who’s going to alert them?
RANI: Indeed.

You can see how the two villains balance each other out quite well and make an effective team. Its not like Doomsday where the Cybermen just get completely undermined. Both villains play on each others strengths and weaknesses to get what they want.

Another interesting aspect of the Rani’s character is that she loves Dinosaurs as much as the Doctor loves humans. In her first story she even keeps several Tyrannosaurus Rex’s as pets!

Personally I think its very short sighted to assume that NOTHING interesting could be done with this villain, just because her second story, Time and the Rani was crap.

I’m not going to defend Time and the Rani. It is terrible, but its hardly because the Rani is the main villain in it. The story had everything going against it. McCoy was cast at the last minute, Andrew Cartmel had no experience with tv, the team were told to make it camper and sillier by Michael Grade (who said that it was to counteract the “it was too violent” criticisms but in actual fact it was just to harm it.)

All of these factors would have made it a crap story whether it was the Rani, the Cybermen, the Daleks or the Master who was the main villain. I might add the Master and the Cybermen have been in far worse stories than Time and the Rani in New Who, like Dark Water/Death in Heaven.

There is so much that could be done with the Rani in New Who. Like what happened to her during the Time War? Did she perhaps create many of the monstrosities that the Tenth Doctor described during the final days of the war, perhaps as weapons to destroy the Daleks that backfired?

You could have the Rani try and capture the Doctor to find out how the Time Lords were able to give him more regenerations. The secret of more regenerations was always presumably something that the high council kept locked up secret.

Now however that they were gone, and the Doctor had been given new lives you could have the Rani try and find a way to discover the secret from the Doctors bones!

I also think it would be interesting to explore her relationship with the Silurians. We know she loves Dinosaurs, and since the Silurians are for all intents and purposes Dinosaur people, then presumably she would think there was some potential in their race.

I think it would be interesting if you had the Doctor travel back to the time of the Silurians and discover that to them the Rani is a hero. The Rani would not few the Silurians as just animals the way she does humanity (as the Silurians were always more advanced than humanity.)

She could have saved them from alien invasions, diseases, and helped build up their society much to the Doctors shock.

You could also do an interesting story where the Rani tries to aid the Silurians in stopping the asteroid from landing (which caused them to retreat underground and go into hibernation, later allowing humanity to take over in their absence.)

I think this would have been an interesting idea for a story as it would have in some ways cast the Doctor as the villain of the piece.

The Doctor would obviously have to sabotage the Silurians and the Rani’s attempts to build the rocket, forcing them to go underground in order to save humanity, but at the same time he would be basically dooming the Silurians.

The Doctor would not have the moral high ground, as he would essentially be destroying one civilisation in order to allow another one to exist in its place, but at the same time the Rani obviously wouldn’t either as she would be trying to wipe humanity from existence. It would be a fight between two Time Lords for the future of their favourite races which I think could be an interesting conflict.

You would also have the Rani and the Master work together again at some point too.

Sarah Parish and Juliet Aubrey would be my top two choices for the Rani. Both have experience playing villains in genre series. Aubrey’s character from the British sci fi series Primeval is somewhat similar to the Rani in that she is a ruthless scientist who seems to prefer Dinosaurs to people!)

Parish and Aubrey also both look more mature, cerebral, yet also somewhat cruel like Kate O’Mara (though I’m sure they’re lovely people in real life.)

Sarah Parish

Juliet Aubrey

I would have LOVED to have seen either of these actresses opposite Robert Carlyle as the Master.

The reasons that Steven Moffat always gave for not bringing the Rani back were so lame. He claimed no one would know who she was. Really? That why you brought back the Great Intelligence, the Autons, the Silurians and fucking Coal Hill School?

Really I think its a shame that we didn’t get to see at least one Rani story in New Who.

11/ Romana

Romana is a great character who I think should have been brought back along with Gallifrey.

There is a lot of room for development as the character was meant to have been the President of Gallifrey during the war, but was at some stage dethroned by Rassilon. It seems likely that the Time Lords felt she wasn’t the right person to lead them against the Daleks.

They would have chosen Rassilon, simply because he was more ruthless and vicious, which eventually led to the corruption of their society in general.

When she returned Romana could perhaps be a more embittered, resentful character at first who would gradually soften up and return to her old self at first.

If Romana’s reintroduction went well, then I would have given her, her own series instead of Class.

There’s a lot of value in a Romana spin off. To start with I feel it would have got round the whole female Doctor debate rather nicely. Also I think that with Romana for once you’d have a Time Lord character that you could flesh out a bit more.

The thing about the Doctor and the Master is that they are meant to be mysterious so you can’t really expand on their backstory at all.

Romana could be a totally different hero, with her own set of enemies, companions, her own TARDIS, and you could also have brilliant crossovers between Doctor Who and Romana.

Also a Romana show would be the only one that could ever rival Doctor Who as it could potentially run for as long, as the character of Romana can change her face too.

As for who could play Romana well I think Dawn Steele and Katie McGrath would be great choices.

Dawn Steele

Katie McGrath

To be honest I think Katie would probably be better opposite Capaldi. As Dawn is Scottish then it would probably look like a Scottish mafia if the Doctor, the Master and Romana were all Scottish, though Dawn could always play a later incarnation of Romana down the line in her own show.

12/ Rassilon

I think Rassilon would have been a good villain for 12. Of course they did have him face 12 in Hell Bent, but not only did I not like that episode (in fact I think its another contender for the worst episode of all time after Dark Water/Death in Heaven)

I also did not like Donald Sumpters performance as Rassilon either. He is a good actor, but that version of what was supposed to be the most powerful Time Lord of them all was just too ineffective and weak.

I think Brian Blessed would have been an amazing choice for Rassilon. Brian is a massive Doctor Who fan, and he’s good at playing, big, grandoise, mighty characters (to say the least.)

I think Rassilon could have been an interesting opponent for 12 and the Master. You could have it that at the climax of the End of Time, Rassilon and the Master fell through the vortex together and didn’t end up on Gallifrey but somewhere else (with both of them regenerating at the same time.)

Rassilon would be such a threat that the Doctor and the Master would be forced to team up at one point. Remember the Master hates Rassilon more than he does the Doctor, so there could be room for some quite interesting conflict between Robert Carlyle and Brian Blessed.

I can just see a scene where Rassilon mocks the Master telling him that ironically the Master has been nothing but his pawn for his entire life, which in a way is true.

Rassilon is a character whose history on television has always been a bit sketchy, but there is plenty of spin off material you could draw from to flesh him out on screen.

13/ Historicals

Now the historicals were stories which featured the Doctor travelling back to the past, but there not being any other sci fi elements other than the Doctor himself.

Whilst unpopular at the time many historicals such as Marco Polo and the Crusades have since gone on to become among the highest rate 60’s stories.

Sadly however other than Black Orchid, a short, two part 80’s story, there haven’t been any attempt at pure historicals since the Troughton era!

Personally I think its time for a comeback. Given that Peter wanted to draw on the First Doctors era for inspiration.

Whilst the historicals were big flops during the 60’s, I think times have moved on. You have to remember that back then Doctor Who was a sensation because of its monsters like the Daleks and the Cybermen. So naturally people would be upset when they didn’t appear.

However in later years I’d say that Doctor Who became more popular because of the variety of its stories. Really I don’t think the odd historical would upset viewers too much, and if well researched and written I think they could end up being very popular too.

14/ Different Music

Now I don’t hate Murray Gold. I’ve liked a lot of his work for the show, but after 10 years (when Peter first took over) it was time for a change.

I also find that Gold’s music can be intrusive at certain points too. Its always so loud and jarring and boisterous which is fine for a big moment like Capaldi blasting the shit out of the Cybermen, but I’d rather that there not be music ALL the time, and for there to be more subtle, quiet music for more low key, spooky scenes such as the Cybermen creeping up on their victims.

15/ Less Soap Opera

A part of the reason that I wanted Osgood and Journey Blue to be the two companions is because I feel that they would cut out the soap opera elements.

New Who tends to focus too much on the companion for my liking. Worse the companions life is often an everyday boring thing. Really Doctor Who is a sci fi show first and foremost.

Now I understand that a lot of fans and viewers like these scenes as they do help to flesh the companions out.

So I’d see a happy compromise simply being to have the companions home life being more sci fi oriented, like Osgood and Journey Blue. Osgood works for an organisation designed to track down aliens, whilst Journey comes from the future with the Daleks so if you did go back to their home lives then it wouldn’t just be sitting in a kitchen with Clara’s family or eating chips with Jackie Tyle and Mickey.

Conclusion

I think that if the 12th Doctors era had been a return to more adventure based stories, had explored the search for Gallifrey story arc, and featured more Time Lord characters then it would have been better.

I see the ideal layout of the Capaldi era overall being this.

1/ Capaldi does 5 years.

2/ The Daleks, the Robert Carlyle version of the Master and the Brian Blessed version of Rassilon are the most recurring old enemies throughout his era (with other old enemies only appearing fleetingly, maybe once or twice each in his era. The rest of the time, its all new villains.)

3/ Return to historicals and stories set on alien planets. NO stories about the companions home life

4/ Capaldi is not undermined for his companions.

5/ Focus is put on Capaldi rather than on setting things up for the next Doctor to be a woman.

Sadly however I feel that they wasted Capaldi for the 4 years they had him. Still you might feel differently or have your own ideas about the series, so let me know in the comments below.

Thanks for reading.